Showing results by author "Virginia Woolf" in All Categories

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

In this series we look at short stories from many of our most accomplished writers. Miniature masterpieces with a lot to say. In this volume we examine some of the short stories of Virginia Woolf. Adeline Virginia Woolf was born in 1882 and was to become a founder of modernist writing. Her background is filled with elements of tragedy that she somehow overcame to become a revered writer. Her mother died when she was 13, her half sister Stella two years later and with that came her first of several nervous breakdowns.

To the Lighthouse tells of one summer spent by the Ramsay family and their friends in their holiday home in Scotland. Offshore stands the lighthouse, remote, inaccessbile, an eternal presence in a changing wolrd. A projected visit to the lighthouse forms the heart of this extraordinary novel which, through the minds of the various characters, explores the nature of time, memory, transience and eternity.

Hätte Shakespeare eine Schwester gehabt, ebenso begabt wie er, wie wäre es ihr ergangen? Welche Widerstände mussten Jane Austen oder die Brontë-Schwestern überwinden? Im Oktober 1928 hielt Virginia Woolf zwei Vorträge am ersten Frauencollege Großbritanniens an der Universität Cambridge. Ob ihnen bewusst sei, fragte Woolf ihre Zuhörerinnen, dass sie vielleicht "das am häufigsten abgehandelte Tier des Universums" seien? Schließlich wurde Literatur über Frauen fast ausschließlich von Männern verfasst. Aus Woolfs Vorträgen entstand der Essay Ein Zimmer für sich allein, den sie ein Jahr später veröffentlichte.

Flush è un cane fortunato. Un cocker spaniel delle più nobili origini che nasce nella verdissima campagna inglese e che diventerà l'animale da compagnia della celebre poetessa Elizabeth Browning.

Virginia Woolf's semi-biographical novel, inspired by her life changing love affair with Vita Sackville-West, takes us on an exhilarating, fantastical roller coaster, tracing 400 years of English history, in the company of her shape-shifting, gender-bending, time-travelling hero Orlando, whose inner conflicts and triumphs challenge our preconceptions of the nature of love, the battle of the sexes, posing socal and metaphysical questions including what we now call climate change.

Jacob’s Room was written in 1922 and is Virginia Woolf’s third novel; the first in which she made a radical shift from the established style of prose narrative writing and began experimenting with the modernist "stream of consciousness style" now so firmly associated with her work and that so shook the literary establishment. Jacob’s Room is overwhelmingly centered around feelings of absence and emptiness and is a collection of memories and sensations that chart the life of Jacob Flanders, largely observed through the eyes of others.

Five stories from influential women writers of the 19th century and the first decades of the 20th century. New Zealand-born Katherine Mansfield settled in England where she wrote a series of short stories that are widely recognized as among the finest of the 20th century for their economy, clarity, sensitivity and effect. "The Garden Party" is one of her most famous, while "Daughters of the Late Colonel" shows a wonderful sense of wit.

In the aftermath of World War I, Clarissa Dalloway is an upper-class politician’s wife, who longs for the carefree, impassioned days of her youth. Her marriage to a sensible man gives her many opportunities to socialize and progress in society, but this practicality also prevented her from following other romantic and personal passions. These old regrets come to new light as Clarissa is reintroduced to Peter Walsh, a man she loved—and who had proposed to her—in her younger days.

The serene and maternal Mrs. Ramsay, the tragic yet absurd Mr. Ramsay, and their children and assorted guests are on holiday on the Isle of Skye. From the seemingly trivial postponement of a visit to a nearby lighthouse, Woolf constructs a remarkable, moving examination of the complex tensions and allegiances of family life and the conflict between men and women.

As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colourful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, thirty-six-year-old woman and three centuries will have passed. Orlando will not only witness the making of history from its edge, but will find that his unique position as a woman who knows what it is to be a man will give him insight into matters of the heart.

Back by popular demand, novelists Siri Hustvedt ( The Blazing World), Jennifer Egan (Pulitzer Prize-winner for A Visit from the Goon Squad), and Margot Livesey ( The Flight of Gemma Hardy), the trio that has brought Middlemarch, Pride & Prejudice, Anna Karenina, and The Portrait of a Lady to life at past events in this series, revisit Virginia Woolf's classic.

Unabridged readings of four fictional masterpieces. Contained in this collection are four more enduring classics, read in full by some of the very best audiobook narrators. With over 32 hours of irresistible storytelling, tracked by chapter for ease of navigation, this is the perfect way to immerse yourself in these iconic works.

Monday or Tuesday is a captivating introduction to Virginia Woolf, one of the greatest writers of the 20th century. These eight tales by the author of Mrs. Dalloway and To the Lighthouse reveal her early experiments in the art of fiction. The stories convey tantalizing glimpses of uncommon yet everyday characters.

Mrs. Dalloway by Virginia Woolf, details a day in the life of Clarissa Dalloway in post-World War I England. Clarissa visits London in the morning, getting ready to host a party that evening. The nice day reminds her of her youth and makes her wonder about her choice of husband; she married the reliable Richard Dalloway instead of the enigmatic and demanding Peter Walsh, and she "had not the option" to be with Sally Seton for whom she felt strongly.

Orlando: A Biography is a groundbreaking English novel by Virginia Woolf that explores English history, gender roles, and sexual politics in a way few books have before or since. Inspired by the life of Woolf's friend and lover Vita Sackville-West—herself an accomplished poet and novelist—the story follows the life of an aristocratic nobleman who changes from man to woman and goes on to live for centuries, meeting all of the most influential and powerful figures in English history.

Presented here is Volume III of our Feminist Literary Classics series, featuring three of the most important feminist novels ever written: Orlando: A Biography by Virginia Woolf, O Pioneers! by Willa Cather and So Big by Edna Ferber. The first book in this collection is Orlando: A Biography, a groundbreaking English novel by Virginia Woolf that explores English history, gender roles and sexual politics in a way few books have before or since.

The Ramsey family, with house guests, visit the Isle of Skye at least twice. The plot is not at all the point though, as this is a book about how people think and feel and relate. There’s insight into the world of childhood thought and emotion, and a variety of views of adult care and perceptions. I hope this doesn’t make it sound ‘difficult’, it doesn’t need to be–just let the sentences flow and make your own sense of the words. It’s perhaps as close as a novel can come to the highly individual experience of looking at a painting.

Presented here is Volume II of our Feminist Literary Classics series, featuring three more of the most important feminist novels ever written. Each of these audiobooks is presented in its original and unabridged format.

Si bien el ensayo emplea un narrador ficticio y la prosa para explorar a mujeres (tanto escritoras como personajes de ficción), y el manuscrito preparado para las conferencias se tituló "Mujeres y Ficción", el ensayo está considerado no-ficción. Generalmente se clasifica como un texto feminista, y su argumento gira en torno a un espacio literal y ficticio para escritoras que se encuentran dentro de una tradición literaria dominada por hombres.