Women Sleuths Detective

Nothing much happens in Myrtle Grove, Oklahoma. So when prominent businessman Harry Kerr is discovered face down in his pool shortly after dawn, the breakfast crowd in Jesse Camden's tearoom is buzzing. Recognizing the name, Jesse hurries to her friend Vivian Windsor, Myrtle Grove's resident oil heiress. Vivian is the great-aunt to Bliss Kerr, widow of the deceased and soon-to-be prime suspect in his suspicious death.

Detective Josie Quinn lifts the baby from the pram, holding her close and gently soothing her. Josie scours the scene for the sweet little girl’s mother, but the park is deserted. Glancing down, something catches her eye. Nestled amongst the child’s soft pink blankets is a polaroid photo, the corner smudged with blood. The search for Cleo Tate has Josie and her team in a chokehold; the abandoned newborn needs her mother, and every second counts now lab results show the blood belongs to her. The blurred photo of a body of water is Josie’s only lead. But what does it mean?

When Dorothy’s obnoxious date is found dead in a hotel freezer, it not only ruins a gorgeous cheesecake but threatens the elaborate St. Olaf-themed wedding Rose is hosting.

Rachel Goldman writes mysteries in which Duffy Madison, consultant to the county prosecutor's office, helps find missing persons. Rachel is busy working on her next book when a man calls out of the blue asking for help in a missing person case. The caller's name? Duffy Madison. Is this real, or has she lost her mind? She doesn't have much time to find out, because a serial killer is on the loose, kidnapping and murdering mystery authors. And Rachel may just be the next target.

In the winter of 1924, Daisy Dalrymple Fletcher travels to a school friend's house to witness the estate's famous Guy Fawkes celebration. But she gets more than the quiet weekend at the quaint family manse that she was originally hoping for. The home is the site of some severe family tension. The Viscount and head of the family is a strict and unyielding sort, insisting that everyone - especially his children - meet his own unreasonable expectations. On the evening of the Guy Fawkes celebration, the Viscount is found dead on the floor of his study, killed by his own hand.

Childbirth can be dangerous even for the wealthy. So when opera singer Claire Buchanan shows Prudence and Geoffrey a postmortem cabinet photograph of her deceased twin sister and newborn niece, they express sadness but not surprise. The popular black-bordered portraits are the era's way of coping with the devastating losses that plague every family. What makes this death different is that Claire is convinced Catherine and her child were murdered.

London 1884. Electricity pioneer Simon Borthwick lights up Victorian London with a stunning illuminations display - then shoots himself in a hansom cab. Plucky Fleet Street reporter Penny Green witnesses the inventor's death and suspects the clue to his suicide lies in a mysterious letter he left behind. But can she persuade Inspector James Blakely of Scotland Yard that a crime has been committed? Borthwick isn't the only person who died that day, and Penny soon encounters a shadowy world which the police can't get close to.

Isabel Dalhousie grapples with complex matters of the heart as she tries to juggle her responsibilities to friends, family, and the philosophical community. With two small boys to raise, a mountain or articles to edit for the Review of Applied Ethics, and the ever-increasing demands of her niece, Cat, who always seems to need a helping hand at the deli, Isabel barely has any time for herself. Her husband, Jamie, suggests acquiring extra help, and she reluctantly agrees.

It's late 1936, and King Edward is in turmoil, having fallen in love with the scandalously divorced and even more scandalously American Wallis Simpson. He wants to marry her but knows that doing so will jeopardize his crown. Edward confides in his dear friend Darcy, Georgie's husband, and the couple agree to hide Wallis in their home while Edward figures out what to do. But unbeknownst to Georgie and Darcy, Sir Hubert, the owner of the estate, has given a film crew permission to shoot a motion picture about Henry the Eighth and Anne Boleyn on the grounds

Boston expat Maura Donovan has been getting accustomed to Irish living, complete with an inherited house and a pub named Sullivan’s. But now, her mother has returned - and she’s brought Maura’s half-sister in tow. To make matters more confusing, a handful of Cork University students are knocking on Maura’s door, asking about a mystical fairy fort that happens to be located on Maura’s piece of land. Then one of the students disappears after a day of scoping out the fort, and Maura uncovers a decades-old corpse.

First-year detective Kathleen Doyle is a plucky Irish redhead of humble origins and modest means. Chief Inspector Michael Acton is her antithesis: a British lord turned cop. He's tall, handsome, and enigmatic - to a fault. He also has a knack for solving London's most high-profile crimes. Acton selects Doyle out of the newbie squad to partner with him on a series of investigations because she always knows when someone is lying - a trait that comes in handy when interviewing suspects and witnesses.

Amongst the rows of charming, brightly painted cabins, an elderly man's beach hut is set on fire in the middle of the night—while he sleeps inside. By day, Fiona, Sue, and Daisy volunteer at the Dogs Need Nice Homes charity shop. By night, they investigate crimes. And they're determined to get to the bottom of this murder. Malcolm Crainey was an obsessive beach-comber who lovingly decorated his hut with the treasures he found by the sea. Who'd want to kill a harmless old man?

Three very different women come together at an isolated cottage on the North Pennines to complete an environmental survey. Three women who each know the meaning of betrayal. Rachael is the first to arrive at the cottage, but when she gets there she is shocked to discover an apparent suicide. But then another death occurs, and a fourth woman enters the picture – the unconventional Detective Inspector Vera Stanhope, who must piece together the truth from these women’s tangled lives.

When small-town Police Chief Arly Hanks returns to Maggody, Arkansas, after vacation, she finds the population has risen to a booming 802. Among the newbies: Madame Celeste, the psychic who's holding locals in thrall with her predictions of doom; a handsome new high school guidance counselor; and a gaggle of mantra-chanting hippies who have turned the old general store into the source for cosmic harmony. Unfortunately, life in Maggody is anything but harmonious.

The inimitable Daisy Dalrymple Fletcher and her husband Detective Chief Inspector Alec Fletcher seem to get a reprieve from their sleuthing duties when they are invited to the wedding of their friend, Lucy Fotheringay. Lucy's grandfather is hosting the ceremony at his beautiful estate and so it promises to be a typical affair with hordes of gossipy aunts and other colorful, but not necessarily pleasant, relatives. Daisy meets all these characters and observes the ensuing familial fraternization with a certain kind of amusing nonchalance.

After a family tragedy, a tough Chicago cop returns to her hometown in rural Pennsylvania. Now a detective on the local police force, she investigates the murder of a teenage Amish girl. Soon, her and her son’s lives are in danger as she uncovers the dark underbelly of the picture-postcard town where anyone can be the killer. Book One in the Detective Beth Gould, AMISHLAND, murder mystery thriller series.

In the summer of 1924, the Honourable Daisy Dalrymple Fletcher is off on a holiday by the sea with her step-daughter Belinda, Belinda's chum Deva, and Daisy's husband, Detective Chief Inspector Alec Fletcher of Scotland Yard. Daisy is anticipating a relaxing, nondramatic holiday. But Daisy doesn't have that kind of luck.

Katie LeClair has finally settled down as the new doctor in Baxter, Michigan. After years of moving, schooling, and training, she wants nothing more than to find a place she can call home, and a small town outside of Ann Arbor seems perfect. Katie quickly gets to work in building a life for herself in Baxter, and beyond reviving her love life, she also finds a pair of business partners in a team of father and son family practitioners. But that idyllic dream is immediately shattered when one of her patients is found dead.

In the late 1920s in England, the Honorable Daisy Dalrymple Fletcher is recruited to help her cousin Edgar - i.e. the Lord Dalrymple. About to turn 50, Lord Dalrymple decides it is time to find out who would be the heir to the viscountcy. With the help of the family lawyer, who advertises Empire-wide, they have come up with four potential claimants. For his fiftieth birthday, Edgar invites those would-be heirs - with Daisy and the rest of the family - to Fairacres, the family estate.

When business magnate Robert Jeffreys announces his investment in airships, he hosts a promotional flight for a group of reporters. Working undercover in the crew is retired spy Augusta Peel. She’d rather be working on her book repair business, but Inspector Fisher of Scotland Yard has persuaded her to help with a surveillance operation. The press trip on the airship takes a turn when a body is found in a cabin. Can Augusta identify the murderer? It’s tricky to find a motive among the sophisticated passengers—some of them are sophisticated liars, too.