Showing titles in Theatre

Count Claudio falls in love with Hero, the daughter of his host. Hero's cousin Beatrice (a confirmed spinster) and Benedict (an eternal bachelor) are each duped into believing the other is in love with them. Claudio is deceived by a malicious plot and denounces Hero as unchaste before they marry. She faints and is believed dead but recovers to be proved innocent by a chance discovery. Benedict wins Beatrice’s love defending her cousin’s honour, and to his surprise, Claudio is reunited with Hero, who he believed dead.

Discover spiritual truths from the smash Broadway hit "Hamilton" that will transform your life. "Hamilton" - the hip-hop musical about a forgotten founding father - is the most compelling musical of our time. God and Hamilton impressively weaves together insights from the musical itself, the lives of Alexander and Eliza Hamilton, and the story of Scripture into a tapestry that challenges people of faith to reexamine their lives.

In glittery 1980s Los Angeles, once-celebrated Broadway lyricist Beau Kellogg is disillusioned, unhappily married and yearning for one last musical hit, while he writes advertising jingles for quick money. Meanwhile, in New York, idealistic young singer, Amanda Harary, works a demanding day job at a charming West Side hotel. From their first fiery phone conversation, sparks fly, and when they begin to talk late at night, miracles begin to happen.

Константин Сергеевич Станиславский (1863-1938) - русский театральный режиссёр, актёр и педагог, теоретик и реформатор театра. Создатель знаменитой актёрской системы, которая на протяжении 100 лет имеет огромную популярность в России и в мире.

Sherlock Holmes has been a beloved character from his first story, and his mystique endures to the modern age in print and on screen, but he has had a long life in the theater, as well. Where did it begin? What are the themes, stories, and characterizations that make his stage presence unique and just as enduring?

Mike's Pocket Performance Pointers is a cohesive series of steps and advice, essential to any performing vocalist today. Michael distills years of experience as a touring performer, professor and vocal coach into easy-to-understand, accessible lessons that will help take your performance practice to the next level. Mike's Pocket Performance Pointers will prove to be must-have guide you will refer to time and time again.

Esta obra corta de Cervantes se denomina un entremés.En ella se trata de las desavenencias conyugales de tres matrimonios distintos. Esos tres matrimonios, para poder solventar sus diferencias, acuden al juez, a ver si éste considera que sus disputas son suficientemente importantes como para concederles el divorcio.Cada uno de ellos tiene motivos diferentes... alguno de ellos, completamente disparatado. También va a intervenir un procurador que intenta mediar entre ellos y el juez.Al final, la aparición de unos músicos pone un final feliz a las disputas, dejando entrever las ventajas y desventajas del matrimonio.

A native of New Jersey, Roy Scheider was his own man. He did his work well and was not afraid to butt heads with producers and directors with whom he disagreed, even to the detriment of his career. Michael B. Druxman’s Roy Scheider & the Bigger Boat finds the actor in 2002 during a lull in his career. He hasn’t done a major film for several years, as he ponders how he can change his luck.

When you think of Jason Robards, you also think of Eugene O’Neill and the tragic, hard-drinking characters he created in The Iceman Cometh, Long Day’s Journey Into Night, Hughie and The Moon for the Misbegotten. Robards, the son of a failed actor, Jason Robards Sr., discovered O’Neill’s plays when he was in the Navy during WW2. After the war, without his father’s encouragement, he pursued his own acting career, but it was 11 years and two failed marriages before he finally achieved success.

Ever wondered how great singers in musicals and opera get (and keep) the job? They have a vocal coach. Expert vocal coach Jeremy Fisher lifts the lid on what goes on in a voice studio. The book is packed with real-life examples of singers and singing lessons, stories of auditions for musical theatre and opera, and voiceover training.

For more than 50 years Michael Green's The Art of Coarse Acting has been essential reading for anyone with a passion for theatre, both amateurs and professionals alike. This acerbic yet affectionate work remains one of the funniest books about acting ever written. It's a "[W]ickedly irreverent" (The Stage) exposé which ridicules pretentiousness, pokes fun at incompetence and disaster and generally lays bare life backstage. Even after all this time it remains true that however much the theatre may change, coarse actors don't.

Dans un livre audio à la fois recueil d'aphorismes, anthologie poétique et méditation théorique, Olivier Py nous offre ses "Mille et Une Définitions du théâtre". Métaphores, allégories ou anecdotes historiques nous font voyager à travers tous les théâtres, des Grecs à nos jours. Avec des accents lyriques et jubilatoires, il fait de cet art la forme de pensée la plus urgente de son temps, un art d'etre au monde.

A talkative New Yorker corrals a writer at a cocktail party and forces him to listen to the story of her life. A co-production with the National Jewish Theater. Recorded before a live audience at Chicago’s Guest Quarters Suite Hotel in July 1992.

In 1998 Mark died of AIDS, cared for in the end by his lover John and their friend (and nurse) Marcia. Twenty years later, John and Marcia reflect on what they survived that Mark didn't. In December, 2018 Gay City: Seattle's LGBTQ Center invited a variety of artists who had been present during the AIDS crisis to contribute to a show.

A Scottish meteorologist locks horns with his American counterpart as both men try to convince General Dwight D. Eisenhower that they can accurately predict the atmospheric conditions needed to launch the greatest amphibious assault in the history of mankind - the D-Day invasion.

A poignant true story of a woman who turned her tale of foster care and adoption by a Jewish family into a heart-rending play. A courageous and energetic storyteller, she brings life’s complex issues of identity, strength, character, and charm to the stage. We experience what it must have been like to grow up adopted. The listener is taken on a beautiful journey that explores self-identity, the importance of family, and the search for self. We follow her path and realize we are all in a constant search despite our experiences.

Choephori, or The Libation Bearers, is the second in the Oresteian trilogy on the House of Atreus, written by Aeschylus. It deals with the reunion of Agamemnon‘s children, Electra and Orestes, and their revenge upon their mother Clytemnestra for the murder of Agamemnon, which takes place in the first play, Agamemnon. The title refers to the chorus of libation bearers who supports and encourages Electra and Orestes in their quest for justice. The Oresteia is the only extant example of an ancient Greek theatre trilogy.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

How to avoid feedback and other surprises when setting up PA systems. This easy to read guide is aimed at small groups using PA systems for podium and stage microphone, like churches and self-help groups, and makes concepts clear. Topics include how to avoid feedback by understanding what it is, with details covering speaker placement, microphones, mixing boards, and active and passive speakers.

Gabacho is the true tale of youthful angst, crime, misunderstandings, love, friendship, and redemption. Over Christmas break of his senior year, a University of Utah theater student, disenchanted with his conservative Mormon upbringing, took off for Mexico with a college friend seeking a wild adventure. If the adventure hadn’t included smuggling drugs it might have been another college road trip. To survive, Jewkes starts a theater group with a rag-tag bunch of Mexican convicts.