Résultats lu par "Sarah Bacaller" dans Toutes les catégories

This is is the second of the verse novels by C.J. Dennis and was published in 1916. It describes the adventures of Ginger Mick, a rough and ready associate of Bill, the major character of The Songs of a Sentimental Bloke. After starting life on the criminal fringes of the dubious neighbourhood of Spadger's Lane, Mick signs up for service in the ill-fated Gallipoli campaign, where he dies a hero's death.

Doreen is a verse-novel by renowned Australian poet, C.J. Dennis (1876-1938). As one of the sequels to the 1915 verse-novel, The Songs of a Sentimental Bloke, it continues to follow the family capers of Bill and Doreen along with their young son. Originally published in 1917, Doreen is a classic work of Australian poetry.

Less Is More: Hegelian Fragments is a compilation of aphoristic fragments that explore philosophical aspects of human, and specifically Christian, identity. Engaging Hegel in particular, along with a selection of his precursors and recent interpreters, these fragments explore diverse aspects and tensions of human existence through heuristic interpretation of Hegelian themes. This exploration takes the form of compressed aphoristic writing whereby "less is more".

The Songs of a Sentimental Bloke is a classic Australian work of poetry composed by renowned poet, C.J. Dennis (1876-1938). This verse-novel chronicles Bill's coming-of-age through romance, love, and fatherhood. From rambunctious street-strolling youth to settled, responsible father, Bill's story unfolds with keen Aussie larrikinism and humour. This work is narrated as a duet by Denis Daly (Bill) and Sarah Bacaller (Doreen).

Here Frances Hodgson Burnett describes her delightful encounter with an English robin, who became the inspiration for Mary's little friend in The Secret Garden. Burnett's relationship with the robin, who frequently visits her outdoor writing desk in a rose garden in Kent, unfolds with affection and intimacy. "He was more than a robin," she writes, "He was a soul".

This grimly picturesque novel by Arthur Morrison was first published in 1897. The central character is Dicky Perrott, an urchin living in the Jago, an extremely squalid district of London's East End. The Jago is based on the Old Nichol slum, which lay at the back of Shoreditch High Street, and which has since been demolished. The novel describes Dicky's futile attempts to escape from the soul-destroying environment of the Jago, with the support of the Reverend Henry Sturt, who was based on the historical East End crusader, Arthur Osborne Jay, to whom the book is dedicated.

An anthology selected and edited by Edward J. O’Brien and John Cournos with an introduction by John Cournos and Edward O'Brien.

If you’re wondering whether there’s life on the other side of deconversion, or if you’re trying desperately to understand a loved one who is losing their faith—this book is for you. Edited by philosophy of religion scholar, Sarah Bacaller, with a foreword by Bart Campolo (the first humanist chaplain at the University of Southern California), this book offers gripping insights into the deepest aspects of the deconversion journey.

Humility gets a bad rap these days, especially when contrasted with philosophies of egoism and self-assertion. But can we see the world as it really is without losing ourselves for a moment to take up the perspective of another?

This essay is one in a series titled The Defendant, first published as a collection in 1901, after the individual essays were published in The Speaker. Here, a selection of these essays has been reissued by Voices of Today for a new generation.

With G. K. C.’s characteristic wit, he explores in this essay the virtues of baby-worship, as adults are invited to see the world anew through the eyes of children. Furthermore, argues G. K. C., an appreciation of our youngest humans “forces us actually to remodel our conduct in accordance with this revolutionary theory of the marvellousness of all things.”

Why do humans have a horror of skeletons? Is this aversion justified? What does it signify? Such are the animating questions of this essay by G. K. Chesterton, who acts as a witty defendant for humanity’s hidden form.

Skippy Blackfeet lives behind the cemetery walls. He’s often hungry and lonely … but safe. When May finds Skippy Blackfeet and brings him home, their adventures begin. For starters, they need to win May’s dad over. Then there’s the fierce neighbourhood dog, birthday party bungles, tumultuous trips to town, fireworks and thunderstorms, and everything in between! But Skippy Blackfeet and May go together like milk and sardines, and together they can face any challenge. Three stories in one collection of a loving cat and his best friend May.

Living on a farm Millie has a lot going on. Life as a pre-teen brings big, mixed feelings, but with friends, family and the school chaplain, she just might make it through. Millie’s baby brother, Noah, was stillborn 4 years ago. She writes to him in heaven, confiding her anxieties when her parents announce they are going to have another baby. Millie is both excited and scared. What if this baby dies like Noah did? What if something happens to her mum?

First published in 1881, the subtitle of this book tells us that it was written “for children and those who love children”. Heidi, a 5-year-old orphan, is handed off by her young Aunt Dete to live with her grandfather in the Swiss Alps. Though her new life is foreign, Heidi soon falls in love with her grandfather, and he with her. They share a contented life of goat-herding. But when Grandfather refuses to allow Heidi to attend school in the small village below, quarrels ensue.

It’s 1993. Beth McMaugh is eleven years old and about to start Year Six. Her best friend, Ashlee, assures Beth that it is going to be the best year ever, but then why is she sitting with the popular girls? When the new strange, nerdy kid, Jools, befriends Beth, she is swept up instead into the School Nerd Club. Behind everything is a secret from Beth’s past, a secret so terrible it stays with her, every day. Making the spirals come. And there was that day at the beach. Is that why Ashlee doesn’t want to be friends? Is that why her Mum avoids her? Has Beth ruined everything?

The Garden Party and Other Stories was published in 1922. A collection of fifteen short stories, it explores themes including life and death, gender and family roles, relationships and duty.

Here, Eliot explores ethical problems inherent in certain strands and styles of Christian evangelical teaching—particularly as displayed in the writings of one Dr. Cumming. While Eliot’s critique is focused on the work of this particular preacher, her insights are enduringly pertinent for those interested in the politics and ethics of religious discourse today. As always, Eliot’s authorial voice is abounding in pathos and concern for contexts of human relationality.

Grace Marshall is eleven years old. She’s curious and creative and dreams of becoming a magician called Grace the Amazing! Grace’s only friend is her art teacher, Pamela. When she discovers that Pamela is ill, the fragile certainties Grace relies on threaten to slip away. On her mission to find a cure for Pamela using miraculous magic, Grace asks the big questions about life, love, and friendship.

The Gallipoli letter is an 8000-word private report written by journalist Keith Arthur Murdoch, with the help of British war correspondent Ellis Ashmead-Bartlett, after visiting the Gallipoli peninsula in September 1915. It describes the organization and conditions of the Gallipoli campaign. It was sent to Andrew Fisher (then-Prime Minister of Australia) and Henry Herbert Asquith (then-Prime Minister of the UK). Murdoch’s twenty-eight-page letter helped to establish the idea of Gallipoli as a military disaster.