With ailing family to support, Evie Sage's employment status isn't just important, it's vital. So when a mishap with Rennedawn's most infamous Villain results in a job offer—naturally, she says yes. No job is perfect, of course, but even less so when you develop a teeny crush on your terrifying, temperamental, and undeniably hot boss. Don't find evil so attractive, Evie. But just when she's getting used to severed heads suspended from the ceiling and the odd squish of an errant eyeball beneath her heel, Evie suspects this dungeon has a huge rat . . . and not just the literal kind.

Everyone says opposites attract. And they must be right, because there’s no logical reason why I’m so drawn to Colin Fitzgerald. I don’t usually go for tattoo-covered, video-gaming, hockey-playing nerd-jocks who think I’m flighty and superficial. His narrow view of me is the first strike against him. It doesn’t help that he’s buddy-buddy with my brother. And that his best friend has a crush on me. And that I just moved in with them. Oh, did I not mention we’re roommates?

Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

I caught the attention of a monster. I didn’t ask for it. Didn’t even see it coming. But the moment I do, it’s too late. Killian Carson is a predator wrapped in sophisticated charm. He’s cold-blooded, manipulative, and savage. The worst part is that no one sees his devil side. I do. And that will cost me everything. I run, but the thing about monsters? They always chase.

She's about to make a deal with the college bad boy.... Hannah Wells has finally found someone who turns her on. But while she might be confident in every other area of her life, she's carting around a full set of baggage when it comes to sex and seduction. If she wants to get her crush's attention, she'll have to step out of her comfort zone and make him take notice, even if it means tutoring the annoying, childish, cocky captain of the hockey team in exchange for a pretend date.

As niece of the king, Elise Lysander cares about two things: sneaking into gambling dens, and avoiding an advantageous marriage at all costs. When her uncle holds the life of her deathly ill father over her head, reluctantly, Elise puts her fate into the hands of Legion Grey, the handsome and mysterious dowry negotiator. He may be arrogant and infuriating, but soon Legion incites a blistering, forbidden passion she can’t ignore.

Nineteen-year-old Signa Farrow, orphaned as a baby, has been raised by a string of guardians, each more interested in her wealth than her well-being—and each has met an untimely end. Her last remaining relatives are the Hawthornes, an eccentric family living at the glittering and gloomy estate of Thorn Grove. Thorn Grove’s patriarch, Elijah, mourns his late wife, Lillian, through wild parties and drink, while eldest son Percy grapples for control of the family’s waning reputation and daughter Blythe suffers from the same mysterious illness that killed her mother.

When Pestilence comes for Sara Burn’s town, one thing is certain: everyone she knows and loves is marked for death. Unless, of course, the angelic-looking horseman is stopped, which is exactly what Sara has in mind when she shoots the unholy beast off his steed. Too bad no one told her Pestilence can’t be killed. Now the horseman, very much alive and very pissed off, has taken her prisoner, and he’s eager to make her suffer. Only, the longer she’s with him, the more uncertain she is about his true feelings towards her, and hers towards him. And now, well, Sara might still be able to save the world, but in order to do so, she'll have to sacrifice her heart in the process.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

Effy Sayre has always believed in fairy tales. Haunted by visions of the Fairy King since childhood, she’s had no choice. Her tattered copy of Angharad—Emrys Myrddin’s epic about a mortal girl who falls in love with the Fairy King, then destroys him—is the only thing keeping her afloat. So when Myrddin’s family announces a contest to redesign the late author’s estate, Effy feels certain it’s her destiny. But musty, decrepit Hiraeth Manor is an impossible task, and its residents are far from welcoming.