Showing results by publisher "University Press Audiobooks" in Entertainment & Celebrities

Strikingly beautiful and exceptionally talented, Montgomery Clift was at the peak of his fame in 1956 when a devastating car crash nearly destroyed his face. While this traumatic event robbed him of his heartthrob status and turned him into a somewhat disturbing, socially alienated character, author Elisabetta Girelli argues that Clift had always combined on-screen erotic ambiguity with real-life sexual nonconformity.

From his dazzling conducting debut in 1943 until his death in 1990, Leonard Bernstein's star blazed brilliantly. In this fresh and revealing biography of Bernstein's political life, Barry Seldes examines Bernstein's career against the backdrop of cold war America - blacklisting by the State Department in 1950, voluntary exile from the New York Philharmonic in 1951 for fear that he might be blacklisted, and the factors that by the mid-1950s allowed his triumphant return to the New York Philharmonic.

Throughout his career, Johnny Cash was depicted - and depicted himself - as a walking contradiction: social protestor and establishment patriot, drugged wildman and devout Christian crusader, rebel outlaw hillbilly thug and elder statesman. Leigh H. Edwards explores the allure of this paradoxical image and its cultural significance. She argues that Cash embodied irresolvable contradictions of American identity that reflect foundational issues in the American experience.

Barbara Stanwyck (1907-1990) rose from the ranks of chorus girl to become one of Hollywood's most talented leading women-and America's highest paid woman in the mid-1940s. Shuttled among foster homes as a child, she took a number of low-wage jobs while she determinedly made the connections that landed her in successful Broadway productions. Stanwyck then acted in a stream of high-quality films from the 1930s through the 1950s. Directors such as Cecil B. DeMille, Fritz Lang, and Frank Capra treasured her particular magic

"Mrs. Robinson, you're trying to seduce me. Aren't you?" These famous lines from The Graduate (1967) would forever link Anne Bancroft (1931-2005) to the groundbreaking film and confirm her status as a movie icon. Along with her portrayal of Annie Sullivan in the stage and film drama The Miracle Worker, this role was a highlight of a career that spanned a half-century and brought Bancroft an Oscar, two Tonys, and two Emmy awards. In the first biography to cover the entire scope of Bancroft's life and career, Douglass K. Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft.

Aided by the cooperation of Dean's family members and friends, chronicles the life of the actor who died in a car accident at the age of 24, and is known for his roles in East of Eden and Rebel Without a Cause.

Told with humor and flair, this is the autobiography of one transsexual's wild ride from boyhood as Alfred Brevard ("Buddy") Crenshaw in rural Tennessee to voluptuous female entertainer in Hollywood. Aleshia Brevard, as she is now known, underwent transitional surgery in Los Angeles in 1962, one of the first such operations in the United States. (The famous sexual surgery pioneer Harry Benjamin himself broke the news to Brevard's parents.)

The Company They Keep is the first and most complete examination of the Inklings and their close literary collaboration. C. S. Lewis and J. R. R. Tolkien met each week with a community of fellow writers at Oxford in the 1930s and 1940s, all sharing their works-in-progress. Diana Pavlac Glyer invites readers into the heart of the group, examining diary entries and personal letters and carefully comparing the rough drafts of their manuscripts with their final, published work.

The Beatles: Image and the Media charts the transformation of the Beatles from teen idols to leaders of the youth movement and powerful cultural agents. Drawing upon American mainstream print media, broadcasts, albums, films, and videos, the study covers the band's career in the United States. Michael R. Frontani explores how the Beatles' media image evolved and how this transformation related to cultural and historical events.

Pioneering Chinese American actress Anna May Wong made more than 60 films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity, as she embodied the dominant image of Chinese, and more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist, and positions the actress as a historical and cultural entrepreneur who rewrote categories of representation.

Writing was the central passion of Emerson's life. While his thoughts on the craft are well developed in "The Poet", "The American Scholar", Nature, "Goethe", and "Persian Poetry", less well known are the many pages in his private journals devoted to the relationship between writing and reading. Here, for the first time, is the Concord Sage's energetic, exuberant, and unconventional advice on the idea of writing, focused and distilled by the preeminent Emerson biographer at work today.

Drawing on concepts from several disciplinary fields including: semiotics, literary and narrative theory, art history, and psychology, El Refaie shows that the traditions and formal features of comics provide new possibilities for autobiographical storytelling. For example, the requirement to produce multiple drawn versions of one's self necessarily involves an intense engagement with physical aspects of identity, as well as with the cultural models that underpin body image.

It seems unlikely that James Naismith, who grew up playing "Duck on the Rock" in the rural community of Almonte, Canada, would invent one of America's most popular sports. But Rob Rains and Hellen Carpenter's fascinating, in-depth biography James Naismith: The Man Who Invented Basketball shows how this young man - who wanted to be a medical doctor, or if not that, a minister (in fact, he was both) - came to create a game that has endured for over a century.

When Gianni Bozzacchi accepted an assignment as a photographer on the set of The Comedians (1967), he didn't know that his life was about to change forever. His ability to capture the beauty of candid moments drew the attention of the film's star, Elizabeth Taylor, and prompted her to hire him as her personal photographer.

John Cage was a giant of American experimental music - composer, writer, and artist. He is most widely known for his 1952 composition "4'33", whose three movements continue to challenge the definition of music by being performed without playing a single note. In questioning fundamental tenets of Western music, Cage was often at the center of controversy, and is regarded as an important contributor to many facets of American culture.

Mississippi author Eudora Welty, the first living writer to be published in the Library of America series, mentored many of today's greatest fiction writers and is a fascinating woman, having lived the majority of the 20th century (1909-2001). Her life reflects a century of change and is closely entwined with many events that mark our recent history. This biography follows this 20th-century path while telling Welty's story, beginning with her parents and their important influence on her reading and writing life.

Victoria Amador utilizes extensive interviews and 40 years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress. Amador begins with de Havilland's early life; she was born in Japan in 1916 to affluent British parents who had aspirations of success and fortune in faraway countries, and her theatrical ambitions began at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown.

For five decades, no American filmmaker has been as prolific or as paradoxical as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists.

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first Black performer to gain artistic control over the representation of African Americans in commercial television and film.

In Josephine Baker’s Cinematic Prism, Terri Simone Francis examines how Baker fashioned her celebrity through cinematic reflexivity, an authorial strategy in which she placed herself, her persona, and her character into visual dialogue.