Women Childhood

Ronni Sunshine left London for Hollywood to become a beautiful, charismatic star of the silver screen. But at home she was a narcissistic, disinterested mother who alienated her three daughters. As soon as possible, tomboy Nell fled her mother's overbearing presence to work on a farm and find her own way in the world as a single mother. The target of her mother's criticism, Meredith never felt good enough, thin enough, pretty enough. Her life took her to London - and into the arms of a man whom she may not even love.

Sally grew up in a dilapidated house by the sea where men were forbidden, her childhood world filled with mystery and intrigue. Hippies trailed through the kitchen looking for God - their leader was Aunt Di, who ruled the house with charismatic force. When Sally’s baby brother vanished from his pram, she became suspicious of the activities going on around her. What happened to Baby David and the woman called Poor Sue? And where did all the people singing and wailing prayers in the front room suddenly go?

To save her Tennessee bed-and-breakfast, Sophie Bates needs a fast-cash miracle. Holden McKenzie, her childhood best friend, needs to prove to a prospective employer that he’s a committed man. Their fortunes on the line, Holden proposes...a solution. He’ll take care of Sophie’s bills if she agrees to a temporary marriage of convenience. And why not? They’re comfortable together, they have fun, and they trust each other. It’s as simple as saying “I do.” But the off-the-cuff wedding has all of Honey Creek talking.

For Ingrid Rojas Contreras, magic runs in the family. Raised amid the political violence of 1980s and '90s Colombia, in a house bustling with her mother’s fortune-telling clients, she was a hard child to surprise. Her maternal grandfather, Nono, was a renowned curandero, a community healer gifted with what the family called “the secrets”: the power to talk to the dead, tell the future, treat the sick, and move the clouds.

He's a reclusive writer whose imagination creates chilling horror novels. She's a down-on-her-luck actress reduced to staging kids' puppet shows. He knows a dozen ways to kill his characters with his bare hands. She knows a dozen ways to kill an audience with laughs. But she's not laughing now.

When Susannah Breslin is a toddler, her parents enroll her in an exclusive laboratory preschool at the University of California, Berkeley, where she becomes one of 128 children who are research subjects in an unprecedented 30-year psychological experiment that predicts who she and her cohort will grow up to be. Decades later, trapped in an abusive marriage to a man with a violent history and battling breast cancer, she starts to wonder how growing up under a microscope shaped the person she became and her life choices. Is she the narrator of the story of her life, or is something else?

Dana Trent is only a preschooler the first time she uses a razor blade to cut up weed and fill dime bags for her schizophrenic father, King. While King struggles with his unmedicated psychosis, Dana’s mother, the Lady, a cold and self-absorbed woman whose personality disorders rule the home, guards large bricks of drugs from the safety of their squalid trailer. But when the Lady impulsively plucks Dana from the Midwest and moves the two of them south, their fresh start results in homelessness and bankruptcy.

When Lucy Mangan was little, stories were everything. They opened up new worlds and cast light on all the complexities she encountered in this one. She was whisked away to Narnia and Kirrin Island and Wonderland. She ventured down rabbit holes and womble burrows into midnight gardens and chocolate factories. She wandered the countryside with Milly-Molly-Mandy and played by the tracks with the Railway Children.

Sometimes there is an entire year that sparkles in the memory as a time brimming over with the fullness of life. By the age of 10, Annie’s intervals of awakening began to occur more frequently; the hours and minutes of the years that followed were spent reveling in the delights and the anguishes that accompany being fully alive.

In March 2020, Martha McPhee, her husband, and their two children set out for her childhood home in New Jersey, where she finds herself grappling simultaneously with a mother slipping into severe dementia and a house that’s fallen into neglect. As Martha works to manage her mother’s care and the sprawling, ramshackle property—a broken septic system, invasive bamboo, dying ash trees—she is swept back, unwillingly, into memories of her fraught, dysfunctional childhood.

Margaret Staples was nine years old at the beginning of 1939 when her father was posted to the British colony of Malta with the Royal Engineers. Swimming every day, with blue skies and balmy weather; Margaret and her siblings thought they were in paradise. Everything changed when the Second World War broke out. Hitler wanted to take control of Malta for its strategic position, right in the middle of the Mediterranean.

Mary MacLeod's mother died in childbirth when Mary was five, an event that marked for the child a "before time" - a lost joyful time - and after. She was shunted from one relative to another while her father coped with his grief. He married again only nine months later, perhaps to have a mother for his child, but her new mum, harsh and withholding of her love, quickly exerted complete control over her thoughts and deeds, with her father oblivious.

Nowhere Like This Place is a coming-of-age memoir set against the backdrop of the weirdness of an enclave with more PhDs per capita than anywhere else on Earth. It’s steeped in thinly-veiled sexism and the searing angst of an artsy child trapped in a terrarium full of white-bread nuclear scientists and their nuclear families. Everything happens, and nothing happens, and it all works out in the end. Maybe.

Carla Funk grew up in a place of logging trucks and God, pellet guns and parables. Every Sunday, she sat with her mother and brother in the same pew at the Mennonite church while her dad stayed home with his cigarettes and a fridge full of whiskey. In these tender, humorous stories, Funk stitches together the wondrous and the mundane: making snow angels and carrying sacks of potatoes, tossing pig bladders like footballs, and vying for the Christmas pageant spotlight.

After spending years traveling the world with the military, Rose O'Malley is ready for a change. Heading back to Texas to hold down the fort at her aunt's bed-and-breakfast will give Rose just the break she needs. But while she may speak seven languages, she can't repair a leaky sink to save her life. When Hudson Baker strides in like a hero and effortlessly figures out the fix, Rose can't help wondering if the boy she once crushed on as a kid could now be her saving grace. Hud has always been rock-solid and dependable - a quintessential cowboy to his core.

Gail's family was poor but rich with love. When her mother was in the hospital giving birth to the youngest child, their house burned. Before leaving the hospital, Gail’s mother was diagnosed with cancer. When her mother died, Gail and her siblings went to stay with their family, eventually living at her grandmother's house. Although warned that this was not a good decision, Gail’s father felt it was his only option. However, it was nearly fatal for little Gail. Her father—her hero—saved her in the nick of time.

In The Genius of Judy, her remarkable story is revealed as never before, beginning with her as a mother of two searching for purpose outside of her home in 1960s suburban New Jersey. The books she wrote starred regular children with genuine thoughts and problems. But behind those deceptively simple tales, Blume explored the pillars of the growing women’s rights movement, in which girls and women were entitled to careers, bodily autonomy, fulfilling relationships, and even sexual pleasure.

Don’t Expect Me to Cry is a powerful story of the horrors Janet experienced at the hands of multiple abusers, including her father, and the courageous journey of healing that brought her to a life that is inspirational to other survivors. Janet’s resilience is evident as she tells her story in three parts, reflecting her thoughts and experiences at critical stages of her life. She explains how, from that place of despair, she learned that it is possible to heal from the dark shame and trauma and live a steadier and more content life.

To Julie Metz, her mother, Eve, was the quintessential New Yorker. Eve rarely spoke about her childhood and it was difficult to imagine her living anywhere else except Manhattan, where she could be found attending Carnegie Hall and the Metropolitan Opera or inspecting a round of French triple crème at Zabar’s. After her mother passed, Julie discovered a keepsake book filled with farewell notes from friends and relatives addressed to a ten-year-old girl named Eva.

Adulthood comes all too quickly when the baker’s son sets his sights on her. Offered a blood orange, Oliva—haunted by her mother’s warning, “a girl who smiles has already said yes”—spurns the fruit. Yet, this act sets into motion an unwanted courtship that will force Oliva to fight for the right to choose her own path, even though the odds of winning are steep. While America and Europe are in the throes of social change, Sicily fiercely clings to its rigid traditions, including the custom of fuitina–by which kidnappings could be disguised as elopements–which is accepted and enshrined in law.