Résultats lu par "Bill Nighy" dans Toutes les catégories

Koom Valley, the ancient battle where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls, was a long time ago. But if he doesn't solve the murder of just one dwarf, Commander Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office. With his beloved Watch crumbling around him and war-drums sounding, he must unravel every clue, outwit every assassin and brave any darkness to find the solution. And darkness is following him.

Renowned for his wit, style and sophistication, Noël Coward was one of the greatest playwrights of the 20th century. His plays, set in the glittering world of high society in which he lived, are much admired and have remained in the popular theatre repertoire to this day. This collection brings together the very best radio adaptation

Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put the ailing postal service of Ankh-Morpork back on its feet. It's a tough decision. The post is a creaking old institution, overshadowed by new technology. But there are people who still believe in it and Moist must become one of them if he's going to see that the mail gets through, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, an evil chairman...and a midnight killer. Getting a date with Adora Bell Dearheart would be nice, too.

Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse—and being dead isn't compulsory. It's a dream job—until Mort falls in love with Death's daughter, Ysabell.

Eric is the Discworld's only demonology hacker. Pity he's not very good at it. All he wants is his three wishes granted. Nothing fancy—to be immortal, rule the world, have the most beautiful woman in the world fall madly in love with him, the usual stuff. But instead of a tractable demon, he calls up Rincewind, probably the most incompetent wizard in the universe, and the extremely intractable and hostile form of travel accessory known as the Luggage.

Insurrection is in the air in the city of Ankh-Morpork. The Haves and Have-Nots are about to fall out all over again. Captain Sam Vimes of the city's ramshackle Night Watch is used to this. It's enough to drive a man to drink. Well, to drink more. But this time, something is different - the Have-Nots have found the key to a dormant, lethal weapon that even they don't fully understand and they're about to unleash a campaign of terror on the city. Time for Captain Vimes to sober up.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but which looks completely different. Particularly as it’s carried though space on the back of a giant turtle (sex unknown). It plays by different rules. But then, some things are the same everywhere. The Disc’s very existence is about to be threatened by a strange new blight: the world’s first tourist, upon whose survival rests the peace and prosperity of the land.

Actor, alcoholic and amateur sleuth Charles Paris returns in another quintet of humorous theatrical thrillers. All Charles asks for is a nice juicy part in a successful play - but wherever he appears on the bill, murder and mystery always play a starring role.

Captivating radio dramatisations of seven of Charles Dickens' most famous novels. Charles Dickens is one of the most renowned authors of all time, and this first digital volume of the dramatised canon of his work includes seven of his most popular novels.

Maurice, a streetwise tomcat, has the perfect money-making scam. Everyone knows the stories about rats and pipers, and Maurice has a stupid-looking kid with a pipe, and his very own plague of rats—strangely educated rats. But in Bad Blintz, the little con suddenly goes down the drain. For someone there is playing a different tune and now the rats must learn a new word. EVIL. It's not a game any more. It's a rat-eat-rat world. And that might only be the start.

When the Spirit of Winter takes a fancy to Tiffany Aching, he wants her to stay in his gleaming, frozen world. Forever. It will take all the young witch's skill and cunning, as well as help from the legendary Granny Weatherwax and the irrepressible Wee Free Men, to survive until Spring. Because if Tiffany doesn't make it to Spring, Spring won't come for anyone.

Fast-paced radio dramatisations of six of Dick Francis's classic racing thrillers, plus bonus documentary.

The evil Saruman has been defeated by Gandalf, but in Mordor the battle for the Ruling Ring continues. Wounded by the giant spider, Shelob, Frodo has been captured by the dreaded orcs

Thespian sleuth Charles Paris is his own worst enemy, a louche lush who can resist anything except temptation - especially in the form of women and alcohol. Estranged from his long-suffering wife, Frances, his personal life is shambolic, and as an actor, he's C-list at best. But he does have a talent for solving murders - which is just as well, because wherever he goes, someone seems to drop dead.

The second in beloved and bestselling fantasy grandmaster Sir Terry Pratchett's beloved Discworld novels starring the young witch Tiffany Aching. Tiffany Aching is ready to begin her apprenticeship in magic. She expects spells and magic—not chores and ill-tempered nanny goats! Surely there must be more to witchcraft than this. What Tiffany doesn't know is that an insidious, disembodied creature is pursuing her.

As the witch of the Chalk, Tiffany Aching performs the distinctly unglamorous work of caring for the needy. But someone - or something - is inciting fear, generating dark thoughts and angry murmurs against witches. Tiffany must find the source of unrest and defeat the evil at its root. Aided by the tiny-but-tough Wee Free Men, Tiffany faces a dire challenge, for if she falls, the whole Chalk falls with her.

Women belong in the kitchen - everyone knows that. Not in jobs, pubs or indeed trousers, and certainly not on the front line. Nonetheless, Polly Perks has to become a boy in a hurry if she wants to find her missing brother in the army. Cutting off her hair and wearing the trousers is easy. Learning to fart and belch in public and walk like an ape takes more time. There's a war on. There's always a war on, and Polly and her fellow raw recruits are suddenly in the thick of it. All they have on their side is the most artful sergeant in the army and a vampire with a lust for coffee.

Since its founding in 1959, Island Records has been home to legendary artists representing wildly divergent musical styles, yet who share the same maverick, outsider spirit of its founder, Chris Blackwell. Time and again, Blackwell and his Island cohorts identified and nurtured musicians overlooked by other labels, including Bob Marley, U2, Cat Stevens, Grace Jones, Roxy Music, Traffic, Nick Drake, Tom Waits, Robert Palmer, Free, the B-52’s, John Martyn, and Jimmy Cliff.

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

This is the collected BBC radio productions of the internationally renowned playwright Tom Stoppard. One of the giants of British theatre, Sir Tom Stoppard has been writing for the stage and screen for over 50 years. Full of wit, verbal brilliance and big ideas, his plays appeal to critics and audiences alike and are among the most studied works of the last century.