Victorian Horror

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

Featuring work by Charles Dickens, Mary Elizabeth Braddon, Clara Venn and Hume Nisbet, this collection of nine enduring stories - some well-known, others less familiar - evoke the many spirits of Christmas. Featuring misty journeys to distant loved ones, Christmas Eve manifestations and lonely, frost-filled vigils.

Arthur Conan Doyle was the greatest genre writer Britain has ever produced. Throughout a long writing career, he drew on his own medical background, his travels, and his increasing interest in spiritualism and the occult to produce a spectacular array of Gothic tales. Many of Doyle's writings are recognized as the very greatest tales of terror. They range from hauntings in the polar wasteland to evil surgeons and malevolent jungle landscapes. This collection brings together over 30 of Conan Doyle's best Gothic tales

A selection of 17 classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Charles Dickens and M. R. James, alongside several unjustly overlooked gems by less familiar names who were hugely popular and prolific in their day.

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

1899. Ten long years since the shocking events that led to Constance Bentwith’s incarceration in Bedlam. The Hermetic Order of the Golden Dawn has split asunder, becoming a hotbed for dangerous minds. 10 years ago, Richard and Lily Kramer left the trauma of London behind them for the tranquil town of Ryde on the Isle of Wight. When an unexpected visitor from their past arrives, they are once again reluctantly drawn into the esoteric world of rituals and monsters. Only this time, the monsters are more human than they bargained for. And infinitely more dangerous.

Addressing the corpse of her husband, who has just been pronounced dead, a hysterical Mrs Arne prays that 'if there be a God in heaven, and if He ever answered a prayer, let Him...give you back to me'. Shortly afterward, an amazed doctor finds that the patient he had thought dead has somehow miraculously recovered. But as time goes by, it's clear that there is something unsettling about Edward Arne, something that frightens people, including his once-adoring wife.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Aubrey, an orphaned young gentleman in possession of a large fortune, arrives in London for the season where he meets the mysterious Lord Ruthven. Aubrey befriends Lord Ruthven and upon discovering that Ruthven is planning a trip to Europe, decides to take his grand tour at the same time and travel with him. The longer Aubrey is with Ruthven the more he discovers about him. He decides to distance himself from Ruthven; but is he already too late to save all that he holds dear from the thirst of the vampire?

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Best Books of 2021 · NPR ALA/The Reading List Best Horror 2021 Pick Longlisted for the Bram Stoker Awards for Superior Achievement in a Novel, 2021 From the Bram Stoker-nominated author of The Luminous Dead comes a gothic fantasy horror—The Death of Jane Lawrence. "Narrator Mandy Weston's...

Em Medicina dos horrores, a historiadora Lindsey Fitzharris narra como era o chocante mundo da cirurgia do século XIX, que estava às vésperas de uma profunda transformação. A autora evoca os primeiros anfiteatros de operações—lugares abafados onde os procedimentos eram feitos diante de plateias lotadas—e cirurgiões pioneiros, cujo ofício era saudado não pela precisão, mas pela velocidade e pela força bruta, uma vez que não havia anestesia. Não à toa, os mais célebres cirurgiões da época eram capazes de amputar uma perna em menos de trinta segundos.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Thirteen classic stories of horror and the supernatural by some of the greatest writers in the genre. This compilation includes a mix of well-known classics by authors such as Edith Nesbit, J. Sheridan Le Fanu and M. R. James, alongside several tales by less familiar names who were hugely popular and prolific in their day.

The narrator - the old nurse of the title - is an old family retainer who has worked in the service of the same family for three generations. She tells the young children about a dark incident that she experienced in the company of the children’s mother, when she was a young woman and visiting her mother’s ancestral home.

1851, Angel Meadow Asylum. Dr. Rutherford, principal physician to the insane, is found dead, his head bashed in, his ears cut off, his lips and eyes stitched closed. The police direct their attention towards Angel Meadow's inmates, but to Jem Flockhart and Will Quartermain the crime is an act of calculated retribution, rather than of madness. To discover the truth Jem and Will must pursue the story through the darkest corners of the city.

Few ghost stories are as chilling as the ones written by Victorian writers. Featuring work by H.G. Wells, Edith Wharton, F.G. Loring and Florence Marryat, this second volume of eight enduring stories, some well-known, others less familiar, transport you to a cosy fireside to hear tales of disembodied voices, haunted objects and unknown entities lurking in the shadows cast by candlelight.

On December 19th, 1851, a crime took place in the center of London. One of the few who knows what truly happened is Countess Alina Bronskaya. But she will never speak of it. The crime is her curse and her salvation.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

In early 1900s New York, former ballerina Petronille De Villier makes an unconventional choice: Marry struggling sculptor Arkady Kamenev. For her, it’s an escape from her family’s unsavory legacy. For him, the De Villier name promises the patronage his art desperately needs. It should be a simple arrangement. But beneath their marriage of convenience lurks a darker recognition. In each other, they see a reflection of their own dangerous appetites. As buried secrets surface and bodies begin disappearing, Petronille and Arkady discover their union runs deeper than social advantage.