Showing results by author "Robert Graves" in All Categories

Here is one of the best historical novels ever written. Lame, stammering Claudius, once a major embarrassment to the imperial family and now emperor of Rome, writes an eyewitness account of the reign of the first four Caesars: the noble Augustus and his cunning wife, Livia; the reptilian Tiberius; the monstrous Caligula; and finally old Claudius himself. Filled with poisonings, betrayal, and shocking excesses, I Claudius is history that rivals the most exciting contemporary fiction.

Robert Graves continues Claudius' story with the epic adulteries of Messalina, King Herod Agrippa's betrayal of his old friend, and the final arrival of that bloodthirsty teenager, Nero.

The politics of empire-building and the hypocrisies, back-stabbings, and corruptions of Rome's first family come to light. First published in 1934, the book retains a marvelously modern and often comic tone, and is written in the form of Claudius' autobiography. This is gripping stuff, read by one of our finest actors, who also starred as Claudius in the classic television series.

Including many of the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - Robert Graves's superb and comprehensive retelling of the Greek myths for a modern audience has been regarded for over fifty years as the definitive version. With a novelist's skill and a poet's eye, Graves draws on the entire canon of ancient literature, bringing together all the elements of every myth into one epic and unforgettable story.

Read in the style of a secret diary, this famous sequel to I, Claudius gives a wry and human view of the Roman world, bringing to life some of the most scandalous and violent times in history. Claudius has survived the murderous intrigues of his predecessors to become, reluctantly, Emperor of Rome. He recounts his surprisingly successful rule; how he cultivates the loyalty of the army to repair the damage caused by his nephew Caligula; his friendship with the Jewish King Herod Agrippa; and his invasion of Britain.

The sixth-century Roman Empire is a dangerous place, threatened on all frontiers by invaders. But soon the attacking armies of Vandals, Goths, and Persians grow to fear and respect the name of one man, Belisarius: horseman, archer, swordsman, and military commander of genius. As Belisarius triumphs in battles from the East to North Africa, his success causes him to become regarded with increasing jealousy and suspicion. In his palace in Constantinople, the Emperor Justinian, dominated by his wife Theodora, plots the great general’s downfall.

The Horrors of Fox Hollow Farm provides detailed insights from the original criminal investigation as well as the perspectives of the man who survived Herb's attempt on his life. This chilling book also features actual supernatural evidence - from EVPs and psychic confirmations to first-hand accounts of the disembodied hands and voices that regularly manifest on the estate. 

A famous autobiographical account of life as a young soldier in the first World War trenches. Robert Graves, who went on to write I, Claudius, has given to posterity here one of the all-time great insights into the experience of war.

A full-cast dramatisation of Robert Graves' brilliant account of the madness and debauchery of ancient Rome, starring Tom Goodman Hill as Claudius and Derek Jacobi as Augustus. The wickedly entertaining inside story of the lives and deaths of the Imperial dynasty from Augustus to Caligula is told by their obscure relation, Claudius. In public, Claudius is a stammering, drooling weakling, whose reputation as an idiot keeps him safe from office and assassination.

Robert Graves first came across the name of Roger Lamb in 1914, when he was an English officer instructing his platoon in regimental history. Lamb was a British soldier who had served his king during the American War of Independent, and whose claim to a footnote in history is that he managed to escape twice from American prison camps.

In order to reclaim his father's kingdom, Jason has been sent on an impossible mission: to take the golden ram's fleece that lies far away, guarded by a dragon. Jason, who is so attractive that women fall instantly in love with him, sets sail in the Argo, along with the greatest heroes of ancient Greece, including the surly (and often drunk) Hercules, the enchanting musician Orpheus and the warring twins Castor and Pollux. As they battle clashing rocks, monsters, and seductresses, watched over by pitiless gods, they will learn that victory comes at a price.

Robert Graves's controversial historical novel is a bold reworking of the story of Christ. Here Jesus is not the son of God, but the result of a secret marriage - the descendant of Herod and true King of the Jews. Written from the perspective of a lowly official at the end of the first century AD, King Jesus recounts Jesus's birth, youth, life as a charismatic 'wonder worker' and the unorthodox, bitter nature of his death and resurrection. Portraying Jesus not as divine but as a flawed human bent upon his own doom, this retelling of the gospels is a compelling blend of research

The poems in this collection, "Fairies and Fusiliers", appeared in 1918, after Robert Graves returned from World War I in his early 20s. The fairy poems are from the carefree happy days of childhood and make-believe recalled by a man who has lived the reality and horror of war. The poems of war are written only as one who has witnessed it can tell them.  

In Homer's Daughter Robert Graves recreates the Odyssey. This bold retelling of the ancient epic imagines that its author was not the blind and bearded Homer of legend, but a young woman in Western Sicily who calls herself Nausicaä.

Hear rare recordings from some of the world's most-respected poets reading their own works: Ezra Pound, "Old Men With Beautiful Manners"; W. B. Yeats, "The Lake Isle of Innisfree"; Robert Graves, "A Last Poem"'; Edna St. Vincent Millay, "The Harp-Weaver"; Richard Eberhart, "The Groundhog"; Philip Levine, "Blasting from Heaven"; Marianne Moore, "The Mind Is an Enchanting Thing"; Stephen Spender, "What I Expected"; and Vachel Lindsay, "An Interpolation by Mr. Lindsay".

Immaginaria autobiografia del grande imperatore, Io, Claudio rievoca i fasti, i costumi e la potenza della Roma imperiale, ma anche gli episodi grotteschi e le tragiche avventure di colui che, tra i dodici Cesari, ebbe la vita più movimentata. Primo "generalissimo" dell'impero, seguiremo Claudio nell'instaurazione della dominazione permanente della Britannia, nei palazzi dei deserti libici, per le strade di Roma, negli accampamenti dei Balcani, addirittura ad Antiochia in una casa infestata dagli spiriti.

T. E. Lawrence began his lifelong affair with the Middle East as a student at Oxford, taking a four-month walking tour of Syria to study the Crusaders' castles. He later returned to the area as an archaeologist and was attached to British Army Intelligence in Egypt at the outbreak of World War I. In 1916, he set out on his greatest adventure: with no backing, Lawrence joined Arab forces facing almost insurmountable odds in a rebellion against Turkish domination.

The sequel to Sergeant Lamb of the Ninth. As British soldiers fought their own deserting countrymen and rebel Americans came face-to-face with faithful citizens, the American War of Independence proved to be the ultimate test of loyalty. Perhaps never more so than for Sergeant Lamb: a man who, having escaped imprisonment to return to his own lines, found his mistress and daughter had changed their allegiance to Lord Cornwallis, Lamb's commanding officer.

Prima della scienza, prima della religione, c'è il mito. Modo ingenuo - ci dicono -, modo fantasioso, spregiudicato e prescientifico, di spiegare l'origine delle cose e degli uomini, gli usi i costumi e le leggi. Filologia, etnografia, antropologia hanno lacerato il velo del mito, evidenziandone le radici ideologiche, il retroterra di superstizione e di magia. Ma i miti, così dissezionati, ci vengono restituiti alla stregua di freddi reperti anatomici, buoni tuttalpiù per qualche museo.

For Robert Graves, the writing of Charles Dickens was full of inherent difficulties. From its very repetitiveness to its extreme length, he doubted whether readers could ever fully enjoy the riches of even his most famous works. Seeking to bring Dickens back to the general reader and rekindle the excitement with which his books were originally received, Graves here presents his own retelling of one of Dickens' great masterpieces.