Jill Ellington's twin sister hasn't spoken a word since she allegedly murdered her husband, and her three-year-old son is missing. No one in the small, idyllic town of Paradise saw or heard a single thing. The chief of police already has Jill's twin convicted and her nephew dead and buried. Jill is going to need a miracle to uncover the truth.

After being fired from his last two jobs, Ryan Clark lands an associate position with a law firm run by his distant cousin, Tom, in a small North Carolina town. Over twenty-five years earlier, Tom represented local man Joe Moore when he was convicted of murder in the deaths of a prominent young couple. Even though the evidence was circumstantial, Joe was high on drugs and doesn't remember the details of the crime. He never seriously questioned his own guilt, but Joe's family remains unconvinced of his guilt, and they hire Ryan and Tom to file a motion to obtain Joe's release.

Owen falls ill with food poisoning, leaving Julie to attend a neighborhood holiday party alone. When she wakes up, half-naked in her neighbor's bathtub, Julie doesn't know how to tell Owen, the police, her friends—anyone—that she has been sexually assaulted. So she keeps it secret until she realizes that she's pregnant with her assailant's baby.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

As the hurricane batters the house and the waters rise, Callum is found hanging from an ancient oak, murdered in the same way as the notorious villain in his most popular book. Cut off from the outside world, the guests soon realize that the murderer might strike again, and everyone at the plantation could either be the next victim or the killer.

This "fresh, exciting, and brilliantly unpredictable" thriller (James Patterson) from a "great storyteller" (Michael Connelly) follows four unlikely vigilantes who pit themselves against the villain behind California’s coldest case when they decide to take justice into their own hands.

It’s the hottest day of the 1976 heatwave and there’s not a breath of fresh air in the labour ward at Lincoln County Hospital. Michelle is having her fourth child, a girl, while beloved husband Dean is sipping a cold pint in the pub. Their little house is already bursting at the seams, but Michelle is sure they’ll find a way to stretch their budget and continue life as a blissfully chaotic happy family. They name their new baby Donna.

Aging Herb’s charmed life with his dear wife, Susan, in their Key West house is coming undone. Susan now needs constant care, and Herb is in denial about his own ailing health. The one bright spot is the arrival of an endlessly optimistic manicurist calling herself Renee. She sings to Susan during manicures, gets her to paint, and brings her a sense of contentment. But then Herb and Susan’s adult children arrive to stage an intervention on their stubborn, independent father, and as a consequence, Renee’s gig with Susan—and her grand plans for her own life—start to unravel as well.

Kurt Argento, an ex-Detroit street cop who can’t let injustice go—and who has the fighting skills to back up his idealism. If he sees a young girl being dragged into an alley, he's going to rescue her and cause some damage. When he does just that in a small corrupt Missouri town, he’s brutally beaten and thrown into a maximum-security prison. Julie Wakefield, a grad student who happens to be the governor's daughter, is about to take a tour of the prison. But when a malfunction in the security system releases a horde of prisoners, a fierce struggle for survival ensues.

Paul’s just here to help, or so he claims—sent by a charity for vulnerable people to do odd jobs for elderly widow Gwen. But for Gwen’s daughter Connie, there’s just something about Paul that rings alarm bells from day one. He’s a little too kind, a little too involved…Worse still, Gwen seems to have fallen under his spell.

Camera-shy Elise Branson is different from the other women in her maternal line. Her mother is an award-winning actress. Her late grandmother, Vivian Snow, is a beloved Hollywood icon. But when Elise’s upcoming wedding coincides with a documentary being made about Vivian, Elise can’t escape the camera’s gaze. And neither can her grandmother, even in death.

Widower Luke Driskell didn’t expect to fall in love and marry again so quickly. But Ashley and her daughter, Joy, are special—a quality borne out when Ashley rushes into a burning day-care center to save the children. Immediately she’s a social media sensation and hero. Then, just as suddenly, Ashley and Joy disappear into the bitterly cold night. With no trace of their whereabouts, Luke begins a panicked investigation. Alarmingly, he can find no proof that the woman he loves even exists. Left behind: just a hidden stash of fake IDs. Different names. Different cities. Same haunted face.

When human bones are found beneath an old chapel in the woods, evidence suggests the remains could be linked to the decades-old case of missing teen Annalise Jansen. Homicide detective Jane Munro—pregnant and acutely attuned to the preciousness of life—hopes the grim discovery will finally bring closure to the girl’s family. But for a group of Annalise’s old friends, once dubbed the Shoreview Six by the media, it threatens to expose a terrible pledge made on an autumn night forty-seven years ago.

In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the projects of “Southie,” the Irish American enclave that stubbornly adheres to tradition and stands proudly apart. One night Mary Pat’s teenage daughter Jules stays out late and doesn’t come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. Mary Pat, propelled by a desperate search for her daughter, begins turning over stones best left untouched.