Dcn. Harrison Garlick interviews George of the Chivalry Guild on topics such as CS Lewis, virtue, magnanimity, meekness, and the importance of strength and prowess.

Deacon and George will also discuss his new book - "Chivalry: An Ideal Whose Time Has Come Again" - and explore the concept of noblesse oblige.

Thank you for checking out Ascend! We exist to help people study the great books and explore timeless truths. Check out our website and account on X for more information.

Dcn. Harrison Garlick and Adam Minihan discuss Book 20 of the Iliad: The Olympian Gods in Arms

• Summary of the narrative
• What is Aeneas special?
• Some details others often overlook

Check out our GUIDE TO THE ILIAD.

“Aeneas will rule the men of Troy in power—his son’s sons and the sons born in future years.”

Poseidon (20.355).

90. What happens in book twenty?

Zeus calls the gods to council and tells them that they may now aide whatever side they wish—the strict decree to not intervene is over (20.29). And why does Zeus do this? He states: “I fear [Achilles will] raze the walls against the will of fate” (20.36). As such, Hera, Athena, Poseidon, and Hermes go to the Achaeans, and Ares, Apollo, Artemis, Leto, Xanthus, and Aphrodite go to the Trojans (20.40).[1] The gods clash in an apocalyptic war (20.80). Achilles searches for Hector, but Apollo convinces Aeneas to duel him (20.99). Poseidon convinces the gods of a truce, and the immortals line the battlefield to watch the mortals wage war (20.160). After some taunting, Achilles and Aeneas meet on the battlefield (20.299). Aeneas’ spear fails to penetrate the great shield of Achilles (20.310), and the ashen spear of Achilles penetrates Aeneas’ shield but fails to hit him (20.319). Aeneas lifts a giant boulder, and we are given a future glimpse at fate: Aeneas will hit Achilles, but Achilles’ counter will slay Aeneas (20.331). Oddly, it is Poseidon, not Apollo, who takes pity on Aeneas, for Poseidon tells the gods Aeneas is “destined to survive” (20.349). Hera refuses to pity a Trojan (20.357); so, Poseidon saves Aeneas and tells him to stay away from Achilles, because “no other Achaean can bring you down in war” (20.386).

Unlike with Aeneas, Apollo advises Hector to not engage Achilles (20.428). Achilles slaughters several Trojans including Polydorus, the brother of Hector (20.476). Hector, unable to bear watching Achilles slaughter his countrymen, engages Achilles against Apollo’s command and throws his spear at him (20.479). Athena makes Hector’s spear blow back to him and land at his feet (20.500), and Apollo whisks Hector away before Achilles can kill him (20.502). More and more Trojans fall to Achilles until the young Trojan Tros falls at Achilles knees, clutching him, and begs for mercy (20.524). Achilles slits open is liver and watches his “dark blood” spill out (20.530). The book ends with Achilles raging like an “inhuman fire,” like a “frenzied god” (20.558).

91. What is the destiny of Aeneas?

In his stance against Achilles, Aeneas presents his genealogy—presumably due to Apollo’s observation that Aeneas’ patrimony is more impressive than Achilles’ (20.250, 125). We also see Poseidon tell the gods that Aeneas is “destined to survive” (20.349). Most notable, Poseidon prophesies: “Aeneas will rule the men of Troy in power—his son’s sons and the sons born in future years” (20.355). How will Aeneas rule Troy, however, if Troy is already fated to be destroyed? Aeneas is destined to be the founder of a new Troy. His genealogy shows he is from the “younger branch of the Trojan royal house (Priam, king of Troy, was the older branch.”[2] And, as Fagles notes, “Aeneas is to be the only survivor of the royal house of Troy, and here his lineage is established.”

Dcn. Harrison Garlick and Adam Minihan discuss Book 19 of the Iliad: The Champion Arms for Battle!

Achilles prepares to enter the war!

• Summary of Book 19
• How does Odysseus try to broker peace?
• What should we make of Briseis weeping over Patroclus?
• Who is Ate, the goddess of ruin?

“You talk of food? I have no taste for food—what I really crave is slaughter and blood and the choking groans of men!” Achilles (19.254).

85. What happens in book nineteen?

Thetis returns to Achilles with new armor crafted by Hephaestus (19.03). Achilles lets loose his war cry, and the Achaean army gathers around him (19.47). Achilles promises to cease his rage against Agamemnon and to rejoin the war (19.63). Agamemnon, in turn, blames the gods for his madness, as they blinded him and “stole his wits” (19.162). He pledges to Achilles all the treasures Odysseus promised him (19.168). Achilles accepts Agamemnon’s non-apology and calls the Achaeans to war (19.176). Odysseus counsels to allow the men to eat and rest, and that Agamemnon do three things: give the gifts to Achilles now, swear he’s never had sex with Briseis, and host Achilles at a feast (19.204). Agamemnon agrees (19.220), and Achilles begrudgingly agrees—but swears he will neither eat nor drink until he can wage war (19.249). He famously declares: “You talk of food? I have no taste for food—what I really crave is slaughter and blood and the choking groans of men!” (19.254).

The Achaeans follow the advice of Odysseus (19.281). Achilles refuses to eat, and Zeus sends Athena to place ambrosia “deep within his chest” to give him strength (19.412). With “unbearable grief” and “bursting with rage,” Achilles prepares to fight the Trojans (19.434). The narrative ends with one of Achilles’ horses, Roan Beauty, prophesying to Achilles about his death (19.483).

86. Why does Odysseus push for the gifts to be given prior to returning to war?

In the last book, Achilles said he would “beat his anger down” and fight for the Argives (18.133). The thesis was presented, however, that it is more that Achilles shifts his rage to Hector than he truly forgives Agamemnon (Question 82). In book nineteen, we see Achilles’ anger continue fester. The more he stared at his new armor “the deeper his anger went” (19.19). To the Achaean army, Achilles largely repeats his commitment to relent in book eighteen, stating additionally, in part, “Now, by god, I call a halt to all my anger—it’s wrong to keep on raging, heart inflamed forever” (19.76). Here, he must only mean his rage against Agamemnon, for his rage and bloodlust continue to boil, as evident in his famous line: “You talk of food? I have no taste for food—what I really crave is slaughter and blood and the choking groans of men!” (19.254). By the time he arms for battle, he is again “bursting with rage” (19.434).

Odyssey’s push to address the issues between Achilles and Agamemnon prior to returning to war may be seen as a push toward true reconciliation (or, more realistically, a practical resolution). He knows, as do all the Achaeans, that Achilles’ rage makes him capricious. As such, his push to give the treasure, to give the oath about Briseis, and to feast all seemed aimed at capitalizing and securing this moment of peace and reunion. Stability between the two heroes is vital for an Achaean success. Between Achilles’ shift in rage and Agamemnon’s fatalistic non-apology, Odysseus seeks to find a reliable truce.

Dcn. Harrison Garlick and Adam Minihan discuss Book 18 of the Iliad: The Shield of Achilles.

Arguably the MOST philosophically dense book in the entire Iliad.

• Summary of the Narrative
• What lesson does the "heart" of Achilles teach?
• How do we interpret the shield of Achilles?

Check out our 115 QUESTION GUIDE to the Iliad.

How should we interpret the shield of Achilles?

The shield of Achilles presents a commentary on the cosmos. It is a testament to the Greek belief that the world is ordered and in balance. From the heavens to human civilization to the boundaries of the known world, a certain order and intelligibility permeates reality. Reality is not chaotic. Man inhabits an ordered whole.

Homer presents the scenes on the shield starting with the center and moving outward in concentric circles toward the edge with certain circles having multiple parts. The scenes on the shield may be described as follows:

1. The earth, sky, sea, sun, and moon (18.565)

2. The constellations (18.567)

3. City at Peace: The wedding feast (18.573)

4. City at Peace: The court of justice (18.580)

5. City at War: A city under siege (18.593)

6. City at War: Raid by the besieged (18.598)

7. Ploughing the field (18.629)

8. Harvesting the field (18.639)

9. The vineyard festival (18.654)

10. The cattle under attack (18.670)

11. The flock in the meadow at peace (18.686)

12. The circle of dancing and courtship (18.690)

13. Ocean’s River (18.708)

On the shield itself, one may expect that Zeus would inhabit the center of shield rather than the heavenly bodies. The absence of Zeus at the center raises the question of the role of the gods within the cosmos. Notably, there is no ring dedicated to the Olympian gods, as one may think vital to a testament on the order of the cosmos. Moreover, the only Olympian gods that are mentioned are in the City at War. One may question whether there is a Homeric lesson embedded here on whether the gods are agents of order or chaos within the cosmic whole.

The City at Peace is characterized by love and justice. The marriage is a witness to love and binding, while the court scene is a witness to justice and resolution. Note that the City at Peace is not without conflict; rather, the City at Peace is able to resolve the conflict through justice. The City at War is an obvious contrast. The city under siege inevitably recalls the current plight of Troy. It is, as noted above, the only section that includes the gods.

The ploughing and harvesting scenes are naturally coupled. The plowmen enjoy wine as they work, and the harvesting depiction includes the presence of the king and terminates in a harvest feast (18.650). The pastoral imagery is coupled with characteristics of civilization. The vineyard scene is one of wine, music, innocence, and joviality. Though unnamed, it is all characteristic of Dionysus, the jovial wine-god. The cattle scene, however, is one marked by duty, danger, death,...

Dcn. Harrison Garlick and Adam Minihan discuss Book 17 of the Iliad: Menelaus' Finest Hour.

• Summary of Book 17
• What is the "dark heart" of Hector?
• Can human agency affect fate?
• What about the horses of Achilles?

Check out our 115 Question & Answer Guide on the Iliad.

But grief bore down on Hector, packing his dark heart.

Homer (17.92)

75. What happens in books seventeen?

The body of Patroclus still lays on the plains outside of Troy. Menelaus, the Spartan king, slays Euphorbus, the Trojan who had speared Patroclus (17.51). Apollo spurs Hector to fight for the body of Patroclus (17.84), and Hector is able to remove Patroclus’ gear—but Ajax returns and stops him from decapitating the corpse (17.146). Glaucus, friend of the dead Sarpedon, chastises Hector for retreating from Ajax and implies that if Hector was more like Ajax, they could have saved the body of their comrade, Sarpedon (17.172). Hector retorts he is no coward, but the will of Zeus forces cowardice upon him (17.201). Hector then puts on the armor of Achilles, stripped from Patroclus, and Zeus, taking pity on Hector, grants him power and makes the armor fit well—but also states Hector will never return home again (17.230).

Hector leads the Trojans in battle for the body of Patroclus (17.263), and the Achaeans, led by giant Ajax and Menelaus, mount a defense (17.290). The Achaeans take the advantage, and Apollo spurs Aeneas to rally the Trojans (17.379), but Ajax and the Achaeans remains stalwart in their defense (17.420). Zeus shifts his favor to the Achaeans and sends Athena to rouse their fighting spirits (17.623). Apollo chastises Hector, and as Hector charges to the frontlines, Zeus releases a bolt of lightning to show he now favors the Achaeans (17.670). Giant Ajax laments: “Dear god, enough! Any idiot boy could see how Father Zeus himself supports these Trojans” (17.707). Zeus pities Ajax and thus removes his storm clouds from the battlefield and “the whole war swung into view” (17.729). Menelaus, at the suggestion of Ajax, sends Antilochus, son of Nestor and “a favorite of Achilles,” to go tell Achilles what has happened (17.776).[1] The Achaeans grab the body of Patroclus and bear him back to their ships, as the two great Aeantes hold off the Trojans (17.823, 843); until Hector and Aeneas come leading the Trojans “like a crowd of crows… screaming murder,” and the Achaeans break and flee for the ships (17.846).

76. What should we make of the “dark heart” of Hector?

In book seventeen, we are introduced to the “dark heart” of Hector (17.92). The “dark heart” is presented within the juxtaposition of Apollo spurring Hector to fight (17.84), and Hector surveying the reality of the battlefield (17.93).[2] It is a moment of “grief” for the Trojan Prince (17.92). Hector does charge the front line “loosing a savage cry, and flaring on like fire, like the god of fire” (17.96). Such a reaction to the spurring of a god seems normative in the Iliad, but what seems abnormal is the moment of grief in between. Moreover, the pattern occurs again later in which Apollo again spurs Hector, Hector bears a “black cloud of grief,” and then charges the frontlines (17.660, 670).

The “dark heart” of Hector gives further credence to his role as the tragic, tortured hero

Dcn. Harrison Garlick and Adam Minihan discuss Book 16 of the Iliad: Patroclus Fights and Dies.

• Summary of Book 16
• What is the difference between Zeus and Fate?
• What is the relation of Fate to the free will of men?
• Did Patroclus deserve his fate?

Check our GUIDE ON THE ILIAD.

70. What happens in books sixteen?

Patroclus returns to Achilles and begs Achilles to send him out to fight in Achilles’ armor (16.43). Homer writes: “So [Patroclus] pleaded, lost in his own great innocence, condemned to beg for his own death and brutal doom” (16.53). Achilles comes to understand his rage cannot last forever, but he recalls his promise not to fight until the “cries and carnage reached” his own ships (16.72). Thus, Achilles agrees and sends Patroclus with his armor and the Myrmidons to fight (16.74). However, Achilles tells Patroclus to only fight the Trojans off the Argive ships and not to pursue them back to Troy, because that may diminish his glory, the fame of Achilles (16.105).

Homer notably invokes the Muses to help him sing about the burning of the Achaean ships (16.135). Ajax is unable to stop Hector and his men from setting the ship ablaze, and Achilles sees the flames and sends out Patroclus with the Myrmidons (16.151). The Trojan columns “buckle” upon seeing Patroclus who they believe is Achilles (16.328), as Patroclus bears all of Achilles’ war gear save his spear (16.168); thus, Patroclus and the Argives set upon the Trojans like “ravenous wolves” upon lambs (16.415). Sarpedon, son of Zeus, is slain by Patroclus (16.570), and Glaucus, strengthened by Apollo, rallies his fellow Trojans to secure Sarpedon’s body (16.631). Similarly, Patroclus rallies Ajax and the Argives to the body of Sarpedon, the first to storm the Argive wall (16.653), to “mutilate him, shame him, [and] tear his gear from his back” (16.653). Thus, the body of Sarpedon, son of Zeus, becomes lost under the “mass of weapons, blood, and dust” (16.743).

Zeus makes Hector a coward, and the Trojan prince calls for a retreat (16.763). The Achaeans win the body of Sarpedon, but Zeus sends Apollo to rescue the body before it can be mutilated (16.777). Patroclus, not heeding the command of Achilles, pushes his assault onward toward Troy (16.803). Apollo repels Patroclus’ assaults on Troy and warns the warrior that it is “not the will of fate” that Troy falls to him (16.826). Though Apollo strengthens Hector (16.840), Patroclus still presses forward but Apollo sneaks behind him and slams Patroclus to the ground with a slap across the back (16.920). Disoriented, Patroclus is then stabbed in the back by Euphorbus, a Trojan (16.938), who then retreats. Hector then runs forward and spears Patroclus in the gut—the “brazen point went jutting straight out through Patroclus’ back” (16.967). Hector taunts the dying Patroclus (16.967), and Patroclus dies prophesying that Hector will die soon (16.998).[1] The last word of Patroclus is “Achilles” (16.1000).

71. What do we observe about Zeus and the nameless fate in book sixteen?

We see Zeus lament his “cruel fate” in his son, Sarpedon, having to die to bring about the death of Patroclus (16.514). Knox holds this shows the “will of Zeus is thwarted by fate.”[2] He writes that the “will of Zeus” and this “nameless destiny”...

In this episode we will discuss:

• Wisdom from the Early Church Fathers
• Who is Joshua Charles and hear his conversion story
• His political journey and how that has shaped his new project
• What is Eternal Christendom and what is the vision
• St. Augustine and true religion

Want our whole guide to The Iliad? Download it for free.

You can follow Joshua Charles on X and visit his website to find out more information.

In this episode we will discuss:

• What happens in book fifteen?
• What is the relationship between men and the will of the gods in book fifteen?
• What else should be noted in book fifteen?
• You can follow Dr. Jessica Hooten Wilson on X at @HootenWilson

Want our whole guide to The Iliad? Download it for free.

67. What happens in book fifteen?

Zeus, the father of gods and men, awakes to find the Trojans in full retreat (15.05). Poseidon is leading the Achaean charge, and Hector lays sprawled upon the ground (15.10). Zeus immediately blames Hera (15.18), and Hera denies any involvement with Poseidon’s actions (15.45). Zeus explains to Hera his plan in detail: Patroclus will fight, Hector will kill him, and Achilles will then kill Hector (15.80). The Achaeans will then push the assault until Troy falls (15.88). And Sarpedon—Zeus’ own son—will be sacrificed to bring about this fate (15.84). Zeus, via Hera, sends Iris to tell Poseidon to “quit the war and slaughter” and return to the sea (14.210). Poseidon eventually obeys (15.251).

Zeus, via Hera, sends Apollo to rally the Trojans and gives Apollo his storm-shield (15.272). Apollo heals Hector and the two lead a Trojan assault against the Argives (15.302). The Achaeans panic (15.385) and “clambered back in a tangled mess” (15.405). Meanwhile, Patroclus was still tending to the wounded Eurypylus when the new Trojan assault spurs him to return to Achilles (15.470). Giant Ajax forms a phalanx, a “wall of bronze,” to stop Hector from burning the Achaean ships (15.657). The defense fails, yet Giant Ajax carries on jumping from ship to ship with an “enormous polished pike for fights at sea” (15.787). Hector calls for fire to burn the ships (15.832), and the book ends with Ajax fighting off the hordes—having “impaled” twelve Trojans thus far (15.866).

68. What is the relation between men and the will of the gods in book fifteen?

A predominant theme in Homer and a perennial question throughout many of the great books is the relationship between the human will and the divine. In book fifteen, Thoas, an Achaean, is able to discern Zeus is favoring Hector; thus, he counsels Giant Ajax to call a “withdraw to the ships” (15.349). We receive yet another example of interpreting what should be done by reading the will of the gods in earthly affairs. Homer provides us a unique example of interpreting the divine will when Zeus lets loose a crack of thunder in response to Nestor’s prayer—but the Trojans interpret it in favor of them (15.445). In fact, Hector tells us it is “easy to see what help Zeus lends to mortals” (15.570). Homer invites us to consider what irony Hector’s statement bears by revealing later that as Zeus glorifies Hector, Athena is already preparing his death (15.712). On the matter of burning the Achaean ships, Hector himself acknowledges that at times Zeus “blinds” men to a certain purpose and then later “drives” them to it (15.840).

How men are supposed to know what the gods will for them—amongst such capricious gods or gods that disagree with each other—is a question raised by Homer and later taken up by Plato.

69. What else should we observe in book fifteen?

The story of Zeus stringing up Hera with two anvils hanging from her legs (15.24) is the same story referenced in the first book in which Zeus throws Hephaestus—who had...