Showing results by publisher "Cv Publications" in Arts & Entertainment

This is a recorded conversation with Manchester-born artist Hughie O'Donoghue, first published in Cv Journal of the Arts v2/3 September 1989. He discusses his ideas about painting and evaluates key works such as Sleeper and recent landscape The Irish Sea.

As the Tate Modern site is developed at Bankside in 1997, interviews are recorded with Dawn Austwick, project manager, and Jeremy Lewison of the Tate Britain modern collection. They discuss the scope of the new galleries, funding issues, the new gallery's location and its future plans. There are thoughts on the diversity of the London Tates, and disposition of its collection.

Eduardo Paolozzi: Newton Figures features a conversation with the celebrated sculptor Sir Eduardo Paolozzi (1924-2005), recorded at The Royal College of Art in 1990. In it he discusses work in progress of The Newton Figures (Master of the Universe) and commissions for The Royal Jockey Club Kowloon. He reflects on artists from Fragonard to Rodin and points to effects of the machine on the condition of people's lives which drove his work.

Cv/VAR 50 publishes an interview with the artist Helen Chadwick (1953-96), recorded at her Beck Road studio in 1989. It explores the body-action-photographic works distilled in installations such as Ego Geometria Sum and Of Mutability, and the cromalin prints of 1989: Viral Landscapes, prepared for exhibition at the Museum of Modern Art Oxford in 1990.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Cv/VAR 102 documents Leviathan, a commissioned sculpture by Anish Kapoor for the Monumenta series at the Grand Palais, Paris. It records a press presentation at his London studio. The artist describes the project, with reference to scale models, and discusses 120 metre high Orbit in construction for the 2012 London Olympics. It then visits Leviathan installed at the Grand Palais in May 2011.

This work talks about the visits to Paris in January 2003 and August 2005. Walks through the city absorb changing moods of its social occupation that suddenly transform from glittering vitality to silenced avenues, bearing witness to heightened security in its boundaries.

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.

Interview recorded with Jan-Luc Olivie, keeper of the collection of glass at Centre du Verre, Musee des Arts Decoratifs Paris in December 1989. Explores the artefacts of Art Nouvau and Bohemian glass by renowned makers, Galle, Brocard, Drahonovsky.

One of Shakespeare's most often quoted lines, from Hamlet, simply asserts that "There are more things in heaven and earth, Horatio, than are dreamt of in our philosophy." The current retrospective at Tate Britain of the art of Richard Long, the first in London since the Arts Council's Hayward Gallery show in 1991, has been titled Heaven and Earth by Long himself, a phrase he had earlier used for specific works of art.

Cv/VAR 155 presents a review by James Cahill of an exhibition by the renowned artist Francesco Clemente (b. 1952), exploring his first show in London for seven years. The monograph includes a conversation recorded with the artist in which he discusses the new paintings, and the ideas which grounded their development.

A collection of recordings made between 1988 and 1996 with emerging and established artists, from Anthony Caro and Arman to James Turrell and Rachel Whiteread. In considering their work, often in the context of a current exhibition, they discuss their ideas in formation and factors which informed their development.

A study of three leading German artists presently exhibited in London at Tate Modern, the British Museum and the Royal Academy. In 2014, a resonant series of anniversaries and commemorations prompted an enhanced awareness in London of the history of the Teutonic world in general, and - specifically - a sense of post-war Germany in terms of three of its most symbolic and emblematic visual artists.

Francesca Woodman killed herself at the age of 22, the biographical fact that colors her work and which it is de riguer to mention. She left behind paintings it is said, as yet publicly unseen, and literally hundreds upon hundreds of negatives and 800 proofs of black and white pre-digital photography.

This essay explores the development of Salvador Dalí, from the early phases of childhood, the bizarre and complex aims of his first experiments, to his absorption into high society of Paris in the 1930s, and his inclusion in the Surrealist movement from 1928 to 1939. The essay focuses on the makeup of a provocative and original personality acutely reflexive, intelligent, and pathologically driven.

Over 100 reviews cover the London art scene from 1994 to 2011. Exhibitions in the city's private and public galleries are explored in detailed and informative texts. The reviews were first published in a variety of weekly arts magazines and sites and now appear in a professionally narrated audiobook.

The photographers discussed in depth in this essay have all engaged with the everyday or the quotidian, yet they are a small sampling of the numerous photographers who have engaged with this subject.

David Rose interviews Declan MacGonagle about his appointment as the primary director of the Irish Museum of Modern Art, Kilmainham. They discuss in detail the director's view of a contemporary museum of art and his ambitions for its program within its local and international context. The dialogue probes previous appointments in Derry and at the ICA London.

First published in 1999, Crafts Directory draws together interviews, features, showcases and listings of makers in the UK and Ireland, which explore individual practices and avenues of distribution from workshop production to general retail outlets.