The Medium

When Gavin travels to Edinburgh with his good friend Oscar Barratt, he’s eager to acquire a centuries-old book on witchcraft for the soon-to-open Glass Library. Even with ruthless railroad magnate John J. Defoe in the bidding, the victory comes easily. Perhaps too easily. Hours later, the book is stolen. A single clue links the theft to the recent abduction of two women, both magicians.

Jacqueline (Jac) has survived on the streets ever since escaping from the clutches of her ruthless uncle, the city’s powerful governor. He craves more than political influence and believes a legendary talisman in Jac’s possession can give it to him. To survive, Jac has honed her skills as a thief, catching the eye of Rhys Mayhew, a brother in an order of warrior priests. Rhys enlists her as a spy, and their partnership soon deepens into more. But Rhys’s faith demands strict adherence to oaths of denial.

It’s customary for Gothic romance novels to include a mysterious girl locked in the attic. Hannah Smith just wishes she wasn’t that girl. As a narcoleptic and the companion to an earl’s daughter with a strange affliction of her own, Hannah knows she’s lucky to have a roof over her head and food in her belly when so many orphans starve on the streets. Yet freedom is something Hannah longs for. She did not, however, want her freedom to arrive in the form of kidnapping.

December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager.

Seven years ago a woman with too many secrets and a man with too many lies fell in love. Then she left him. Isabel's quiet life as an assistant to one of London's famous apothecaries hides a deadly secret. A secret that could see her put on trial for witchcraft if the authorities uncover the truth. But when the authority figure who turns up at her shop is Sir Nicholas Merritt, she's at risk of losing more than her life. She could lose her heart and soul, and the man she loves.  

This boxed set contains the first three books in C. J. Archer's popular Ministry of Curiosities series. Titles in the set include The Last Necromancer, Her Majesty's Necromancer, and Beyond the Grave. Description of The Last Necromancer: For five years, Charlotte (Charlie) Holloway has lived as a boy in the slums. But when one theft too many gets her arrested, her only means of escape lies with a dead man.

India Steele is desperate. Her father is dead, her fiancé took her inheritance, and no one will employ her, despite years working for her watchmaker father. Indeed, the other London watchmakers seem frightened of her. Alone, poor, and at the end of her tether, India takes employment with the only person who’ll accept her–an enigmatic and mysterious man from America. A man who possesses a strange watch that rejuvenates him when he’s ill.

Hours later, the man’s cold body lies in the city mortuary, alongside the woman he couldn’t save. And his sister, unconventional nurse Gemma Tate, tracks down troubled police inspector Sebastian Bell to unravel the truth. Sebastian has enough pressure to solve the murder of an aristocratic heiress without Gemma meddling in his case. But the cryptic sentences she brings him from her brother’s notebook could be a crucial lead. If only they knew what “milky way” meant.

Orlando Holt has never assassinated a woman before. The lovely, feisty Lady Lynden will be his first. She's supposed to be a vicious murderess, but when Orlando begins to have doubts, he sets out to discover the identity of the person who hired him. What he learns will turn his world upside down and propel him headlong into love with a woman who's immune to his charms.

Minerva Peabody needs a man. Unfortunately she picked the wrong one. The impoverished playwright has a dream to see her plays performed on stage, but in Elizabethan England, not only are women considered the inferior sex, they simply do not write plays. Faced with rejection after rejection, she decides to take one more chance with the most desperate theater manager in London, only this time she’ll use the cover of a man. Sucked in by a pair of bright blue eyes and impressive shoulders, she chooses Blake out of the crowd, never thinking he’ll actually play an active role in her ruse.