Showing results by author "Daphné du Maurier" in All Categories

On a trip to the South of France, a shy young woman falls in love with Maxim de Winter, a handsome widower. Although his proposal comes as a surprise, she happily agrees to marry him. But as they arrive at her husband's home, Manderley, a change comes over Maxim, and the young bride is filled with dread. Friendless in the isolated mansion, she realises that she barely knows him. In every corner of every room is the phantom of his beautiful first wife, Rebecca, and the new Mrs de Winter walks in her shadow.

Sur la Côte d'Azur, une jeune femme peu sûre d'elle, la narratrice, tombe amoureuse du très riche Maximilien de Winter, d'un rang social plus élevé qu'elle. Ils se marient et partent vivre à Manderley, célèbre et magnifique manoir en Cornouailles. Mais la "présence" invisible de Rebecca, la précédente épouse de Maximilien, est immédiatement perceptible, comme de son vivant, lorsqu'elle dominait le ménage et la maisonnée.

Rebecca is widely regarded as Daphne du Maurier's finest novel. It tells the story of Manderley, an exquisite house with gardens down to the sea; its owner Max de Winter; and his new young wife. And, of course, Rebecca.

Orphaned at an early age, Philip Ashley is raised by his benevolent cousin, Ambrose. Resolutely single, Ambrose delights in making Philip his heir, knowing he will treasure his beautiful Cornish estate. But Philip's world is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries. Then he suddenly dies in suspicious circumstances.

After the death of her mother, Mary Yellan crosses the windswept Cornish moors to Jamaica Inn, the home of her Aunt Patience. But she finds Patience a changed woman, cowering before her domineering, vicious husband Joss. Behind its crumbling walls, the inn harbours a dark secret - and Mary is soon dragged into a dangerous world of smuggling and murder. Disturbed by her powerful attraction to Joss's younger brother, and in fear of her life, Mary is forced to cross her own moral line to save herself.

Daphne du Maurier was one of the 20th century’s most popular writers. Extraordinarily prolific, she produced a string of bestsellers, many of which were adapted as award-winning films. From romance and adventure yarns to psychological thrillers and supernatural tales, the breadth and imaginative variety of her storytelling continues to thrill us today. This bumper collection features her most famous works and some lesser-known gems, beginning with full-cast adaptations of seven of her much-loved novels.

When Maxim de Winter brings his shy new bride to his beautiful stately home on the Cornwall coast, it seems like all her dreams have come true. The terrace slopes to the lawns, the lawns stretch to the sea and the gardens are full of scented flowers. But she soon finds that Manderley is haunted by the shadow of Maxim's first wife, Rebecca, who died the year before. It was Rebecca who made the house and gardens the showpiece of the county and her memory is revered by all, especially the housekeeper Mrs Danvers.

On her eighteenth birthday, Honor Harris meets Sir Richard Grenvile: he is proud, reckless—and utterly captivating. They have a rare connection, and with her beauty and sharp wit, she intrigues him too. But days before their wedding, tragedy strikes and Honor must reconcile herself to a life alone. Fifteen years later, war forces Honor to shelter with her sister at the Cornish estate of Menabilly. There, she meets Richard, who has risen through the ranks to become a general in the king's army.

A classic radio version of 'The Birds' which actually predates the Hitchcock film by 10 years! It is a classic horror adventure which is more faithful to the original Daphne Du Maurier novel. One of the classic radio Theatre productions you will want to listen to over and over again!

When Dick Young's friend, Professor Magnus Lane offers him an escape from his troubles in the form of a new drug, Dick finds himself transported to fourteenth-century Cornwall. There, in the manor of Tywardreath, the domain of Sir Henry Champerhoune, he witnesses intrigue, adultery and murder. The more time Dick spends consumed in the past, the more he withdraws from the modern world. With each dose of the drug, his body and mind become addicted to this otherworld and his attempts to change history bring terror to the present and put his own life in jeopardy.

Emma wakes up one morning to an apocalyptic world. The cosy existence she shares with her grandmother, a famous retired actress has been shattered: there's no telephone, no radio and an American warship sits in the harbour. England has withdrawn from the European Common Market and, on the brink of bankruptcy has decided that salvation lies in a union—political, military and economic—with the United States. Theoretically it is to be an equal partnership, but it soon begins to look like a takeover bid.

Lady Dona St Columb seems to revel in scandal: she is involved in every intrigue of the Restoration Court. But secretly, the shallowness of Court life disgusts her, and in her heart she longs for freedom and honest love. Retreating to Navron, her husband's Cornish estate, she seeks peace and solitude away from London. But Navron is being used as the base for a French pirate, an outlaw hunted all over Cornwall. Instead of feeling fear, Dona's thirst for adventure has never been more aroused; in Jean-Benoit Auéry she finds a sensitive man who would, like her, gamble his life for a moment's joy.

In Regency London, the only way for a woman to succeed is to beat men at their own game. So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, before long she is noticed by the Duke of York. With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government and brings personal disgrace.

Unscheinbare junge Frau, als Gesellschafterin der ebenso reichen wie penetranten amerikanischen Möchte-gern-Socialite Mrs. Van Hopper an der Côte d'Azur, trifft den attraktiven Witwer Maxim de Winter. Der ist ein bekanntes Gesicht der britischen Upper Class, noch in Trauer um seine glamouröse erste Frau Rebecca und ganz oben auf Mrs. Van Hoppers gesellschaftlicher Beuteliste. Seine überraschende Blitzhochzeit mit ihrer blassen Angestellten und ihre herrliche Missgunst hätten schon allein das Zeug zum "Binge-Hören".

"Anoche soñé que volvía a Manderley...". Nadie que conozca la película basada en esta novela podrá olvidar la voz en off que recita la frase inicial de la obra más lograda de Daphne du Maurier: "Rebeca". Así comienzan los recuerdos de la segunda señora de De Winter, que la transportan de nuevo a la aislada y gris mansión situada en la húmeda y ventosa costa de Cornish. Con un marido al que apenas conoce, la joven esposa llega a este inmenso predio para ser inexorablemente ahogada por la fantasmal presencia de la primera señora Winter.

By chance, two men—one English, the other French—meet in a provincial railway station. Their resemblance is uncanny, and they spend the evening talking and drinking. It is not until John wakes the next morning that he realises his French companion has stolen his identity and disappeared. So John steps into the Frenchman's shoes, and faces a variety of perplexing roles—as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.

A BBC Radio 4 full-cast dramatisation of Daphne du Maurier's classic tale of horror. In her story, the birds become hostile after a harsh winter with little food. First the seagulls, then birds of prey, and finally even small birds all turn against mankind. The nightmarish vision appealed to Alfred Hitchcock, who turned it into the celebrated film.

A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's sense of dominance over the natural world.

Nadie que conozca la película basada en esta novela podrá olvidar la voz en off que recita la frase inicial de la obra más lograda de Daphne du Maurier: Rebeca. Así comienzan los recuerdos de la segunda señora De Winter, que la transportan de nuevo a la aislada y gris mansión situada en la húmeda y ventosa costa de Cornualles. Con un marido al que apenas conoce, la joven esposa llega a este inmenso predio para ser inexorablemente ahogada por la fantasmal presencia de la primera señora De Winter, la hermosa Rebeca, muerta pero nunca olvidada.

Daphne du Maurier is best known for Rebecca, “one of the most influential novels of the 20th century” (Sarah Waters) and basis for Alfred Hitchcock’s iconic film adaptation. More than thirty-five years after her death, du Maurier is celebrated for her gothic genius and stunning psychological insight by authors such as Ottessa Moshfegh, Maggie O’Farrell, Lucy Foley, Gillian Flynn, Jennifer Egan, and others, including Stephen King and Joe Hill. After Midnight brings together some of du Maurier’s darkest, most haunting stories, ranging from sophisticated literary thriller to twisted love story.