Showing results by publisher "Tantor Audio" in Women

From the colonial through the antebellum era, enslaved women in the US used lethal force as the ultimate form of resistance. By amplifying their voices and experiences, Brooding Over Bloody Revenge strongly challenges assumptions that enslaved women only participated in covert, non-violent forms of resistance, when in fact they consistently seized justice for themselves and organized toward revolt. Nikki M. Taylor expertly reveals how women killed for deeply personal instances of injustice committed by their owners.

The names of few medieval monarchs and their queens are better known than Eleanor of Aquitaine, uniquely queen of France and queen of England, and her second husband Henry II. Although academically labeled "medieval," their era was the violent transition from the Dark Ages, when countries' borders were defined with fire and sword. If princes fought for their succession to crowns, the princesses were traded—usually by their mothers—to strangers for political power without the bloodshed.

In December 1832 a farmer found the body of a pregnant young woman hanging near a haystack outside a New England mill town. When news spread that Methodist preacher Ephraim Avery was accused of murdering Sarah Maria Cornell, a factory worker, the case gave the public everything they found irresistible: sexually charged violence, adultery, the hypocrisy of a church leader, secrecy and mystery, and suspicions of insanity. Murder in a Mill Town tells the story of how a local crime quickly turned into a national scandal that became America's first "trial of the century."

Miriam Thaggert illuminates the stories of African American women as passengers and as workers on the nineteenth- and early-twentieth-century railroad. As Jim Crow laws became more prevalent and forced Black Americans to "ride Jim Crow" on the rails, the train compartment became a contested space of leisure and work.

The Buckeye State produced its share of wicked women. Tenacious madam Clara Palmer contended with constant police raids during the 1880s and '90s. Only her death could shut the doors of her gilded bordello in Cleveland. Failed actress Mildred Gillars left for Europe right before World War II. Because she fell in love with the wrong man, she wound up peddling Nazi propaganda on the radio as "Axis Sally." Volatile Hester Foster was already doing time at the Ohio State Penitentiary when she bashed in the head of a fellow inmate with a shovel.

Running from Bondage, Karen Cook Bell's enlightening and original contribution to the study of slave resistance in eighteenth-century America, explores the individual and collective lives of these women and girls of diverse circumstances, while also providing details about what led them to escape. She demonstrates that there were in fact two wars being waged during the Revolutionary Era: a political revolution for independence from Great Britain and a social revolution for emancipation and equality in which Black women played an active role.

In 1993, U.S. women earned the right to fly in combat, but the full story of how it happened is largely unknown. The Fly Girls Revolt chronicles the actions of a band of women who overcame decades of discrimination and prevailed against bureaucrats, chauvinists, anti-feminists, and even other military women. Drawing on extensive research, interviews with women who served in the 1970s and 1980s, and her personal experiences in the Air Force, Eileen Bjorkman weaves together a tale of the women who fought for the right to enter combat and be treated as equal partners in the U.S. military.

Mary "Mae" Foley was a force to be reckoned with. On one hip she held her makeup compact, on the other, her NYPD badge. When women were fighting for the vote, Mae was fighting crime in the heart of New York City—taking down rapists, bootleggers, Nazis, and serial killers. One of the first women to be sworn into the police force, Mae not only fought crime in the city that never sleeps, but also did something much bigger—challenged the patriarchal systems that continually tried to shut her and other women down.

In July 1882, Ellen O'Hara stepped off a ship from the West of Ireland to begin a new life in New York. What she encountered was a world of casual racial prejudice that characterized her as ignorant, dirty, and feckless, the butt of many jokes. From the slim range of jobs available to her she, like, many of her kind, found a position as a domestic servant, working long hours and living in to save on rent and keep. After an unfortunate marriage, Ellen determined to win financial security on her own, and eventually opened a boarding house where her two children were able to rejoin her.

You may think you know the stories behind the world's most well-known, groundbreaking achievements, but To Her Credit is here to make you reevaluate our collective story. This book celebrates the stories of women, from ancient times until the 1990s, whose contributions have been overwritten and accredited to men. The pattern of female achievements being stolen, overwritten, or straight-up ignored is as old as time. Authors Kaitlin Culmo and Emily McDermott reclaim the work of these heroines and offer reminders of what we lose when we don't question history as it has been written.

In The Silver Women, Joan Flores-Villalobos argues that Black West Indian women made the Panama Canal construction possible by providing the indispensable everyday labor of social reproduction. West Indian women built a provisioning economy that fed, housed, and cared for the segregated Black West Indian labor force, in effect subsidizing the construction effort and the racial calculus that separated pay in silver for Black workers and gold for white Americans.

During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners' and psychiatric patients' rights, and gender and sexual liberation. All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations.

As a girl in New York City in the 1940s, Mildred "Millie" Dresselhaus was taught that there were only three career options open to women: secretary, nurse, or teacher. In Carbon Queen, science writer Maia Weinstock describes how, with curiosity and drive, Dresselhaus defied expectations and forged a career as a pioneering scientist and engineer. Dresselhaus made highly influential discoveries about the properties of carbon and other materials and helped reshape our world in countless ways—from electronics to aviation to medicine to energy.

Valerie Andre was born in Strasbourg, France, in 1922. From an early age, she wanted to fly, but as a woman, she faced challenges. While boys could receive government-funded flight lessons, Andre had to pay for hers by tutoring. During World War II, she left Strasbourg against German prohibitions in order to study medicine in Paris, where she completed her studies under threat of arrest by the Gestapo. Assigned to an army hospital in Saigon in French Indochina in the late 1940s, Andre trained as a neurosurgeon.

In 1955, Katharine Clark, the first American woman wire reporter behind the Iron Curtain, saw something none of her male colleagues did. What followed became one of the most unusual adventure stories of the Cold War. While on assignment in Belgrade, Yugoslavia, Clark befriended a man who, by many definitions, was her enemy. But she saw something in Milovan Djilas, a high-ranking Communist leader who dared to question the ideology he helped establish, that made her want to work with him. It became the assignment of her life.

Heroines in History: A Thousand Faces moves beyond stories of individual heroines, taking a thematic, synthesizing, and global in scope approach to challenge previous understandings of heroines in history. Responding to Joseph Campbell's Hero with a Thousand Faces, Katie Pickles explores the idea of a transcultural heroine archetype that recurs through time. Each chapter addresses an archetypal theme important for heroines in history.

For over eighty years, tourists have flocked to Natchez, Mississippi, seeking the "Old South," but what they encounter is invention: a pageant and rewrite of history first concocted during the Great Depression. Paul Hardin Kapp explores how meaning is assigned to place and how meaning evolves over time. In showing how and why the Natchez buildings of the "Old South" were first preserved, commercialized, and transformed into a brand, this volume makes a much-needed contribution to debates over the meaning attached to cultural patrimony.