Résultats lu par "Paul Scofield" dans Toutes les catégories

Three powerful radio productions from the BBC archives starring Ian McKellen, Ronald Pickup and Paul Scofield and a host of celebrated acting talent. These three legendary plays, performed by some of the best-known theatrical actors of the 20th century, are the perfect way to commemorate England's greatest dramatist.

Peter Shaffer’s three most renowned plays, plus a radio monologue performed by Dame Judi Dench. Sir Peter Shaffer was one of the most distinguished and successful British playwrights of his generation. He won the Tony Award for both Amadeus and Equus, and the film adaptation of Amadeus garnered eight Oscars. In 1997, he was awarded an OBE, and he was knighted in the 2001 New Year honours list. This collection contains his best-known plays and a monologue specially written for radio, first broadcast in 1989.

These are masterly readings, by renowned thespian Paul Schofield, of two substantial works of poetry by T.S. Eliot.

One of postwar France’s most influential writers, Albert Camus was fêted for his masterful exploration of the absurdity of the human condition. Included here are adaptations of his three iconic existential novels – The Plague, The Outsider and The Fall – alongside four bonus pieces shining a light on the man and his work.

The Arthurian legends have long held a powerful grip on our collective imagination, inspiring numerous poets, novelists and playwrights to interpret them in countless different ways. In this epic play cycle, based on Malory's classic Le Morte D'Arthur, Graeme Fife gives us his dramatic, in-depth retelling of these perennially popular myths. Focusing on seven key characters: Merlin, Tristram, Gareth, Lancelot, Galahad, Guenever and Arthur himself, he builds a vivid, multi-layered picture of the fabled king and his heroic knights.

Dramatisations of Thomas Mann’s three bestselling novels One of Germany’s greatest and most revered writers, Thomas Mann won the Nobel Prize for Literature in 1929. A vocal critic of Nazism, he had to leave his homeland when Hitler came to power, and lived in exile in Europe and America for...

The tragedy of King Lear receives an outstanding performance in an all-star cast led by Britain’s senior classical actor, Paul Scofield. He is joined by Alec McCowen as Gloucester, Kenneth Branagh as The Fool, Harriet Walter as Gonerill, Sara Kestelman as Regan and Emilia Fox as Cordelia. This is the ninth recording of Shakespeare plays undertaken by Naxos AudioBooks in conjunction with Cambridge University Press, and is directed by John Tydeman. It was released to mark the 80th birthday of Paul Scofield in January 2002.

One of Russia's most iconic poets, Alexander Pushkin is often described as the 'father of Russian literature'. A gambler, playboy and social reformer, he was exiled by the Tsar for his controversial poetry and died aged 37 in a duel defending his wife's honour. This BBC Radio anthology includes dramatisations and readings of Pushkin's most famous works - plus biographical programmes and an original play based on his life.

Herman Melville was an American novelist, short story writer, and poet of the American Renaissance period. He is best known for Moby-Dick, the opening line of which - ‘Call me Ishmael’ - is one of the most famous opening lines in literature. This BBC collection features lively full-cast dramatisations of three of Melville’s best-known works.

Andrew Rissik's powerful, uncompromising reimaginings of classic tales from Roman and Greek history were hailed as masterpieces when they first aired on BBC radio. Told in contemporary speech, they revitalised the ancient myths, making them fresh, relevant and accessible to a modern-day audience. This collection brings them together on audio for the first time, with stellar casts including Michael Sheen, Paul Scofield, Lindsay Duncan, David Harewood, Eleanor Bron, Chiwetel Ejiofor, Diana Rigg, Roger Allam, Toby Stephens, Anton Lesser and Robert Hardy.

Virgil's Aeneid, one of the greatest classical poems, tells the story of Aeneas, son of Priam, after the fall of Troy. His quest is to find the site "in the west" where he will found a new town prophesied to be the seat of a world empire: Rome.

Heloise and her allies are marching on the Imperial Capital. The villagers, the Kipti, and the Red Lords are united only in their loyalty to Heloise, though dissenting voices are many and they are loud. The unstable alliance faces internal conflicts and external strife, yet they’re united in their common goal. But when the first of the devils start pouring through a rent in the veil between worlds, Heloise must strike a bargain with an unlikely ally, or doom her people to death and her world to ruin.

I am a man more sinned against than sinning.

Three classic radio productions from the BBC archives starring Hannah Gordon, Tim Pigott-Smith, Paul Scofield and a host of celebrated acting talent. These three legendary plays, performed by some of the best-known theatrical actors of the 20th century, are the perfect way to commemorate England's greatest dramatist.

Mid-19th century Britain—and America—come to life in this darkly humored classic by Charles Dickens. Martin Chuzzlewit the elder is an old man whose death will result in a vast inheritance—but for whom is the question. Though his avaricious and sycophantic relatives hope to benefit from his demise, Martin has other plans. He raises an orphan, Mary Graham, who looks after him and draws an income—so long as the old man lives. But young Martin—named for his grandfather who has raised him along with Mary—falls in love with the orphan, which threatens to spoil the elder Chuzzlewit's plans.

Nearly two centuries after The Pickwick Papers first appeared in 1837, listeners continue to enjoy the vigorous humor and heartwarming optimism of Dickens' first great literary achievement. Actor Paul Scofield evokes all the warmth and laughter of the unlikely adventures of the immortal Samuel Pickwick, Esq., and the other members of the Pickwick Club. Abetted by Pickwick's faithful manservant, Sam Weller, the Pickwickians bumble through hilarious misadventures, romantic escapades, and other twists of plot, encountering many delightfully Dickensian characters along the way.

The welfare of children—a theme of many novels by Charles Dickens—is central to Nicholas Nickleby, the story of a fatherless young man, his mother, and his sister who find themselves at the mercy of a greedy and unscrupulous relative. Nicholas Nickleby is both a vivid indictment of the exploitive, brutal boarding schools of the late 19th century and a celebration of a little family's resilient generosity of spirit. Actor Paul Scofield's performance captures the warmth and charm of this story and its array of colorful characters.

In London, Little Nell lives in The Old Curiosity Shop with her grandfather, who has a weakness for gambling. Hoping to mend his finances, the old man borrows money from Quilp, a moneylender and swindler. After losing that money as well, the grandfather flees to the country with Nell in a desperate attempt to escape the clutches of Quilp, who has designs on Nell and believes that the grandfather is secretly a rich miser. Out of devotion to Nell, Kit Nubbles, the shop's errand boy, pursues the pair and in the process earning the wrath of Quilp.

Pip—the orphaned hero of Great Expectations—is one of Charles Dickens's best-loved characters. Young Philip Pirrip—nicknamed Pip—is apprenticed to his blacksmith brother-in-law, but an anonymous benefactor changes the boy's future. After he is lifted to what seems a higher station in life, Pip shuns his kind friends and slips into debt. But as he matures, he progresses from thoughtless selfishness to humble industry.

In the squalor of a textile town, successful businessman and arch-pragmatist Thomas Gradgrind, proclaiming that he is a self-made man, teaches his children to suppress their imaginations and embrace hard facts. He arranges the marriage of his daughter Louisa to Josiah Bounderby, an unattractive, boastful manufacturer who is thirty years older her senior, and Gradgrind's son Tom goes to work in Bounderby's bank. But after Tom steals from his employer and Louisa flees the horrors of her marriage, Gradgrind must reconsider his lifelong devotion to facts and utility.