Résultats lu par "Amin El Gamal" dans Toutes les catégories

Amid the alleyways of the Zamzam neighborhood of Tehran, a woman lights herself on fire in a desperate act of defiance, setting off a chain reaction of violence and protest. Haunted by the woman’s death, Issa is forced to confront the contradictions of his own family history, throughout which his late brother Hashem, a prominent queer artist in Tehran’s underground, defied their father, a skilled martial artist bound to traditional notions of honor and masculinity.

What happens when democracy produces "bad" outcomes? Is democracy good because of its outcomes or despite them? This "democratic dilemma" is one of the most persistent, vexing problems for America abroad, particularly in the Middle East. When Islamist parties rise to power through free elections, the United States has too often been ambivalent or opposed, preferring instead pliable dictators. With this legacy of democratic disrespect in mind, and drawing on new interviews with top American officials, Shadi Hamid explores universal questions of morality, power, and hypocrisy.

When Yousif Tlaib asks about his mom's new job in Congress, his older brother, Adam, fills him in—with some help from Rashida Tlaib herself. As he tells his mom’s story, Adam reveals information about how elections and our government work, what it means to break barriers, what motivates their mama to work for justice for all, and how love and family have guided them through this historic time in our country.

Malika Moustadraf (1969-2006) is a feminist icon in contemporary Moroccan literature, celebrated for her stark interrogation of gender and sexuality in North Africa. Blood Feast is the complete collection of Moustadraf’s published short fiction: haunting, visceral stories by a master of the genre. A teenage girl suffers through a dystopian rite of passage; a man with kidney disease makes desperate attempts to secure treatment; and a mother schemes to ensure her daughter passes a virginity test.

Vampires and merpeople, angels and demons—the stories in this anthology imagine worlds where the only thing more powerful than the supernatural, is love. A girl in a graveyard goes on an unexpected date, a shipwrecked sailor makes a connection on a forbidden island, a piano melody summons a soul mate. Creatures of folktales and legend, of land and sea, of centuries past and life after life, all wrapped into one spellbinding compendium. Once you sink into its story, it’ll never let you go.

Coupon-clipping police superintendent Jonah Merlin thinks he has an open-and-shut case on his hands after the body of a beautiful woman is found discarded in a run-down building in Tel Aviv. All evidence points to two suspects, but finding them will require unorthodox methods to decode the cryptic words sprayed at every crime scene. As the body count rises, graffiti expert Rai Zitrin and precocious 17-year-old Zoe Navon agree to help Merlin uncover the connection between the killing spree and the words of Polish writer Bruno Schulz.

Thirteen-year-old Hadi Toma and his family are displaced. At least that's what the Lebanese government calls them and the thousands of other Syrian refugees that have flooded into Beirut. But as Hadi tries to earn money to feed his family by selling gum on the street corner, he learns that many people who travel the city don't think they're displaced - they think that they don't belong in this country either. Each day he hears insults, but each day he convinces himself they don't matter, approaching the cars again and again. He hardly dares to dream anymore that this might change.

When a kid is dragged to Central Park in New York on a Saturday (when he could be at home watching the ball game), the last thing he wants is a history lesson from his mom. But then his mother starts telling him a story. A story about the giant structure sitting in right in front of them—Cleopatra’s Needle. It turns out that an enslaved boy and hundreds of other people spent more than six hundred days carving the Needle out of stone and pulling it upright. And another kid’s drawings were used to create the hieroglyphs on its sides.