Showing titles in History & Criticism

So often deployed as a jingoistic, even menacing rallying cry, or limited by a focus on passing moments of liberation, the rhetoric of freedom both rouses and repels. Does it remain key to our autonomy, justice, and well-being, or is freedom's long star turn coming to a close? Does a continued obsession with the term enliven and emancipate, or reflect a deepening nihilism (or both)? On Freedom examines such questions by tracing the concept's complexities in four distinct realms: art, sex, drugs, and climate.

In this companion volume to The Discoverers, Pulitzer Prize-winning historian Daniel J. Boorstin brings to life more than three thousand years of human artistic achievement, examining painting, sculpture, architecture, theology, philosophy, history, poetry, drama, literature, dance, music, and film.

Kenneth Clark was the grandest figure in the arts in Britain in the 20th century. Museum director, patron, pioneer of television, cultural panjandrum, he effortlessly dominated the art world for over half a century. Clark belonged to that stratum of society that used to be called "the top people" and was befriended by both the Queen Mother and Winston Churchill. His closest friendships, however, were amongst writers and artists, men such as John Betjeman, Graham Sutherland, Henry Moore and John Piper.

The Art Instinct combines two of the most fascinating and contentious disciplines, art and evolutionary science, in a provocative new work that will revolutionize the way art itself is perceived. Aesthetic taste, argues Denis Dutton, is an evolutionary trait, and is shaped by natural selection. It's not, as almost all contemporary art criticism and academic theory would have it, "socially constructed".

Many bemoan the decay of culture. But we all have a responsibility to care for culture, to nurture it in ways that help people thrive. In Culture Care artist Makoto Fujimura issues a call to cultural stewardship, in which we become generative and feed our culture's soul with beauty, creativity, and generosity. We serve others as cultural custodians of the future. This is a book for artists, but artists come in many forms.

Lucian Freud (1922-2011) is one of the most influential figurative painters of the 20th century. His paintings are in every major museum and many private collections here and abroad. William Feaver's daily calls from 1973 until Freud died in 2011, as well as interviews with family and friends, were crucial sources for this book. Freud had ferocious energy, worked day and night, but his circle was broad, including not just other well-known artists but writers, bluebloods, royals in England and Europe, drag queens, fashion models gamblers, bookies, and gangsters like the Kray twins.

In the age of Trump and Brexit, every crisis is instantly overridden by the next. The turbulent political weather of the 21st century generates anxiety and makes it difficult to know how to react. Laing makes an inspiring case for why art matters more than ever, as a force of both resistance and repair. Art, she argues, changes how we see the world. It gives us X-ray vision. It reveals inequalities and offers fertile new ways of living. Funny Weather brings together a career's worth of Laing's writing about art and culture, and their role in our political and emotional lives.

How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter provides a guide for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. A much-needed provocation to look more critically at the accepted narratives about art and rethink and disrupt the way we interact with the museums and galleries that display it.

Edmund White is one of our most celebrated novelists. He is also a brilliant journalist and cultural commentator on the arts, contributing to publications as varied The New Yorker, Vanity Fair, The New York Times, The Washington Post, House and Garden, and The New York Review of Books. In Sacred Monsters, White collects more than 20 of his most recent writings on artists and authors, including John Cheever, Patti Smith, Henry James, Mary Cassatt, and many others.

How is a handmade fabric helping save an ancient forest? Why is a famous fabric pattern from India best known by the name of a Scottish town? How is a Chinese dragon robe a diagram of the whole universe? What is the difference between how the Greek Fates and the Viking Norns used threads to tell our destiny? In Fabric, bestselling author Victoria Finlay spins us round the globe, weaving stories of our relationship with cloth and asking how and why people through the ages have made it, worn it, invented it, and made symbols out of it. And sometimes why they have fought for it.

Are art and science separated by an unbridgeable divide? Can they find common ground? In this book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths.

In the predawn hours of a gloomy February day in 1994, two thieves entered the National Gallery in Oslo and made off with one of the world's most famous paintings, Edvard Munch's Scream. It was a brazen crime committed while the whole world was watching the opening ceremonies of the Winter Olympics in Lillehammer. Baffled and humiliated, the Norwegian police turned to the one man they believed could help: a half English, half American undercover cop named Charley Hill, the world's greatest art detective.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

Sontag's most important critical writings from 1972 to 1980 are collected in Under the Sign of Saturn. One of America's leading essayists, Sontag's writings are commentaries on the relation between moral and aesthetic ideas, discussing the works of Antonin Artaud, Leni Riefenstahl, Elias Canetti, Walter Benjamin, and others. The collection includes a variety of her well-known essays. Sontag's writings are famously full of intellectual range and depth, and are at turns exhilarating, ominous, disturbing, and beautiful.

Imagine a Museum of Lost Art. If this imaginary museum contained just the artwork we knew was lost— whether from theft, purposeful destruction, vandalism, war, or the forces of nature—it would still contain more masterpieces than those in all the world’s current museums combined. Imagine that! In Lost Art: The Stories of Missing Masterpieces, art historian Noah Charney guides you through just such an imaginary museum. In 12 fascinating lectures, you will hear the stories behind the theft and/or destruction of some of the world’s most famous pieces of art.

The second half of William Feaver's Baillie Gifford Prize-shortlisted work of biography: the definitive story of the epic life of one of the 20th century's most important artists. William Feaver, Lucian Freud’s collaborator, curator and close friend, knew the unknowable artist better than most. Over many years, Freud narrated to him the story of his life, ‘our novel’. Fame follows Freud at the height of his powers, painting the most iconic works of his career in a constant and dissatisfied pursuit of perfection, just outrunning his gambling debts and tailor’s bills.

Of all the self-doubting people in the world, nobody, it seems, doubts themselves more than creative people. Whether creating code for a new application, painting a mural, forging a new way forward in business, or writing a book, creatives tend to suffer from more self-doubt than other humans. Because, while creativity is demanded, it is rarely respected. Many fear the power of creative influence because they fear the unknown.

Surrealist painter Salvador Dalí eccentrically presents his ideas of painting, judging good or bad the prominent figures in the history of art, and expounding on 50 "secrets" that cover topics like the movements of types of brushes, blending, objects needed in a painter's space, the characteristics of colors, sleep, spiders, and sea urchins.

The fascinating and little-known story of the Louvre, from its inception as a humble fortress to its transformation into the palatial residence of the kings of France and then into the world's greatest art museum.

Nicolas Krastev-Mckinnon propose dans cet ouvrage une lecture littéraire et philosophique de l'univers du rappeur. Sous une forme fragmentaire, l'écrivain décrit les lignes de force d'une discographie aussi complexe que brillante, qui a marqué le paysage musical français de son empreinte. Dans cette version enrichie, toutes les entrées du dictionnaire ont été revues et augmentées. Au fil de vingt nouvelles sections, Nicolas Krastev-Mckinnon intègre également les deux derniers albums de Damso - J'ai menti & BĒYĀH - à son analyse.