Beautiful

Dan Stevens is a wonderful narrator, and Robert Fitzgerald is a wonderful translator. The result here is one of the finest versions of The Iliad available.

It's hard to say what's so awe-inspiring about Fitzgerald’s verse. I don't read Greek, so I can only base my assessment on how it works as an English poem. I would call it crystalline, because the language has many sharply-edged facets. But that makes it sound static and over-engineered. And that's not right, because Fitzgerald’s verse is also rough and craggy like a mountain, and it cascades down cliffs like a waterfall. It's full of what Fitzgerald himself calls "the ruck of war."

The Iliad is largely dialogue, and it's in the back-and-forth speeches that Stevens really shines. His Homeric heroes don't just declaim, and their speeches are not just a continuation of the narrative by other means. Stevens gives them passion and turmoil. They express anger and sorrow, helplessness and despair, joy and excitement and overweening pride. In his hands, and with the sturdy foundation of Fitzgerald’s translation, the Homeric heroes in this audiobook LIVE.

One minor note about character names. Fitzgerald used transliterations of many of the names that are closer to the Greek but are odd-looking or -sounding to many people. The main character, for example, is Akhilleus. Two of the mighty Greek warriors are named Aias. Hector's mother is Hekabe. For this audiobook, the producers have substituted the more familiar forms (Achilles, Ajax) - though Hector’s mother remains Hekabe rather than Hecuba. I think this is the right decision: the poem is challenging enough even without the alternate names.

A couple of thoughts about the poem itself. Compared to the Odyssey, with its multi-layered narrative and symmetrical structure, The Iliad is pretty straightforward. Along its single chronological thread, there are many digressions and delays. Whole books (like Book 10) are given over to episodes that have nothing to do with the main action and don't advance it an inch. Heroes about to come to blows pause and recite pages of genealogy at each other. Parts of it read like they were written by committee.

Yet there are few works of literature that can reach the tragic grandeur of the death of Hector or even Patroclus; and I defy anyone with a heart to hear the encounter of Achilles and Priam without weeping.

So there's a lot of good stuff here. I can't wait to listen to the companion version of The Odyssey. There are so many good versions of Homer available on Audible, it would be hard to pick just one; and if I were a first-time listener, I'm not sure this is the one I would go with: the beauty of the language might be a distraction. But if you know the story and you want to be swept up by a narrative and linguistic treasure, this is definitely the one.

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There is no saving the sons of all mankind

It's the tenth year of the siege of Troy by the united Greek armies against the Trojans and their allies because the Trojan prince Paris spirited away the not unwilling Helen from her husband, the Spartan king Menelaus. Apollo has visited a plague upon the Greek army because its leader Agamemnon enslaved the daughter of the god's priest. And when the Greek uberhero Achilles tells Agamemnon to return the girl to placate Apollo, festering resentments burst open. Agamemnon declares that he'll take Achilles' prize-girl in compensation, provoking the hero to unsheathe his sword with murderous intent. Athena then pulls Achilles' hair and tells him just to threaten Agamemnon ('Sack of wine, you with your cur's eyes and your antelope heart!') and wait for payback. Thus Achilles withdraws himself and his Myrmidons from the Greek army to make the Greeks miss him when facing the Trojans and their hero Hector. The Iliad then depicts the consequences of Achilles' anger.

There is much carnage: bodies gaffed, skulls skewered, brains burst, teeth shattered, tongues severed, livers pierced, bowels uncoiled, tendons split, knees buckled, etc. Much vaunting over fallen foes and stripping them of their armor. Much reversal in morale and momentum as the gods inspire or aid one side or the other. No mercy: suppliants clasping the knees of their captors get their heads cut off. But in addition to the horror, tragedy, and waste of war, Homer also evokes its appeal: 'Take a fresh grip on courage! Fight like men!'

The poem is surprisingly funny, as when old Nestor rambles on about his youthful feats (when men were great!), the gods bicker, scheme, and kibitz, or Achilles insults Agamemnon or Hector Paris.

There are many memorable scenes, like Hector saying goodbye to Andromache and their baby boy; Greek Diomedes and Trojan ally Glaucus discovering that their grandfathers were friends; Hera seducing Zeus; Hephaestus crafting a shield for Achilles with all of human life animated on it; Achilles chasing Hector around Troy and Hector charging Achilles; Achilles trying to embrace the shade of Patroclus; Priam and Achilles weeping together over lost fathers, sons, and friends. . .

Every time one reads The Iliad, it excites, shocks, moves, and pleases. Why? Despite telling the story as a Greek, Homer avoids jingoistic posturing and enters the minds and hearts of Greeks and Trojans. He names the many who die on both sides. (The myriad names of winners and losers and their parents and homes accumulate into a critical mass of human endeavor and loss). He spends at least as much time with Trojans mourning Hector as with Greeks mourning Patroclus. He depicts everyone--even his gods and especially his heroes--as flawed, believable human beings. Achilles does become monstrous in his near-divine, mad butchery, damming a river with Trojan corpses and saying to the dying Hector, 'Would god my passion drove me to slaughter you and eat you raw.' (Hector's reply is sublime: 'I see you now for what you are.') Achilles has chosen martial fame over a long life, and his violence and anger are excessive and terrifying rather than meet and inspiring, while Hector is a whole man, a reluctant hero fighting for his city, people, and family. No wonder Hector is a much more popular given name in the world than Achilles!

And despite being a war poem, The Iliad is a paean to life. Yes, the characters host guests, perform sacrifices, interpret omens, conduct funeral games, and so on, but what really evokes life in all its forms are Homer's wonderfully detailed, extended epic similes comparing the heroes and their deeds to shipwrights, fishermen, shepherds, farmers, tanners, potters, dancers, boys, and women in labor; horses, heifers, oxen, deer, dogs, wolves, and lions; cicadas, bees, and flies; fires, snowflakes, storms, and squalls. Like this:

Think of an honest cottage spinner balancing weight
In one pan of the scales and wool yarn on the other,
Trying to earn a pittance for her children.
Even so poised as that were these great powers making war.

Fitzgerald's 1974 blank verse translation read by Dan Stevens is beautiful, lean, and dynamic. Fitzgerald likes simple words and compound words and names with Greek rather than Latin spelling (e.g., Akhilleus not Achilles). I think his translation is tighter than Lattimore's and Fagles'. I like all three:

And that was how that battle went--a din
of ironhearted men through barren air
rose to the sky, all brazen.
(Fitzgerald)

And so they fought and the iron din went rising up
to the bronze sky through the barren breathless air.
(Fagles)

So they fought on, and the iron tumult
went up into the brazen sky through the barren bright air.
(Lattimore)

As for the audiobooks of those translations, I much prefer Dan Stevens reading Fitzgerald to Charlton Griffon reading Lattimore and Derek Jacobi Fagles. Griffin's rolling delivery makes all his audiobooks sound alike, and his female voices are too high and nasal. He does read an interesting 90-minute introduction by Herbert J. Muller and introduces the books of the epic with cool 'Greek' music. Jacobi is a great actor, but he tends to overact when reading The Iliad by, for instance, stretching long vowels, and his audiobook is an abridgement. Though Stevens speeds up in the heat of the moment, he reads with perfect clarity, intelligence, and passion. His audiobook has no introduction, but after the poem a professor reads a section of The Iliad in the exotic original Greek.

The Iliad depicts a roughly 3000-year-old warrior culture based on men winning glory by fighting other men and stealing their possessions and enslaving their women, all while placating the touchy gods, though one can never avoid one's long ago decided fate. But the people in The Iliad are just like us--full of love, hate, joy, fear, and creative and destructive energy--and at times forget fate and gods: 'Safety lies in our own hands!'

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Perfect Experience

Would you recommend this audiobook to a friend? If so, why?

This audiobook was so amazing, I purchased a slew of other classics, hoping to recreate the profound appreciation of the original work that this version enabled me to do

Who was your favorite character and why?

They are all amazing. This is the Illiad. Men and Gods, all iconic. Literally.

Which scene was your favorite?

Too many to list here

If you were to make a film of this book, what would the tag line be?

Before Star Wars, before the Lord of the Rings...Homer's Illiad.

10 people found this helpful

A Classic Of Western Literature

I enjoyed listening to The Iliad very much. I knew very little about the Trojan War but had seen the movie "Troy" (which tells the story with some alterations and without mentioning how the gods interacted with humans - a key element of the story). Stevens (of "Downton Abbey") was an excellent narrator and I don't think I would have gotten as much from the book if I had only read it. Chapter two was particularly uninteresting to me as it was a listing of all the ships and the linage of their Captains who traveled with Agamemnon to Troy. The story itself gave me a better understanding of the Ancient Greeks and their way of life. I will probably listen to this again in the future.

17 people found this helpful

Brilliant!

Any additional comments?

I listened to samples of every version of the Iliad available on Audible before choosing this one. This was the right choice! The Fitzgerald translation is far more interesting and exciting than the other translations. For me, the other translations are excessively formal and stiff. Listening to this translation, I'm excited. I'm involved. I'm entranced. Dan Stevens' reading is simply brilliant, so much so that I would certainly rather listen to this book than read it. Stevens' tone and emphasis, and his portrayal of the characters, simply couldn't be better. Overall this is a marvelous translation and production. I am so glad I found it!!

7 people found this helpful

Dan Stevens' reading is emotive and enthralling

I have read the "Iliad" a couple of times, but it was years ago. Experiencing it aurally gave it another dimension. I imagined how it must have been like for the enthralled audiences of ancient times. The Fitzgerald translation is brilliant, rendered beautifully by Dan Stevens' expressive voice. He recites with clarity without overwhelming the text - we hear a story read by an excellent reader. Highly recommended.

6 people found this helpful

Gods, Demi-gods and mortals!

It's a pleasure listening to Dan Stevens narrate. He makes every story he narrates exciting. Fitzgerald's translation of The Iliad makes it easier to read and Dan Stevens narration of it makes it doubly exciting and so real. I feel as if I'm in the midst of the action.

6 people found this helpful

enlightening

the iliad is one of those timeless stories that echoes throughout history, lending perspective to modern events and relationships. Dan Stevens gives an engaging performance. I thoroughly enjoyed the whole experience.

3 people found this helpful

An inspired translation, a vibrant reading

Any additional comments?

A translation that begins with a word summing up the entire "Iliad" promises much, and it doesn't fail this promise. I am so happy that this version has been made available – in the same class as Richmond Lattimore's translation,

9 people found this helpful

The Best Iliad for Audible

I love the Pope translation of The Iliad, but the reading is terrible: https://www.audible.com/pd/The-Iliad-Audiobook/B003RB9V5O?pf_rd_p=6a5ce8e4-798e-4a64-8bc5-71dcf66d673f&pf_rd_r=BFSEGC7C0XEH96AX3B8R&ref=a_lib_c4_libItem_B003RB9V5O

I love the Lattimore translation, as well, but the reading is also terrible: https://www.audible.com/pd/The-Iliad-Audiobook/B002V0PV5Q?qid=1570308277&sr=1-4&pf_rd_p=e81b7c27-6880-467a-b5a7-13cef5d729fe&pf_rd_r=FPXYQ4YWSSC2JQ0CVRXX&ref=a_search_c3_lProduct_1_4

I am new to the Fitzgerald translation of The Iliad, but I have always been a great fan of his translation of The Odyssey. Interestingly, like his translation of The Odyssey, his Iliad strikes a brilliant balance between prose and poetry. Couple that with Dan Stevens nuanced reading of the text & the availability of a Kindle edition and I think it will be difficult to find a better edition on Audible.

If you're looking for a Kindle edition, only, I recommend the Alexander Pope, the most poetic translation of this poem: https://www.amazon.com/dp/B07QMN2YCP

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