David Mellor explores how the Yamaha NS-10M monitors became a studio staple and why, decades after being discontinued, engineers are still seeking out second-hand pairs.

Chapters
00:00 - Introduction
00:15 - Why NS-10Ms Became a Studio Staple
02:11 - Making Better Mixing Decisions
03:49 - A Second Pair of NS-10Ms
05:23 - Mixing With Missing Frequencies
09:11 - Reflex vs Closed Box Monitors
11:35 - Why Pleasant Isn’t Always Better
13:29 - Mixes That Translate
15:40 - Making Rapid Mixing Decisions
18:52 - The Case for Closed-Box Monitors

The Phil Ward Article - https://www.soundonsound.com/reviews/yamaha-ns10-story

David Mellor Biog
David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording.

He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show.

David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass.

David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners.

YouTube - https://www.youtube.com/@audiomasterclass

Spotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8g

Bandcamp - https://davidmellor.bandcamp.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

In this episode, David Mellor continues his exploration of microphone polar patterns by discussing techniques for capturing stereo recordings. He examines how the choice of polar pattern and microphone placement can be used effectively to achieve a balanced and immersive stereo image.

Chapters
00:00 - Introduction

01:10 - Defining Mono

03:08 - Binaural Recording

04:24 - Defining Stereo

05:28 - Number Of Mics And Placement

06:58 - Polar Patterns

07:48 - Figure of 8 Demo

09:09 - The Blumlein Pair Configuration

11:05 - Coincident Cross Pair Figure Of 8 With Demonstration

16:53 - Coincident Cross Pair Of Cardioid With Demonstration

21:35 - Mic Spacing - The ORTF Configuration

24:31 - Mic Spacing - Omnidirectional Without Angling

27:28 - Medley Of Configurations

29:38 - Summary

David Mellor Biog
David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording.

He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show.

David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass.

David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners.

YouTube - https://www.youtube.com/@audiomasterclass

Spotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8g

Bandcamp - https://davidmellor.bandcamp.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

David Mellor discusses how to create custom effects in a DAW without relying on expensive plug-ins. Here he demonstrates his approach to creating a filter pan effect using an EQ with high-pass and low-pass filters, highlighting how custom effects can help give your music a unique edge.

Chapters
00:00 - Introduction
02:05 - Pan Effect

03:02 - Mono Pan

04:30 - Static Pan

06:21 - Music Track

06:42 - Creative Pan Effect

09:00 - Pan Effect Using A Low-Pass Filter
13:23 - Crossfading Using Filters
17:15 - Effecting Individual Instruments

#slatedigital #infinityeq #protools

David Mellor Biog
David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording.

He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show.

David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass.

David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners.

YouTube - https://www.youtube.com/@audiomasterclass

Spotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8g

Bandcamp - https://davidmellor.bandcamp.com/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts