Showing results by publisher "Brilliance Audio" in Classics

Feeling a chill amidst the warmth of the season? Sensing a shadow lurking behind the tinsel and lights? Experience the darker visions hidden within our brightest holiday. Come listen to the water ghost's story as she spends Christmas Eve haunting Harrowby Hill.

The first of the Sherlock Holmes stories, this was also the first of Conan Doyle's books to be published. In this fascinating and exciting tale, the two towering creations of detective fiction--Holmes, the master of the science of detection, and Watson, his faithful companion--make their auspicious debut. The two detectives are immediately in fine form as Holmes plucks the solution to the mystery from the heart of Victorian London.

Meet the newest professor at Gooseberry Bluff Community College of Magic, Joy Wilkins. She may suffer from face blindness, but Joy can still recognize people by reading their auras - a skill that comes in handy for her real work as an undercover agent with the Federal Bureau of Magical Affairs. Her mission: Discover the source of weaponized demons being trafficked through the quaint school on the border of Minnesota and Wisconsin, and to locate her predecessor, the school’s missing History of Magic professor.

Amateur sleuth and restless spirit Pascha gets the chance of a post-lifetime when a reporter turns up dead. Detective Gregor Kreidler - a friend of Pascha's crime-fighting partner, coroner Martin Gänsewein - tops the list of suspects for the murder of Susanne Hauschild, who also happens to be Gregor's ex-wife. Martin already has his hands full with his girlfriend - who's ready to give birth any day - and he's too distracted to comb the streets, so Pascha decides to play ghost cop with gusto.

Published at the height of the McCarthy era, Norman Mailer's audacious novel of socialism is at once an elegy and an indictment, a sinuous moral thriller and an intellectual slugfest. Wounded during World War II, Mike Lovett is an amnesiac, and much of his past is a secret to himself. But when Lovett rents a room in Brooklyn, he finds that his housemates have secrets of their own: one betrays a husband no one ever sees; another may have been a Communist executioner.

Each story explores a different twist of madness, murder, and melancholy, from the horror of being buried alive in "The Fall of the House of Usher" to the desperate case of two gruesome killings in "The Murders in the Rue Morgue." The heartbeat of paranoia in "The Tell-Tale Heart," the razor-sharp claustrophobia in "The Pit and the Pendulum," and a mourner's torment in "The Raven" reveal - and revel in - life's creepiest and craziest. These tales are not for the faint of heart or the thin of skin.

Anna O’Shea has failed at marriage, shed her job at a law firm, and she’s trying to re-create herself when she and her recalcitrant nephew are summoned to the past in a manner that nearly destroys them. Her twenty-first-century skills pale as she struggles to find her nephew in nineteenth-century Ireland. For one of them, the past is brutally difficult, filled with hunger and struggle. For the other, the past is filled with privilege, status, and a reprieve from the crushing pain of present-day life. For both Anna and her nephew, the past offers them a chance at love.

Jacob Flanders is a uniquely ambiguous protagonist: he is defined almost entirely by others’ impressions and is nearly unknowable as a result - but that does not at all detract from the vitality of Virginia Woolf’s story. In her experimental first novel, she tracks Jacob through the seemingly mundane early years of his life - from a boyhood trip to the Cornwall coast to his college years at Cambridge to his time as an adult in London and Greece - before arriving at his shocking, even tragic, entry into war.

Seven years after the death of Edward Hyde, a stylish gentleman shows up in foggy London claiming to be Dr. Henry Jekyll. Only Mr. Utterson, Jekyll’s faithful lawyer and confidant, knows that he must be an impostor - because Jekyll was Hyde. But as the man goes about charming Jekyll’s friends and reclaiming the estate, and as the bodies of potential challengers start piling up, Utterson is left fearing for his life, and questioning his own sanity.

Big-game hunter Sanger Rainsford has washed ashore on isolated Ship-Trap Island in the Caribbean Sea. On the island he finds the palatial château of General Zaroff and his hungry hounds. There, Rainsford becomes party to a twisted sport. Zaroff hunts too. And his preferred game is human. The trapped and terrified Rainsford is given a three-hour advantage to disappear into the jungle. If he can survive for three days, he will be set free. Beyond that, there are no rules. It’s Rainsford’s need to survive versus Zaroff’s desire to kill. Time to play.

A striking mosaic of prose, poetry, and dramatic dialogue, Jean Toomer’s Cane has come to be considered a masterpiece of the Harlem Renaissance. Structured as a series of vignettes ripe with longing, passion, violence, and revenge, the haunting novel gives a powerful voice to the interior lives of African Americans in the rural South and urban North. Championed for its unsparing honesty and psychological insight by such luminaries as Langston Hughes, Richard Wright, Alice Walker, and Maya Angelou, Cane shines as a beacon to generations of African-American writers.

Nikhil is a passive landowner. His houseguest is Sandip, a headstrong anti-imperialist. Between them is Nikhil’s wife, Bimala, dutiful to her conventional husband yet drawn to the fiery independence and bold flirtations of the charismatic Sandip. As Bimala questions her role as a woman and the possibilities for her life outside marriage, the three undergo an emotional struggle that will change their lives forever—just as their country undergoes a radical upheaval of its own.

While it lived, the tamarind tree stood at the crossroads of a small village in Southern India. For more than fifty years it was a benevolent observer, offering shade without discrimination. It bore witness to laughter and tears, to tragedy and simple pleasures, and to the history of the village itself as it transformed from the old ways of bullock-led carts to a bustling community of social, political, economic, and ecological change.

Zora Neale Hurston is best remembered today for her work as a novelist, but she was also an accomplished dramatist, short story writer, and folklorist. That range of interests and styles is on full display in this collection.

In this exquisite collection of children’s folktales, Zitkála-Šá shares the legends that were handed down to her through generations of Yankton storytellers. These tales display the wide range of insights and observations that accrue to such stories through repeated iteration, but they also benefit from the sharp ear and finely tuned sensibility of Zitkála-Šá as a writer. Her characters seem to speak to us—often crying out to us—in the same tones that Zitkála-Šá must once have heard.

On the glistening surface of Virginia Woolf’s groundbreaking novel is the Ramsay family, a seemingly stable group of characters, but a group that is ultimately subject to the same alterations and losses that come with the passing of time. Set at the Ramsays’ summerhouse over two September days, ten years apart, Woolf’s influential landmark of twentieth-century literature explores the hopes, frustrations, and small moments of grace and change that permeate everyday life.

In this rambunctious satire, Wallace Thurman, one of the leading figures of the Harlem Renaissance, takes his fellow artists and critics to task. The setting is a buzzing apartment building in 1930s Harlem, where avatars for the likes of Langston Hughes, Zora Neale Hurston, Countee Cullen, and Thurman himself come together to push past old boundaries and test out new ideas. But the heat of this collective energy soon threatens to consume them all, as wild parties, jealous rages, and intellectual conflicts turn the literary circle into an out-of-control hothouse of personal drama.

Wynema Harjo is an idealistic young Muscogee woman who finds meaning as a teacher for the young people of her village. After the Wounded Knee Massacre and the subsequent Ghost Dance movement, Wynema feels a need to take further action, and she and her husband adopt a Lakota girl. As the years roll by and injustices mount, Wynema and a fellow teacher, Genevieve Weir, consider the repercussions of the oppression that surrounds them—and wonder how their society might eventually be improved.