Showing results by publisher "Charles River Editors" in Entertainment & Celebrities

A lot of ink has been spilled covering the lives of history's most influential figures, but how much of the forest is lost for the trees? In Charles River Editors' American Legends series, listeners can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never known.

There is no shortage of professional magicians and stunt men in the 21st century, but all of them owe something to the most famous stunt man of them all: Harry Houdini. A century after he began to thrill audiences with his patented escape acts, Houdini's name remains synonymous with seemingly miraculous escapes and getaways. His name is instantly recognizable even among those who have never seen pictures of his stunts.

When the American Film Institute assembled a list of its top 100 actors, one of the top 10 was James Cagney, an actor whose acting and dancing talents spawned a career that spanned over five decades and once compelled Orson Welles to call him "maybe the greatest actor to ever appear in front of a camera." Ultimately it was portraying tough guys and gangsters in the 1930s that turned Cagney into a massive star, the kinds of roles he was born to play after growing up rough in Manhattan at the turn of the 20th century.

The life of Joan Crawford is one of the most famous Hollywood rags-to-riches tales. While it is common to think of Hollywood as a land offering great opportunity to hardworking actresses, the Horatio Alger myth rarely applies in reality, but it applied almost perfectly to Joan Crawford. Joan Crawford's life and career also shed light on the treatment of women in pop culture and in cinema during the early 20th century. Her career was not only limited to film acting, as she acted in musical revues and was previously an unabashed flapper during the Roaring Twenties.

When Marlene Dietrich first became a household name in the United States, she introduced a new standard for female sexuality onscreen. Her performance in The Blue Angel (1930) stands not only as one of the most glamorous roles ever played but also as one of the frankest depictions of the femme fatale ever captured on screen. Moreover the film essentially set the tone for the image that Marlene Dietrich would cultivate over her career: unabashedly sexual but wrapped in an air of mystery.

Nathaniel Hawthorne needs no formal introduction for any American who took a literature course in high school. It's impossible to avoid reading one of Hawthorne's classics, particularly The Scarlet Letter and The House of the Seven Gables. Hawthorne could trace his family roots back to the Puritans of the 17th-century colonies, and he was clearly qualified to produce some of America's greatest historical fiction.

Howard Hughes lived a life that was quintessentially American, and his personal history was so varied, improbable, and extraordinary that he practically resembled a living folk hero. Hughes was barely in his 20s during America's Roaring Twenties, but he had already begun to command the nation's headlines as a multitalented millionaire, and the varied pastimes that his talents and wealth afforded him made him nearly impossible to ignore.

The origins of rock music claim several founding fathers, with each perspective holding merit and directly contributing to the golden age to follow in rock music. Perhaps the first and ultimately the most successful of this category - those artistic explorers who most effectively blurred racial and political lines through their music - was Chuck Berry.

By the turn of the 20th century, American entertainment was still preoccupied with European-style operetta, as embodied in the works of cellist-composer Victor Herbert. Traditional dance forms moved from European stories to the American prairie in Oklahoma by the late 1940s, and what was once the property of Bavarian princes became the singing standards of cowboys riding through the corn fields in "Oh What a Beautiful Morning" and "Out of My Dreams".

Hollywood has never lacked leading men who could captivate viewers with dramatic performances that depict them as suave romantics or dashing heroes, especially during the Golden Age of Hollywood, when stars like Humphrey Bogart, Clark Gable, and Cary Grant graced screens. But in the mid-20th century, one of the most popular stars was a man who’s been frequently overlooked.

Exhibitionism and narcissism coupled with talent are not the sole property of modern entertainment, as some might suppose. From the beginnings of American theater and film, various personality types prone to self-intoxication by the status of their own careers have acted-out at will in their public lives. For them, there is no barrier between the professional and the private.

In 1940, the 4th most popular star in the US was a foreign actor from Australia, and unlike other movie stars, he was more notorious for his pursuits off the screen than on it. In an era long before social media, Errol Flynn represented the epitome of a swashbuckling playboy, with enough mystery and intrigue surrounding him and his background to fascinate even those who didn’t see his movies.

In the 1960s and 1970s, no actor personified cool, calm and collected like Steve McQueen, whose suave anti-hero protagonists made men jealous and women swoon. As actor Donald Logue puts it in The Tao of Steve, “Steve is the prototypical cool American male. He's the guy on his horse, the guy alone."