Gifted with meta-human powers, Tori Rivas kept away from the limelight, preferring to work as a thief in the shadows. But when she's captured trying to rob a vault that belongs to a secret guild of villains, she's offered a hard choice: prove she has what it takes to join them or be eliminated. Apprenticed to one of the world's most powerful (and supposedly dead) villains, she is thrust into a strange world where the lines that divide superheroes and criminals are more complex than they seem.

Timid, socially awkward, and plagued by self-esteem issues, Fred has never been the adventurous sort. One fateful night - different from the night he died, which was more inconvenient than fateful - Fred reconnects with an old friend at his high school reunion. This rekindled relationship sets off a chain of events thrusting him right into the chaos of the parahuman world.

What happens when the haggling is done and the shops are closed? When the quest has been given, the steeds saddled, and the adventurers are off to their next encounter? They keep the world running, the food cooked, and the horses shoed, yet what adventurer has ever spared a thought or concern for the Non-Player Characters? In the town of Maplebark, four such NPCs settle in for a night of actively ignoring the adventurers drinking in the tavern when things go quickly and fatally awry.

Adair Finch is the most powerful warlock in the world, and one of the best private investigators for hire. He has dealt with corporate vampires, murderous werewolves, and even fae royalty. Everything was perfect until he lost one case—the case where he also lost his brother. So Finch retired. From magic. From PI work. From everything. Bree Blackstone, a twelve-year-old witch, doesn’t know or care about any of that except Finch’s reputation. In the middle of the night, she bangs on Finch’s door. Her mother has been murdered, and now the assassin is after Bree as well.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place which might sound and smell very much like our own, but which looks completely different. Collected together for the first time are seven full-cast BBC Radio dramatisations of Terry Pratchett’s novels, with star-studded casts including Martin Jarvis, Sheila Hancock, Anton Lesser, Philip Jackson, Alex Jennings and Mark Heap.

In the year 2107, the world has both made astounding leaps forward and reduced humanity to its most basic existence. While the megacorps and those who rule them enjoy lives of extraordinary comfort and ease, most people barely scrape by, doing whatever they can to keep going. Juliet Bianchi is one of the latter. She works cutting metal in a scrapyard and doesn't have much to show for it except for a small group of equally bereft, fiercely loyal friends. Still, she maintains a bright disposition, possessing more hope and optimism than anyone would expect her to—and she's going to need it.

Through the ages of Britain, from the 15th century to the 21st, Edmund Blackadder has meddled his way along the bloodlines, aided by his servant and sidekick, Baldrick, and hindered by an assortment of dimwitted aristocrats. Now the complete history of Blackadder is collected together, including the four TV series: The Black Adder, Blackadder II, Blackadder the Third and Blackadder Goes Forth.

My name is Cade Ombra, and though I currently make my living as a mercenary wonderist, I used to have a far more noble-sounding job title—until I discovered the people I worked for weren't quite as noble as I'd believed. Now I'm on the run and my only friend, a homicidal thunder mage, has invited me to join him on a suicide mission against the seven deadliest mages on the continent. Time to recruit some very bad people to help us on this job.

Katmai National Park: 7,000 square miles of rugged, isolated wilderness in southern Alaska. Vast stretches of frozen tundra, deep ancient forests, and impassable ravines ruled by the massive volcanic God, Devil's Desk. Despite the vigorous protests of Michael, the Talbots and the Tynes head to the park for a much-needed vacation away from it all.

The adventuring industry drives the economy of Arth, a world much like our own but with more magic and fewer vowels. Monsters' hoards are claimed, bought by corporate interests, and sold off to plunder funds long before the Heroes' Guild actually kills the beasts. Of course, that's a terrible arrangement for the Shadowkin; orcs, goblins, kobolds, and their ilk must apply for to become Noncombatant Paper Carriers (or NPCs) to avoid being killed and looted by heroes.