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Homer's epic poem, written near the end of eighth century BC in Greece, follows the hero Odysseus as he journeys home after the fall of Troy. Many scholars believe that The Odyssey was originally composed as an oral tradition and was more likely meant to be heard than read, making it a great listen.

Alexander Pope (1688-1744) was the most notable literary figure of his time, just as John Dryden (1631-1700) had been of the preceding age. He was born in London, the son of a prosperous linen merchant, and to his dying day, he remained the poet of the town rather than of the country.

Embark on a journey through 2,400 years of history with this definitive collection of 161 of the world’s greatest speeches. Presented chronologically, this master volume spans from the golden age of Athens in 431 BCE to the dawn of a new China in 1926, now complete with seminal speeches from India’s Mohandas Gandhi and China’s Mao Tse-Tung.

'The Rape of the Lock' was one of Alexander Pope's most popular poems. It was a satirical attempt to reconcile the real-life warring of two Catholic families whose feud had started with the supposed nicking of a lock of hair from the undeniably beautiful head of Arabella Fermor by her admirer, Lord Petre.

One of the foremost achievements in Western literature, Homer's Iliad tells the story of the darkest episode in the Trojan War. At its center is Achilles, the greatest warrior-champion of the Greeks, and his refusal to fight after being humiliated by his leader, Agamemnon.

This very clever and highly-polished epistle to Dr Arbuthnot (also entitled the "Prologue to the Satires"), who was suffering from terminal illness, dates from 1734. Arbuthnot, from his deathbed, solemnly advised Pope to moderate his satire and expressed fear about the poet's personal safety from his numerous foes. Pope replied in a manly but self-defensive style. He is said at this time to have in his walks carried arms, and taken a large dog as a protector, but none of the purported enemies ever had the courage to attack him.

An Essay on Man by Alexander Pope is a philosophical poem exploring human nature, the universe, and man's place within it. Written in heroic couplets, it seeks to justify the ways of God to man, emphasizing that humans must accept their limited knowledge and trust in divine order. Pope argues that pride leads people to question God’s plan, but everything in creation has a purpose. He discusses the interconnectedness of all beings and the importance of virtue and humility. The poem promotes a balanced, rational approach to life, urging people to accept their fate and strive for moral ...

As the Enlightenment movement was gathering strength in the early 18th century, various challenges to established religious faith were launched. In response, a number of celebrated commentators produced defences of religion and morality, and among these was Alexander Pope, who was inspired to write "some pieces on Human Life and Manners." The result was a collection of poems in rhyming couplets, designated "Epistles", which were published in instalments.

A selection of Alexander Pope's finest poetry read by George Rylands, Peggy Ashcroft, and Emma Topping.

Alexander Pope was born on May 21st, 1688 into a Catholic family in London. Over the years and centuries since his death, Pope’s work has been in and out of favour, but with this distance he is now truly recognised as one of England’s greatest poets. This volume comes to you from Portable Poetry, a specialised imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.

Pope’s Essay on Man, a masterpiece of concise summary in itself, can fairly be summed up as an optimistic enquiry into mankind’s place in the vast Chain of Being. Each of the poem’s four Epistles takes a different perspective, presenting Man in relation to the universe, as individual, in society and, finally, tracing his prospects for achieving the goal of happiness. In choosing stately rhyming couplets to explore his theme, Pope sometimes becomes obscure through compressing his language overmuch. By and large, the work is a triumphant exercise in philosophical poetry, communicating its ...

Poetry Podcast

First published in 1711, An Essay on Criticism was one of Pope's earliest major poems. As the title suggests, it is an exploration of what Pope considered to be the essential aspects of good critical writing.

Alexander Pope wrote the "Pastorals" in 1704 at the age of 16, but it was only in 1709 that the publisher Jacob Tonson included them in his Poetical Miscellanies. The cycle of poems with a preface – Spring, Summer, Autumn and Winter– were highly stylized and inspired by Virgil’s Eclogues. In the "Pastorals", Pope develops a theory of the relationship between art and nature.

July - the seventh month of the year in the Gregorian calendar, and summer is a rich harvest of colours and sights. Poets of the calibre of Shakespeare, Keats, Pope, Whitman, and Tennyson describe and marshall their thoughts for our delight.

Summer beckons each and every one of us to its warm embrace. For many of us it is the season we can most enjoy; the days are long and warm and all manner of things become easier. Nature shows us her most colourful side as she fills the landscape with colours and textures of every hue. As for ourselves we all seem a little more approachable, a little more likable. For poets, the Summer season conjures up many themes and images.

Alexander Pope was fiercely critical of writers whom he considered to have little talent and whom he liked to nominate as dunces. His most encyclopedic examination of these apostles of dullness is the Dunciad, a long satirical saga first published in a three-book version in 1728. A variorium edition followed shortly afterwards in 1729. In 1742, Pope added a fourth book, and a new, complete edition was published in 1743.

Alexander Pope was the most influential and most admired writer of his time, famous for satirical and reflective poems such as The Rape of the Lock and the Essay on Man. His lyrical poems are tantalizingly few in number but predictably high in quality, with all the beauty of sound and incisiveness of sense familiar from his other works.

Pope's mastery of the heroic couplet and his perceptive wit are apparent in the many epigrams and epitaphs that he composed. The subjects of these snippets of verse are widely varied, ranging from encomiums to great celebrities like Sir Isaac Newton to witty soupçons, like that attached to the collar of a dog that the poet gave to Prince George (later King George II).

These four poems, which deal with ethical issues, were collated and published in 1751 by William Warburton, seven years after Pope's death.