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Lady Ludlow's appalling snobbery, prejudice and bred-in-the-bone conviction as to the superiority of the English aristocracy and their feudal way of life are deliciously tested, and found wanting, in this gently radical tale of the collapse of a social system. Elizabeth Gaskell's My Lady Ludlow is a brilliant picture of the shift in power in a rural northern village, from the velvety feudal Ludlows to the glitter of the new money rattling through the system courtesy of the brazen baker from Birmingham.

There are very few children's stories that have raised as much outrage in grown-up politics as The Water Babies did when it first appeared in 1863. It was written by Charles Kingsley for his own little boy and shortly after he had been made tutor to the Prince of Wales.

Robert Louis Stevenson's lengthy short story 'The Pavilion on the Links' was considered by Arthur Conan Doyle to be 'the first short story in the world'. This unsettlingly nerve-racking tale is every bit as chilling as its much wider known follower, The Strange Case of Dr. Jekyll and Mr. Hyde, and at the time of its publication was every bit as successful. Stevenson makes the choice in the story of having two fairly unpleasant characters for his main protagonists.

There is the warmest of Christmas fires in this hearth. It was reportedly written in a matter of weeks to catch the Christmas deadline. Unlike his other seasonal stories, this is not a supernatural tale but one of the perfect domestic scene with which Dickens was so obsessed throughout his writing. It is all here: the warmth of home, the loving little woman, the children, the food and the laughter. All the things that go to make an idealised Christmas are rolled into one very warming story.

It was a nightmare from which he was furious to have been woken which triggered Robert Louis Stevenson's most successful and famous work. Having been stirred from what he termed 'a fine bogey tale', Stevenson set about putting his nightmare onto paper. It reputedly took him only three days to write, but the story of a split personality warring with itself between righteousness and immorality is as much a part of modern thought as it became in 1885.

The Chronicles of Clovis, published in 1911, was the third in Saki (H. H. Munro)'s series of very funny and very vicious stories. As an insider, Saki was ideally poised to eviscerate the Edwardian middle class way of life, and his pitiless and magnetic sense of humour - teamed with an ability to wield that sharpest of writer's tools, the (very) short story - makes these some of the funniest and most quotable of tales. All of the running themes in Saki's work are here.

The battle between a father and a daughter is usually portrayed in literature as a struggle between a headstrong but feisty girl and a tradition-bound lead weight of a father. Henry James, of course, had to do it somewhat differently. He tells a story of an intelligent man riding the turn of the tide in mid-19th-century New York and watching what he sees as his numbingly dull and conventional daughter making the mistake of her life in her choice of husband.

This is the story of Alice's second visit to Wonderland, where again every idea Alice has of logic and reason is logically and rationally challenged by her adventures. From the classic Red Queen, with her manic racing to enable her to stay exactly where she is, to the highly meaningful nonsense of the Jabberwocky, Alice's trip through the looking glass has provided us with a host of now familiar but no less teasing puzzles which somehow manage to give us a whole new reflection on 'normal' life.

Hans Christian Andersen's fairy tales have become so much a part of the Western culture that they are often assumed to be a part of folklore and not credited to the strange and gangling Dane who wrote them. Several years before the fairy tales came out, the Brothers Grimm had published their tales taken from the folklore of European stories, but Andersen was to change the understanding of what a tale can achieve.

Filled with an array of comic characters, The Chimes tells the story of Toby Veck, a humble porter whose loses his faith in human nature at the hands of his presumed social superiors but regains it thanks to the spirits of the bells. Like its predecessor, it carries a heartfelt plea for charity and brotherhood and examines such distressing themes as suicide and infanticide as well as the question of whether the poor have any right to live at all.

These fairy tales are nasty. This is the land of goblins and sorceresses, with serious lines in revenge, not the land of unicorns and once upon a Barbie. The tales that the Brothers Grimm collected during their time as linguistics professors, first at the University of Göttingen and then in Berlin, at the request of the King of Prussia, were an attempt to map the folklore of the German-speaking people.

Anthony Trollope’s The Warden was the first of Trollope’s hugely successful Barchester Chronicles, appearing in 1855 and reversing the rather unfortunate sales of his previous three novels. It concerns the story of Mr. Septimus Harding, Warden of Hiram's Hospital almshouses and Precentor of Barchester Cathedral.

Alice's rather wild adventures in Wonderland begin on an unadventurous picnic, when her attention, wandering off from the lesson it was supposed to be glued to, is caught by a passing white rabbit who happens to be wearing a waistcoat and muttering to himself, "Oh dear! Oh dear! I shall be too late!" As he disappears down a rabbit hole and Alice, for want of anything better to do, follows him, a tale of almost hallucinogenic wildness unfolds as she finds herself in Wonderland.

The wild adventure that David Balfour takes in Robert Louis Stevenson's Kidnapped starts with the newly orphaned boy travelling to his uncle's terrifying House of Shaws. Having failed in an attempt to murder young David, the miserly Ebeneezer Balfour, who would rather keep the fortune to which the child is now entitled, arranges for a kidnapping aboard a ship bound for the new world.

The love affair between Elizabeth Barrett-Browning and Robert Browning is one of the most famous in literature. It begins in 1844 with Elizabeth Barrett, closeted in her room for five years through ill health and forbidden from marrying by her nonconformist father, publishing the most recent of her highly successful literary works, a collection of poetry. The poems prompt a letter from Robert Browning in praise of her work, which so touches her that she agrees to let him into her voluntary seclusion.

This is a selection of D. H. Lawrence’s short stories, mostly about women. Although much wider known for his novels and in particular for his forthright attitude to sex and its description in literature, it is for his short stories that Lawrence has most commonly gained critical acclaim. He was a beautiful creator of this most difficult of forms, giving us glimpses into the lives he describes in his stories, which often tell us more than full-length novels written by lesser hands.

The Man of Property, the first in the long series of novels written by John Galsworthy known as the Forsyte Saga, was written in 1906. It was the second novel that Galsworthy had published under his own name, the four novels previous to this being published privately under the pseudonym John Sinjohn. And, unlike its predecessors, it was a great success. It examined and dissected the habits, manners, snobberies and increasingly suffocating moral code of the upper-middle classes to which he belonged.

In A Lodging for the Night, a dissolute Parisian student finds himself forced into accepting the favours of a venerable and respected knight on a cold winter's evening in 1456. The ensuing dinner conversation is spellbinding.

Three Men in a Boat was intended to be a serious travel guide. It failed dismally in this respect but succeeded in becoming an hilarious account of a boating holiday on the Thames between Kingston and Oxford. The three men were based on the author and two of his friends. The holiday was a typical boating holiday of its time, carried out on what was known as a Thames camping skiff. The dog, Montmorency, however, was entirely fictional, but, as Jerome remarked, 'had much of me in it'.

The refusal to settle for what life has dealt you and the consequences of trying to change it is a theme which hasn’t altered much in the last 150 years, and the astonishing beauty and challenge of Madame Bovary is as electric today as it was then. Very few books have created this much outrage and adoration.