Titres dans Mémoires, journaux et correspondance

It took me trying to save you to realize you weren't the person I thought you were. If you only knew how much I loved you, you would've understood why I wanted and needed to save you. This is for you, whoever you really are. And you just might be me.

Puto cáncer aborda en primera persona, literariamente y con humor el tránsito de una enfermedad que muchos ni se atreven a pronunciar. En palabras de la autora, se trata del diario íntimo de una paciente oncológica, que mezcla experiencias propias (ella superó un cáncer de intestino diagnosticado a los 35 años) y de otra gente a la que ha acompañado en el grupo de ayuda mutua Apostar a la vida.

Seven-year-old Frankie awakens the morning after her mother’s surgery to learn a horrible truth from her father: “Mommy didn’t make it.” Frankie’s life turns upside down as the house fills with visitors, a funeral is held, and Mommy lies in a satin coffin wearing a dress she’d never be caught—well, dead, wearing. It's powder blue! All wrong, wrong, wrong! Sadness envelops Frankie. She listens to children playing in the neighborhood, instead of joining them. She stays in her room, coloring, or reading, or otherwise drowning herself in grief.

The Second World War had been under way for a year when Marie and John Williamson welcomed two English brothers to join them and their two children in their small house in north Toronto for the duration of the conflict. Marie wrote over 150 letters to the boys’ mother, Margaret Sharp, imagining that she could make Margaret feel she was still with her children. She shepherded the boys through education decisions and illnesses, eased them into a strange new life, and rejoiced when they embraced unfamiliar winter sports.

Im März 2020 hat wohl niemand von uns auch nur geahnt, wie lange uns die Pandemie begleiten wird. Unser aller Leben hat sich grundlegend verändert. Beruflich ebenso, wie privat. Ein Tagebuch der Pandemie mit subjektiven Notizen und Reflexionen. Niemand weiß, wann die Pandemie zu Ende sein wird und wie sehr uns diese Zeit für immer verändern wird.

La carta más famosa del siglo xx jamás llegó a su destinatario. Ni siquiera fue enviada. La escribió Franz Kafka de un tirón entre el 4 y el 20 de noviembre de 1919, y está dirigida a su padre, Hermann Kafka, comerciante judío en la ciudad de Praga. Escrita en un estilo que su propio autor calificó «de abogado», la carta es un memorial de las relaciones que había mantenido con su padre desde su nacimiento.

Des histoires sur un passé pas très lointain qui pourrait s'identifier à la réalité d'aujourd'hui, le présent non revu journalistiquement, des gens qui n'ont pas de représentations publiques communes, trop occupés en un sens pour penser à ce qu'ils n'ont jamais été supprimée afin de ne pas signifier un bien ou un mal contemporain. Aussi des contes autobiographiques tels que des expériences personnelles avec d'autres ou des possessions, la paix et les peines, les miracles, les amours et les amitiés.

When the Japanese invade in 1942, the Australian men and women stationed at the New Guinea port of Rabaul flee into the jungle. Written off by their government as ‘hostages to fortune', the little-known garrison on Australia's tropic frontier has been left with no modern equipment, no lifeline to the outside, and no means of escape. Most are captured and killed in the sinking of the prison ship Montevideo Maru, which remains Australia's worst sea disaster. But the surviving soldiers and nurses carry on.

Como esas embriagantes versiones en español de las baladas románticas premiadas en San Remo o Viña, estos Temas lentos, elegantes y sensuales, captan con la crítica, el diario íntimo o la viñeta satírica las modulaciones de las vanguardias (Duchamp y Warhol, ¡claro!, pero también Aira y Bolaño, Brecht y Beckett...) aplicadas a cuestiones pedestres: la orfandad, el inverosímil costumbrista de una Alemania costera.

Niels Bøgh Andersens "Krigsdagbog" er et enestående historisk dokument over Anden Verdenskrig set fra den tyske side af fronten. Daglige begravelser, forår i Paris, vinter i 45 graders frost i Hviderusland, hjemve af den værste skuffe og alligevel små lysglimt i mørket. Niels Bøgh Andersen var en del af det danske mindretal i Sydslesvig og blev indkaldt til at kæmpe for et land, som han ikke selv så som sit fædreland. Niels Bøgh-Andersen (1908-1991) var en dansk lærer og forfatter, der i en årrække var forstander for Jaruplund Højskole.

Knud Rasmussen er en af danmarkshistoriens største opdagelsesrejsende, og hans skildringer af ekspeditionerne til Grønland er blandt de bedste og mest spændende rejseskildringer. I denne samling af tre af hans største værker fortæller Knud Rasmussen blandt andet om sin deltagelse i "Den danske literære Grønlands-Ekspedition" i 1903-1904 samt ekspeditionen tværs over indlandsisen med Peter Freuchen i 1912-1913. Knud Rasmussen (1878-1933) var en dansk-grønlandsk polarforsker.

Este volumen reúne los noventa y cinco artículos publicados por Javier Marías en el suplemento dominical El País Semanal entre el 3 de febrero de 2019 y el 24 de enero de 2021.

Il diario di una vita divisa in quattro lati, come un quadrato perfetto. Ogni lato influenza gli altri, con cesure inevitabili. Lina, arrivata all’ultimo quarto, racconta i suoi anni con irresistibile ironia: è impicciona, libera, disobbediente anche agli acciacchi della vecchiaia. Il rapporto complicato con la figlia, l’amore per i nipoti che vuole far crescere liberi, la passione per il giornalismo, le nuove tecnologie sempre più complicate, i disastri, le dimenticanze.

Dal Taccuino dell’aiuto-regista impaginato da Bruno Munari a Parliamo d’altro, passando per L’uovo alla kok, straordinario capolavoro di letteratura gastronomica, per la prima volta sono qui raccolte in un unico volume tutte le opere di Aldo Buzzi (1910-2009), "maestro nascosto" della nostra letteratura. Eclettico, (auto)ironico, imprevedibile, in oltre sessant’anni di scrittura Buzzi conduce il lettore dalla Roma del cinema di Fellini e Lattuada alla New York dell’amico Saul Steinberg, alla Russia di Cechov.

The brief and tragic life of Charlotte Brontë (1816-1855) is told through the beautiful and passionate letters written by Charlotte to her best friend Ellen Nussey. Born and brought up in the bleak Haworth parsonage with only her sisters and brother for company, she soon obtains employment as a Governess. Having travelled abroad to study languages in Brussels, she returns to the Yorkshire moors to join her family where she writes her most successful novel, Jane Eyre.

Ella Ward comes from a long line of irrepressibly charming raconteurs, letter-writers, storytellers and people who 'quite like giving toasts at parties'. And so, a few years ago, when Ella was 36 years old, with a husband and a young daughter, and was told that she had a rare cancer and might die, she decided that death wasn't going to stand in the way of her mothering her child.

Weiterschreiben im Fremdsein – ein einzigartiger Austausch der Kulturen. Wie weiterschreiben nach der Flucht aus Kriegs- und Krisengebieten? Wie veröffentlichen? Gehört werden? "Weiterschreiben - (W)Ortwechseln" ist die vielfach ausgezeichnete Online-Plattform, die Autor:innen die Möglichkeit gibt, weiter zu schreiben und literarisch anzukommen. Bereits seit 2017 schreiben Autor:innen u. a. aus Syrien, dem Irak, Iran, Jemen und Afghanistan Briefe, Erzählungen und Gedichte u.a. über ihre alte Heimat und über ihre neue, über das Weggehen und Ankommen.

In "My Lady of the Chinese Courtyard," Elizabeth Cooper offers the reader a translation of two series of letters by Kwei-li, the wife of a high-rank Chinese official. The first series is addressed to her husband whilst he is on a world tour with Prince Chung in the late 19th century. The second series of letters is from 25 years later and are addressed to her mother-in-law. Political intrigue is raging in China and the country is on the verge of a revolution.

First published as Journal of the Gallery London in 1993 with revised editions in 1998 and 2001, more than 400 entries chronicle the life of the city; a powerfully driven arena of dysfunctional experience. Episodes record incidents and encounters; in the streets, with shoppers and travelers, in the landscape, and in scenes of social and internal life. As the journal develops, fact and fiction blend into a filmic sequence of events.

This day-by-day, factual, and complete account of events throughout the coronavirus pandemic, written as it happened, gives incredible insight into what life was like during this tragic and historic pandemic in the United Kingdom and worldwide. It includes facts and figures, government initiatives, news events, moving individual accounts, and the horrific consequences, as they happened each day. There is also a daily personal slant on what life was like for the author and his family during what threatened to be an apocalyptic event. The diary covers 491 days.