In this 2018 New York Times Notable Book,Paige Williams "does for fossils what Susan Orlean did for orchids" (Book Riot) in her account of one Florida man's attempt to sell a dinosaur skeleton from Mongolia—a story "steeped in natural history, human nature, commerce, crime, science, and politics" (Rebecca Skloot).

On the surface, Denny Voss’s life in rural Minnesota is a quiet one. At thirty years old, he lives at home with his elderly mother and his beloved blind and deaf Saint Bernard, George. He cleans up roadkill to help pay the bills. Though his prospects are limited by a developmental delay—the result of an accident at birth—Denny has always felt that he has “a good life.” So how did he wind up being charged with the murder of a mayoral candidate—after crashing a sled full of guns into a tree?

After being fired from his last two jobs, Ryan Clark lands an associate position with a law firm run by his distant cousin, Tom, in a small North Carolina town. Over twenty-five years earlier, Tom represented local man Joe Moore when he was convicted of murder in the deaths of a prominent young couple. Even though the evidence was circumstantial, Joe was high on drugs and doesn't remember the details of the crime. He never seriously questioned his own guilt, but Joe's family remains unconvinced of his guilt, and they hire Ryan and Tom to file a motion to obtain Joe's release.

A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories. Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations.

After a tragedy separates her from her mother, Juana García leaves in search of her father, who left them two years earlier. Out of money and in need of someone to help her across the border, Juana meets Adelina Vasquez, a young woman who left her family in California to follow her lover to Mexico. Finding themselves - in a Tijuana jail - in desperate circumstances, they offer each other much needed material and spiritual support and ultimately become linked forever in the most unexpected of ways.

For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.

Socially awkward Chloe Cooper divides her time between dog walking, bartending, caring for her ailing mother, and at a safe distance, watching people and inventing the stories of their lives. Like Chloe’s new neighbors: glamorous influencer Jemma Spengler and Jemma’s husband, Adam, a renowned surgeon. They’re attractive, wealthy, and in a house of open windows, so exposed.

Florence, South Carolina 1944: Lieutenant Raymond Sellers bids farewell to his brother Jimmie, the weight of what lies ahead hanging heavy in the air. The brothers have always been inseparable—Raymond, the steady protector, Jimmie, the wild-hearted dreamer. But as Raymond embraces his pregnant wife Evelyn one last time, war is about to test the bonds of family in ways they never imagined. As a summer storm shakes the windows, Evelyn brings her baby into a world at war.

Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and her rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show—putting her teaching job at risk—and her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.

Michael is coming undone. Adrift after his wife's departure, he has begun taking himself on long, solitary walks across the English countryside. Becoming ever more reclusive, he’ll do anything to avoid his empty house. Marnie, on the other hand, is stuck. Hiding alone in her London flat, she avoids old friends and any reminders of her rotten, selfish ex-husband. Curled up with a good book, she’s battling the long afternoons of a life that feels like it’s passing her by.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

Mary Mulligan has two problems: her wisdom teeth…and everything else. Her only daughter is moving overseas. Her husband would rather go golfing than spend time with her. And Mary’s left to wonder why she abandoned her career ambitions when loneliness is all she has to show for it. Plus her teeth really, really hurt. But that’s one problem she can fix—never mind the stories that say if she gets her wisdom teeth removed, the last thirty years of her life will be erased. In fact, Mary wouldn’t mind if the Mulligan curse were actually true.

In this stunning debut novel, four generations of complex Black women contend with motherhood and daughterhood, generational trauma and the deeply ingrained tensions and wounds that divide them as they redefine happiness and healing for themselves.

The women of the Cohen family are in crisis. Triggered by the death of their patriarch, Rudy, the glue that held them all together, everyone’s lives soon take a dramatic turn. Shelly, the younger of the two Cohen sisters, runs off to the West Coast to immerse herself in the emerging (and lucrative) world of technology. Her sister, Nancy, gets married at the age of twenty-one to a traveling salesman with a shadowy lifestyle, while their mother, Frieda, hurls herself into a boozy, troubled existence in Miami, trying to forget the past even as it haunts her.