Showing results by publisher "Charles River Editors" in Entertainment & Celebrities

This audiobook analyzes the themes and progression of the composers' most famous works, comparing and contrasting them to each other and other composers' great works.

During a time when America's heroes were recognized for toughness and strength, Jack Dempsey was the prototypical "golden boy" of the Roaring Twenties. Just as Babe Ruth, Red Grange, Bill Tilden, and Bobby Jones were the signature figures for their respective sports, Dempsey personified the sport of boxing.

It might be fair to say that everyone's thinking has been influenced at one point or another by Friedrich Wilhelm Nietzsche, or at least someone who was influenced in turn by Nietzsche. Nietzsche (1844-1900) was one of the most influential men of the 19th century, a German philosopher, poet, and composer who wrote at length about everything from religion to science. In addition to the importance of his work, he was a deft writer and polemic, ensuring his continuing popularity among readers.

When people think of musicals, two of the first names that immediately spring to mind are Gene Kelly and Fred Astaire, two giants of one of Hollywood's most distinctive genres. Without question, both men played an instrumental role in popularizing and sustaining the musical from the 1930s through the 1950s, the final decades of Hollywood's Golden Age. Although they did collaborate on two occasions, in many ways Gene Kelly's rise to popularity in the 1940s amounted to a changing of the guard.

Virtually all famous actors are regaled by the public, but even still, Fred Astaire occupies a privileged position in American pop culture. The specific films in which Astaire acted may not be especially famous in their own right - most people likely cannot recall the title of Top Hat (1935), his most decorated film - but Astaire's dancing prowess invariably creates a lasting impact on viewers.

In the opening pages of his seminal book-length study of Alfred Hitchcock, Hitchcock's Films (1965), Robin Wood famously asked, "Why Should We Take Hitchcock Seriously?" Wood then proceeded to offer a detailed examination of Hitchcock's career to that point, arguing that the Master of Suspense belonged among the ranks of the preeminent directors in Hollywood, and that his films were among the most important in American culture.

In the 1940s it was William Holden who became America's first choice among films requiring a shy, cynical, and sexually potent "broken hero" on the screen, less thoughtful, perhaps, than Gregory Peck, and less rigid than Gary Cooper. Perhaps Holden's many unwilling heroes filmed over a 40 year career were aided by the reality that Holden was much like them, an actor who was uncomfortable on the set and terrified of screen intimacy.

If Lon Chaney will forever be recognized as The Man with 1,000 Faces, Jackie Gleason holds a legitimate claim to being The Man with 1,000 Personas. Indeed, during his time hosting The Jackie Gleason Show on television, he developed numerous alter egos, including tough guy Rudy the Repairman, the energetic Joe the Bartender, and the alcoholic Rum Dum.

Among the most recognizable and iconic vocal artists known to American society from the mid-20th to the 21st century, baritone Nat King Cole is indelible in the nation's consciousness for such hits as "Mona Lisa" and "Ramblin' Rose" as well as for his rendition of Mel Tormé's famous "Christmas Song", with the opening line known to millions of American households: "Chestnuts roasting on an open fire."

J. D. Salinger might have been one of America's greatest 20th century authors, but only he knows for sure. As a young adult, Salinger wrote a number of short stories that were published during the 1940s in Story Magazine and his story "A Perfect Day for Bananafish" appeared in The New Yorker magazine to wide praise. Salinger followed that up with his most famous work, the 1951 novel The Catcher in the Rye, which was popular among adults and adolescents alike.

Etta James, the legendary jazz, gospel, rhythm & blues, and soul singer, was perfectly positioned to reign as the supreme artist in the emerging soul genre of the '40s and '50s in America. No one ever doubted her talent, the highly distinctive and versatile nature of her voice, or her drive to succeed, and yet, she has been "woefully overlooked" in the history of indigenous rock and blues music in the United States.

Perhaps no actor has been able to retain their popularity into old age as well as Sean Connery. Despite retiring in 2006, Connery remains a venerable figure who continues to receive accolades for his handsome virility and status within the Hollywood elite. onsidering his personal acclaim as an actor, it is perhaps surprising that despite his status, most of the films in which Connery has appeared are not particularly acclaimed. Even the James Bond franchise initially received a largely lukewarm critical reception.

Like Geronimo in the southwest during the same era, Sitting Bull and Crazy Horse were warriors and leaders of different groups of Lakota (Sioux), who fought in several skirmishes against settlers and U.S. forces across the Plains, during the 1860s and 1870s. Admired by their own people for their kindness and strong leadership, reviled by their enemies for their defiance, when The Great Sioux War of 1876 began, Sitting Bull and Crazy Horse were two of the most important leaders among all Native American tribes on the Plains.

Of all the colorful characters that inhabited the West during the 19th century, the most famous of them all is Wyatt Earp (1848-1929), who has long been regarded as the embodiment of the Wild West. Considered the "toughest and deadliest gunman of his day", Earp symbolized the swagger, the heroism, and even the lawlessness of the West.

In terms of original choreography, it was the age of Jerome Robbins that marked the first real departure from traditional dance on stage and in film. Only 10 years Robbins’ junior, Robert Louis Fosse, better known as Bob Fosse, followed his colleague’s example by mixing daring new jazz forms with virtually every traditional and popular genre to produce previously unseen modes of dance expression on Broadway and in film. Fosse forever changed the way the modern audience viewed dance on stage and film.

The “Golden Age” of American film that began in the pre-World War II years has never truly ended, moving from its early connection with “film noir” to the epics of the 1960s and beyond. Similarly, movie stars still enjoy a degree of exoticism they have possessed since the days of silent film. However, in the modern day, the screen actor is not so narrowly constrained by public image as to prevent the leading of a double life, once impermissible for powerful studio heads.

By the mid-20th century, a musical revolution was stirring, and a generation that had not fought in the wars was ready to put the sorrows of the previous 50 years away. Requiring a commentary on modern life all its own, the first post-war generation went for self-expressed rock and roll, with Elvis Presley leading the movement. Jazz, incubated within America, grew into an increasingly sophisticated harmonic and rhythmic language, even though older generations were not able or willing to so easily follow.

Patty, LaVerne, and Maxene Andrews created their “unique sound” in part through the development of a “very bright harmonic sense,” first achieved by the older sister, LaVerne. The trio mastered a virtuosic use of close, intricate harmonies, coupled with a precise and a seemingly telepathic rhythmic sense that could be honed for performance in a short period of rehearsal time. These qualities were enveloped in a timbral sheen reminiscent of multiple trumpets.

With the advent of several controversial social movements in subsequent decades, a non-traditional style of editorial persona began to take control of the news machinery in America. The weighing of ideas gave way to exclusive promotion of a specific world view, and the omission of all opposition within a devotee’s range of hearing. The American right found the voice it needed in the supremely gifted Rush Hudson Limbaugh III. Limbaugh possessed an unmatchable rhetorical reflex, a well-informed sense of each argument’s gist, and a flair for the politically incorrect.

Despite her distinction and other more notable accomplishments, many people today are not familiar with the groundbreaking actress Dorothy Dandridge, even though she was among the most charismatic and beautiful actresses of the era. Her alluring nightclub acts set pulses pounding across the globe, and she was Hollywood’s first black leading actress. Sadly, all of it came at a high price.