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Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

In the realm of the short story, Katherine Mansfield established a highly original style. Undramatic, poetic and lyrical, her writing is exquisitely subtle in its treatment of human behaviour. When these 14 short stories were published in 1920, she had already effected a transformation in this form of fiction, and her influence has been deeply felt by subsequent writers.

This recording contains four of Katherine Mansfield's best stories. In The Daughters of the Late Colonel, two sisters are recently bereaved; while in Her First Ball a young girl attends her first dance. The Singing Lesson features Miss Meadows, a music teacher in turmoil; and in The Stranger, a middle-aged couple are reunited.

Although Katherine Mansfield was born in New Zealand in 1888, she spent much of her short life in England and on the Continent. As she wrote about the privileged worlds she encountered there, her stories quickly attracted literary attention. Prelude was hand-published by Leonard and Virginia Woolf at their Hogarth Press. Readers today still applaud the grace with which Mansfield fuses image, mood and meaning. Here are ten of Katherine Mansfield’s extraordinary tales.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

A collection of short stories by Katherine Mansfield, widely recognized as one of the greatest writers of her period, that capture with accuracy those emotionally-charged moments when an individual is most revealing. Prelude / Je ne Parle pas Français / Bliss / The Wind Blows / Psychology / Pictures / The Man without a Temperament / Mr. Reginald Peacock’s Day / Sun and Moon / Feuille d’Album / A Dill Pickle / The Little Governess / Revelations / The Escape.

The Singing Lesson, written by Katherine Mansfield, is all about a surprising day of a music teacher’s life. Taken from Katherine’s The Garden Party and Other Stories collection, it’s a short story written in third person from an unknown narrator’s perspective. - Miss Meadows, a music teacher, receives a letter from her fiancé which states quite plainly that Basil, her fiancé, isn’t ready to marry her and feels that the marriage would fill him with disgust. The word “disgust” is scratched lightly and written above it is the word “regret”. Naturally she’s filled with despair, anger & sadness.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. A decade of monumental change and slaughter. Many of society’s telling questions are cast aside in times of that speak of greater needs, greater priorities. For these talented authors their ideas and words keep these magnificent stories at the forefront of our literary lives.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In this decade the equality of the sexes is now law. In real life it’s patchy. Power refuses to ebb or cede. In literary terms though women are again second to none with writing that strides confidently forward addressing the issues, the characters and the stories in unique and individual ways.

The 15 stories collected in this volume demonstrate the genius of a woman who, in her own short lifetime, was compared to Chekhov. The tales are sensitive revelations of human behavior in ordinary situations. With careful, quiet observation, Mansfield illuminates complicated relationships and profound, often troubling ideas. Her stories often feature young women in the process of maturity, confronting for the first time some of the realities of life.

This anthology features a wide array of thought-provoking, genre-defining works from the 1900s, showcasing the range of modern storytelling—from existential musings to dark humour and intricate social commentary. These are the stories that have shaped modern literature, offering timeless insights into human nature and society. This collection brings together the finest modernist narratives, political reflections, and social commentaries that have shaped literature as we know it.

Fifty short stories by women writers who broke the mould.

This collection of short stories, by celebrated New Zealand writer Katherine Mansfield, was first published in 1920. Many of Mansfield’s short stories explore New Zealand landscapes and identity, and her work has been a shaping force in the short story genre.

Widely anthologized, The Garden Party is considered Katherine Mansfield's finest piece of short fiction. First published in 1922, it immediately became a classic example of the short story form.

"Miss Brill" is a short story by Katherine Mansfield (1888-1923). It was first published in Athenaeum on 26 November 1920, and later reprinted in The Garden Party and Other Stories. Miss Brill is an English teacher living near the Public Gardens in a French town. The narrative follows her on a regular Sunday afternoon, which she spends walking about and sitting in the park.

The short story is considered to be one of the most challenging genres because of the need for compact plotlines and the ability to conjure up atmosphere and character in a few sentences and to engage the reader instantly. This collection presents 66 of the greatest examples of the genre - many of them well known, some hidden literary treasures, all of them exquisite examples of the short story at its finest.

This collection brings together stories by Edith Wharton, Katherine Mansfield, Wilkie Collins and Marcel Proust, with forays into the supernatural and the comedic by Sabine Baring-Gould and Saki. Be them funny or moving, all stories are beautifully read by Harriet Walter (Atonement, Netflix’s The Crown), Juliet Stevenson (Bend it Like Beckham, The Enfield Haunting), Barbara Leigh-Hunt (Pride and Prejudice, Billy Elliot) and Rosalind Ayres (Titanic, Outnumbered).

Contes du quotidien, les quatorze histoires réunies dans cet écrin conjuguent reviviscences d'enfance en Nouvelle-Zélande, échappées oniriques, portraits saisissants, émotions brutes et découverte de la mort et de ses avatars. Dans "Prélude", "Félicité", ou encore "Je ne parle pas français", le ressenti prend le pas sur l'action et se mettent à nu d'inquiétants rapports de force au sein même des relations les plus familières. Ce recueil a assis la réputation de Katherine Mansfield comme la plus grande virtuose de la nouvelle moderniste.

Her First Ball is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 28 November 1921, and later reprinted in The Garden Party and Other Stories. A young girl called Leila has come to the city to stay with her cousins. They are going to a ball. Leila is very excited: this is her first ball. Once there, she is both excited and terrified. After dancing with several young boys her own age, she dances with a wrinkly balding man who has been coming to balls for a while.