White House Drama

Cass is a known high roller in the city, and his reign in the heroin trade has lasted for years. People on the street call his gorgeous estate the "White House" because of his political connections and power. His home is untouchable and off-limits to the local hoodlums. But all this changes the night he meets Draya, an opportunistic beauty queen. She meticulously orchestrates a robbery, which goes smoothly - until the tables turn. Five people walk into the house, but only one walks out.

Lorena Hickok meets Eleanor Roosevelt in 1932 while reporting on Franklin Roosevelt's first presidential campaign. Having grown up worse than poor in South Dakota and reinvented herself as the most prominent woman reporter in America, "Hick", as she's known to her friends and admirers, is not quite instantly charmed by the idealistic, patrician Eleanor. But then, as her connection with the future first lady deepens into intimacy, what begins as a powerful passion matures into a lasting love, and a life that Hick never expected to have.

Hidden far from sight, deep in the thick underbrush of the North Florida woods are the ghostly graves of more than 30 unidentified bodies, some of which are thought to be children who were beaten to death at the old Florida Industrial School for Boys at Marianna. It is suspected that many more bodies will be found in the fields and swamplands surrounding the institution.

Told from multiple points of view - including those of James and Dolley Madison and a British admiral - this is the true story of the burning of the White House in 1814. It's unimaginable today, even for a generation that saw the Twin Towers fall and the Pentagon attacked. It's unimaginable because in 1814, enemies didn't fly overhead; they marched through the streets, and for 26 hours in August, the British enemy marched through Washington, DC, and set fire to government buildings, including the US Capitol and the White House.

Anna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. In Notes from the Field, she renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons.