Showing results by author "Ian Mortimer" in All Categories

Imagine you could travel back to the 14th century. What would you see? What would you smell? More to the point, where are you going to stay? And what are you going to eat? Ian Mortimer shows us that the past is not just something to be studied; it is also something to be lived. He sets out to explain what life was like in the most immediate way, through taking you to the Middle Ages. The result is the most astonishing social history book you are ever likely to read: evolutionary in its concept, informative and entertaining in its detail.

In the latest volume of his celebrated series of Time Traveller's Guides, Ian Mortimer turns to what is arguably the most loved period in British history: the Regency (a.k.a. Georgian England). Bookended by the outbreak of the French Revolution in 1789 and the death of George IV in 1830, this is the age of Jane Austen and the Romantic poets, the paintings of Constable and the gardens of Repton, the sartorial elegance of Brummell and the poetic licence of Byron, Britain's military triumphs at Trafalgar and Waterloo and the threat of revolution and the Peterloo massacre.

What was it actually like to live in Elizabethan England? If you could travel to the past and walk the streets of London in the 1590s, where would you stay? What would you eat? What would you wear? Would you really have a sense of it being a glorious age? And if so, how would that glory sit alongside the vagrants, diseases, violence, sexism and famine of the time? In this book Ian Mortimer answers the key questions that a visitor to late 16th-century England would ask.

Organized as a travel guide for the time-hopping tourist, The Time-Traveler's Guide to Elizabethan England is an entertaining popular history with a twist. Historian Ian Mortimer reveals in delightful (and occasionally disturbing) detail how the streets and homes of 16th century looked, sounded, and smelled for both peasants and for royals; what people wore and ate; how they were punished for crimes and treated for diseases; and the complex and contradictory Elizabethan attitudes toward violence, class, sex, and religion.

We tend to think about the Middle Ages as a dark and backward time, characterised by violence, ignorance and superstition. We believe that life was unchanging over the period, so if a peasant fell asleep in in the year 1000 and woke up six hundred years later, he would return to a world that was instantly recognisable. We hold that change is facilitated by science and technological innovation, and that it was the inventions of recent centuries, from the steam engine to the Internet, that created the modern world. We couldn't be more wrong.

In Millennium, best-selling historian Ian Mortimer takes the listener on a whirlwind tour of the last 10 centuries of Western history. It is a journey into a past vividly brought to life and bursting with ideas, that pits one century against another in his quest to measure which century saw the greatest change. We journey from a time when there was a fair chance of your village being burned to the ground by invaders - and dried human dung was a recommended cure for cancer - to a world in which explorers sailed into the unknown and civilizations came into conflict.

December 1348: With the country in the grip of the Black Death, brothers John and William fear that they will shortly die and go to Hell. But as the end draws near, they are given an unexpected choice: either to go home and spend their last six days in their familiar world or to search for salvation across the forthcoming centuries - living each one of their remaining days 99 years after the last. John and William choose the future and find themselves in 1447, ignorant of almost everything going on....

King Henry IV survived at least eight plots to dethrone or kill him in the first six years of his reign. However, he had not always been so unpopular. In his youth he had been a great chivalric champion and crusader. In 1399, at the age of 32, he was greeted as the saviour of the realm when he ousted from power the tyrannical King Richard II. But Henry had to contend with men who supported him only as long as they could control him; when they failed, they plotted to kill him. Adversaries also tried to take advantage of his questionable right to the crown.

Of all the questions that arise from the Shakespeare authorship debate, one is more perplexing than any other. Why does neither camp apply the sort of analysis that professional historians are able to apply to the question? In any other debate about 16th century events, historians would be summoned in droves. But when it comes to Shakespeare, everybody feels he or she is at liberty to proceed without professional historical input. In this speech, Dr. Mortimer applies a professional historical methodological approach to the authorship question.

You might run for fitness. You might run for speed. But ultimately, running is about much more than the physical act itself. It is about the challenges we face in life, and how we measure up to them. It is about companionship, endurance, ambition, hope, conviction, determination, self-respect and inspiration.

La Guía para viajar en el tiempo a la Inglaterra medieval no es la típica mirada a un periodo histórico. Mortimer da un giro radical a nuestra concepción de la historia: no es solo algo que se estudia, también es algo que se vive, ya sea la vida de un campesino o de un señor. A través de las crónicas diarias, las cartas, los relatos domésticos y los poemas de la época, Mortimer nos transporta al pasado y nos ofrece respuestas a preguntas que los historiadores tradicionales suelen ignorar.

Henry IV is not famous except for the plays that bear his name: He is not even a "much-maligned" king. He is normally overshadowed by his far more famous son, Henry V, despite his many achievements. Shakespeare is partly to blame for Henry's diminution and his son's exaggerated stature but not completely; we just don't know what to make of a man who took the throne from the rightful king.

Welches der vergangenen zehn Jahrhunderte hat die größten Veränderungen erlebt, welches hat die Menschheit am weitesten vorangebracht? Was war das Besondere eines jeden Jahrhunderts? Auf einem Streifzug durch die vergangenen 1000 Jahre führt uns Ian Mortimer zu den großen Zeiten der Erkenntnis und des Wandels. Wir begegnen gottesfürchtigen Forschern, gewitzten Bauern, kühl kalkulierenden Unternehmern und willensstarken Frauen.

Wir neigen dazu, das Mittelalter als eine dunkle, rückständige und konstante Zeit zu sehen, die von Gewalt, Unwissenheit und Aberglaube geprägt war. Im Gegensatz dazu glauben wir, dass Fortschritt auf Wissenschaft und technischer Innovation beruht und dass uns erst die Erfindungen der letzten Jahrhunderte in die Moderne geführt haben. Ian Mortimer räumt mit diesem Narrativ auf. Er skizziert die enormen kulturellen Veränderungen, die sich im Mittelalter vollzogen, und führt uns eine revolutionäre Epoche vor Augen, die von grundlegender Bedeutung für die Entwicklung der westlichen Welt war.

Nicht berühmte Herrscher, grausame Kriege oder denkwürdige Ereignisse sind das Thema des Historikers Ian Mortimer, sondern der Alltag der Menschen im Mittelalter: Wie feierten sie? Worüber lachten sie? Wie liebten sie? Mortimer beschreibt, wie es in den engen Gassen roch, welche Mahlzeiten sich die Bewohner zubereiteten und wie man sich auch ohne Handy und SMS in Windeseile verständigte. Endlich ein Buch, das zeigt, dass Geschichte nicht nur studiert, sondern auf einer Zeitreise erlebt werden kann!

Willkommen im Regency, dem Übergang vom 18. ins 19. Jahrhundert! Ian Mortimer nimmt uns mit in diese kuriose Zeit, die für viele schlichtweg für Übermaß steht. Zwischen der leicht langweilig anmutenden Eleganz des 18. Jahrhunderts und der prüden moralischen Überlegenheit der Frühviktorianer wirkt diese Epoche liederlich, grell, gefährlich, schockierend und anstößig – doch dabei höchst unterhaltsam und anziehend. Es ist das Zeitalter von Jane Austen und den Dichtern der Romantik, der Gemälde von John Constable, der eleganten Kleidung von Beau Brummell und der poetischen Freiheit von Lord Byron.