The Hull family has owned the Gallows Hill Winery for generations. Their wine wins awards. Their business prospers. Their family thrives. People whisper that the curse has awakened once more. The sprawling old house has long been perched on top of a hill overlooking the nearby town, jealously guarding the estate's secrets.

Hundreds of feet beneath the ocean's surface, a graveyard waits. Years ago, the SS Arcadia vanished without a trace during a routine voyage. Though a strange, garbled emergency message was broadcast, neither the ship nor any of its crew could be found. Sixty years later, its wreck has finally been discovered more than three hundred miles from its intended course: a silent graveyard deep beneath the ocean's surface, eagerly waiting for the first sign of life.

While in college in upstate New York, Shay Evans and her best friends met a captivating man who seduced them with a web of lies about the way the world works, bringing them under his thrall. By senior year, Shay and her friend Laurel were the only ones who managed to escape. Now, eight years later, Shay’s built a new life in a tony Texas suburb. But when she hears the horrifying news of Laurel’s death―delivered, of all ways, by her favorite true-crime podcast crusader―she begins to suspect that the past she thought she buried is still very much alive.

These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers. Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than 20 women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. She will do anything to get close to him, so when he gives her a task, she eagerly accepts it. She has no idea of the horror that awaits her.

When Margaret and her husband Hal bought the large Victorian house on Hawthorn Street—for sale at a surprisingly reasonable price—they couldn’t believe they finally had a home of their own. Then they discovered the hauntings. Every September, the walls drip blood. The ghosts of former inhabitants appear, and all of them are terrified of something that lurks in the basement. Most people would flee. Margaret is not most people. Margaret is staying.

It's 1994, and three stand-up comedians have embarked on a tour of smaller communities across a remote stretch of rural countryside. Dale is a forty-something comic from Chicago who's on the back half of a mediocre career and thinking about quitting the business. Rynn is a twenty-something fast-rising comedy star from Dublin with a big Hollywood break on her horizon. The third performer is a local act, a late addition to the bill who has agreed to open the shows and do all the driving. He goes by the name Hobie Huge, and he is, indeed, enormous.

When Louise finds out her parents have died, she dreads going home. She doesn’t want to leave her daughter with her ex and fly to Charleston. She doesn’t want to deal with her family home, stuffed to the rafters with the remnants of her father’s academic career and her mother’s lifelong obsession with puppets and dolls. She doesn’t want to learn how to live without the two people who knew and loved her best in the world. Most of all, she doesn’t want to deal with her brother, Mark, who never left their hometown, gets fired from one job after another, and resents her success.

1920s England. Sarah Piper’s lonely, threadbare existence changes when her temporary agency sends her to assist an obsessed ghost hunter. Alistair Gellis—rich, handsome, and scarred by World War I—has been summoned to investigate the spirit of the nineteen-year-old maid Maddy Clare, who is said to haunt the barn where she committed suicide.

Grim Wolds, England: Winifred Notty arrives at Ensor House prepared to play the perfect governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But long, listless days spent within the estate’s dreary confines come with an intimate knowledge of the perversions and pathetic preoccupations of the Pounds family—Mr. Pounds can’t keep his eyes off Winifred’s chest, and Mrs. Pounds takes a sickly pleasure in punishing Winifred for her husband’s wandering gaze.

A "suspenseful, atmospheric tale. . .punctured by a gut-punch twist" (Entertainment Weekly), A Boy and His Dog at the End of the World is a story of survival, courage and hope amid the ruins of our world. My name's Griz. I've never been to school, I've never had friends, and in my whole life...