Showing results by author "Mary Shelley" in All Categories

Far from its popular image, the story of Frankenstein as told by Mary Shelley is not a tale that finds horror in a hideous "monster", or a "crazed" scientist. The darkness in the narrative is found in the profound loneliness of both Creator and Created, as they seek one another in a tragic cycle of unfulfilled longing and revenge.

This powerful novel, first published in 1818, still surprises and shocks us with the fundamental questions about the moral boundaries of human discovery, and helps us to question what it means to be human.

The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and, except for a 1924 silent film based on it, was virtually unknown - having been eclipsed by Shelley's more popular works - until a scholarly revival in the 1960s. It contains semi-biographical portraits of Romantic figures in Shelley's circle, particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron.

A reanimated Roman soldier, Valerius, finds himself in a ruined world centuries after his time. Unable to connect with modern society, he retreats into isolation until he meets Isabell, who tries to show him the beauty of the rebuilt Rome. Despite her efforts, Valerius remains haunted by the past and sets off to explore humanity's progress before his inevitable demise. This poignant tale mirrors themes from "Frankenstein" and delves into the posthuman experience, the last remnants of a bygone era, and the intersection of race and politics.

In 1826, Roger Dodsworth emerges from a centuries-old coma in the Alps, captivating the world. The media frenzy and hoax blur fact and fiction, while Mary Shelley weaves a tragicomic tale around Dodsworth's resurrection.

In a remote Welsh village, forbidden love and secrets converge. When Rosina, banished by her guardian, disappears, Henry embarks on a desperate search. Guided by whispers of the Invisible Girl, he discovers her hidden in a ruin. Love triumphs, forgiveness prevails. Mary Shelley's haunting tale unveils the power of redemption.

Die Gruselkabinett Hörspiel Box 4 beinhaltet die Geschichten: "Frankenstein" von Mary W. Shelley, "Der Freischütz" von Johann August Apel und "Der Werwolf" von Alexandre Dumas.

Die Suche nach Vergeltung für das Leid, das über seine Familie kam, treibt Victor Frankenstein ins Hochgebirge. Schöpfer und Geschöpf treffen erstmals wieder aufeinander. Frankenstein wird sich allmählich der erdrückenden Verantwortung bewusst, die er durch seinen unüberlegten Schöpfungsakt auf sich genommen hat. Sein Geschöpf verspricht, ihn und die Seinen zukünftig unter einer einzigen schrecklichen Bedingung zu verschonen ...

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Mary Shelley (1797–1851) una de las escritoras más importantes e influyentes de la literatura británica del Siglo XIX, creadora del doctor y su monstruo. “Frankenstein o el moderno Prometeo” (1818) además de sus novelas escribió numerosos relatos de marcado carácter gótico. La presente edición reúne dos de sus relatos cortos; bajo un tumultuoso ambiente romántico con personajes sometidos a la influencia de fuertes pasiones que dan pie a sucesos sobrenaturales y extraordinarios.

Eine Tragödie von erstaunlicher Aktualität: Der junge Wissenschaftler Victor Frankenstein ist von der Idee besessen, einen künstlichen Menschen zu erschaffen. Mit seinen Experimenten ignoriert er die Gesetze der Natur. Doch als er Erfolg hat, wendet er sich mit Schrecken von dem Monster ab, das er selbst ins Leben gerufen hat.

Settle in for an unsettling listen with this duo of two horror classics: Dracula by Bram Stoker and Frankenstein by Mary Shelley. These two books are staples of the Gothic horror genre and are sure to excite, mystify, and maybe even spook listeners.

Guido has lost it all. At rock bottom and wandering the shore, Guido spies a misshapen creature floating toward him in the water, riding on a huge chest. The creature offers Guido a path of revenge – switching bodies for three days in exchange for the untold riches in the chest. Guido unfortunately fails to see a potential downside. Through skillful handling of the gothic motif of the doppelgänger, Shelley’s tale explores concepts that would eventually culminate into her masterpiece – Frankenstein.

En un enorme y fortificado castillo, construido en una empinada escarpa dominando el Loira, no lejos de la ciudad de Nantes, moraba la última de su raza y heredera de su fortuna, la joven y hermosa condesa de Villeneuve. El año anterior lo había pasado en completa soledad en su apartada mansión; y el luto que llevaba por su padre y dos hermanos, víctimas de las guerras civiles, era una gentil y buena razón para no aparecer en la corte, y mezclarse en sus festejos.

Victor Frankenstein er en ung og ærgerrig videnskabsmand, der drømmer om at skabe sit eget levende væsen - af rester af lig. Han har opdaget, hvordan det kan lade sig gøre og forestiller sig at skabe noget smukt, men sådan går det som bekendt ikke. Han skaber et monster, som han ikke kan holde af, og så går det løs. Monsteret flygter, lever som udstødt og indleder en uhyggelig vendetta for at påkalde sig Frankensteins opmærksomhed. Mary Shelleys klassiske gyser- og science fictionroman fra 1818 foreligger nu i en ny oversættelse af Jakob Levinsen.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein and his creation. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness.

Schon über 200 Jahre alt und dennoch unvergessen: Die Geschichte des jungen Schweizer Naturwissenschaftlers Viktor Frankenstein, der aus toter Materie einen künstlichen Menschen zusammenbaut. Erst durch die Grausamkeit und Ignoranz seiner Umwelt wird dieser zu dem Monster, für das ihn alle halten. Mit ihrem Debüt "Frankenstein" stellt die damals 19-jährige Mary Shelley bis heute gültige Fragen nach dem Umgang mit der Natur, der Verantwortung von Wissenschaft, nach Normen und Ausgrenzung. Eindrucksvoll liest Regina Münch den berühmtesten Schauerroman der Literaturgeschichte.

Viktor Frankenstein ist von der Idee besessen, das Elixier des Lebens zu finden. In einer düsteren Novembernacht gelingt ihm das Unfassbare: Aus Leichenteilen, die er aus Friedhöfen zusammengetragen hat, formt er einen menschenähnlichen Körper, ein überdimensionales, hässliches Monstrum und haucht ihm Leben ein. Das Monster lernt schnell und versucht vergeblich die Zuneigung anderer Menschen zu erlangen. In seiner Isolation verflucht es seinen Schöpfer.

Frankenstein : The Modern Prometheus is an 1818 novel written by Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared in the second edition, which was published in Paris in 1821.Since the publication of the novel, the name "Frankenstein" has often been used, erroneously, to refer to the monster, rather than to his creator.

In this audio play, an award-winning stage adaptation of Mary Shelley's classic gothic novel is brought to life.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.