
Hell House
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Narrateur(s):
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Ray Porter
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Auteur(s):
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Richard Matheson
À propos de cet audio
“Hell House is the scariest haunted house novel ever written. It looms over the rest the way the mountains loom over the foothills.” — Stephen King
From the author of I Am Legend comes Hell House, the basis for the supernatural horror film starring Pamela Franklin, Roddy McDowall, Clive Revill.
For over twenty years, Belasco House has stood empty. Regarded as the Mount Everest of haunted houses, its shadowed walls have witnessed scenes of unimaginable horror and depravity. All previous attempts to probe its mysteries have ended in murder, suicide, or insanity. But now, a new investigation has been launched, bringing four strangers to Belasco House in search of the ultimate secrets of life and death. A wealthy publisher, brooding over his impending death, has paid a physicist and two mediums to establish the facts of life after death once and for all. For one night, they will investigate the Belasco House and learn exactly why the townsfolk refer to it as the Hell House.
Hell House, which inspired the 1973 film The Legend of Hell House, is Matheson’s most frightening and shocking book and an acknowledged classic of the genre.
©1999 Richard Matheson (P)2008 Blackstone Audio, Inc.A superb ghost story
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3 Star Appeal
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Good entertainment
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The storyline and characters fit together so perfectly, and the narration done by Ray Porter was absolutely superb.
I highly recommend this book
Masterpiece!
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Porter delivers a CRACKER!
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The narrator is excellent, and really makes the dialogue come alive. There's never any question as to who is talking, and he can do the scary voices quite well. I am picky with narration, but I'd listen to anything by Ray Porter any day.
Disturbingly good!
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Ray Porter delivers a masterful reading. His performance is reserved but full of emotion.
This trope-establishing novel is worth 8.5 stars out of 10.
Stephen King is right. Genuinely Scary
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Nonsensical Filler!
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Awful narration
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I would like to begin by saying that Ray Porter read the book well, he is absolved from blame in this.
But the book relies on tawdry use of rape and homophobia to drive the horror. The rape elements come across as more gross and sensationalist than anything else, and the homophobia just comes across as awkward and is only frightening if you are homophobic.
This book falls in line with the piles of moralizing horror wherein people are punished for moral lapses (as defined by the author).
The ultimate reveal fell utterly flat. It felt like we were given an obvious answer to a question we never asked.
In the past I have never understood when women complain about how male writers describe women. But Oh. My. Gosh! I clearly have just been lucky in my book choices! This book had my eye’s rolling into the roof with the hyper-sexualized descriptions of women (and, notably, never men). Except for the possibly-lesbian woman who was described as looking very masculine - so he didn’t miss the opportunity to feed into those tired stereotypes.
He also REALLY overused the word “hissing.”
In short, this book felt much more gross than it felt frightening.
I agree with a reviewer on Goodreads that this book reads more like a perverse straight male fantasy than a work of horror.
Relies on rape and homophobia to drive the horror.
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