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In the fourth installment of the Daughters of Mannerling series, beautiful Rachel must choose which she wants more - true love or the Mannerling mansion. The haughty Beverley family is obsessed with regaining Mannerling, the exquisite seventeenth-century mansion gambled away by their now-deceased father, Sir Beverley. Three of the six Beverley daughters, including Rachel's twin, have failed to win back their ancestral estate - settling for love matches over Mannerling's heirs.

The discovery of Gemma Whiting's bludgeoned body within spitting distance of her family home, opens a new case for DI Sally Parker, one that quickly embroils her in Gemma's feud with male family members. The more Sally digs, the longer her suspect list grows. Frustrated after months of investigation, yet another young woman is attacked close to where Gemma's body was found. Sally begins to wonder if she's been looking in the wrong direction for the killer.

Catherine Blade's uncommon beauty and daring have taken her far in the world, but she still doesn't have the freedom to live life as she chooses. Finally given the chance to earn her independence, who should be standing in her way but the only man she's ever loved - the only person to ever betray her. Despite the scars Catherine left him, Captain Leighton Atwood has never been able to forget the mysterious girl who once so thoroughly captivated him.

When young widow Lady Lovelace realized she had been swindled to near-bankruptcy by her curmudgeonly cousin, she knew she would have to marry again for money. These were the very thoughts of Lord Philip, who had nothing between him and destitution but his small army pension. And so these two attractive fortune-hunters somehow found each other and, before long, popped into marriage - and into the bridal chamber - only to discover they were both virtually penniless.

His feelings toward her were warm. She turned their conversation over and over in her mind, reading into every casual answer a double meaning, hints of a growing passion that were held in check. From the moment young Annabelle met her sister Minerva's intended, Lord Sylvester, she developed a secret passion for him that obsessed her. Now she was determined to take him away from Minerva no matter what. But she hadn't reckoned on Sylvester's best friend, Peter, who fell in love with Annabelle and decided to tame her.

It was an unfair decision - to be forced to choose between her home and her heart…When one of her sisters is attacked by Harry Devers, the lecherous son of Mannerling's present owner, Abigail Beverley puts her obsession with reclaiming the mansion on hold. It is then that Abigail meets the dashing and extremely eligible Lord Burfield, fresh back from the army and in full-time pursuit of a bride. She must be quick to grab his attention lest he be snapped up by Prudence Makepeace.

Daphne, the fourth daughter of the Reverend Charles Armitage, is beautiful - dazzlingly beautiful - but she is utterly wrapped up in her own appearance. It seems fitting when she decides to marry the exquisite Cyril Archer, who is as empty-headed and vain as she is; after all, once she is safely married, she can hide her true nature behind her beauty, never expected by anyone (least of all her husband) to do or say anything clever. Moreover, marrying Cyril will preserve her from the zealous schemes of her father.

Penetrating our hearts and minds, climate grief is not an ailment we have to heal from but a call to change the trajectory of our shared future. The universality, urgency, and inescapable scope of climate change leads to a depth of grief we are not prepared to cope with, and a grief that is still largely unknown and ignored. Climate change and climate grief are inseparable, and coping with the emotional fallout of the climate crisis is our first step toward dealing with the crisis itself and to building resilience.

As one of the two remaining unmarried Beverley sisters, Belinda considers herself the last hope for Mannerling, the beloved estate gambled away by their father. Each of her four elder sisters had hoped – even schemed - to marry one of Mannerling's successive owners. But all had chosen truelove over their ancestral home. Practical and duty-bound, Belinda would woo and wed Lord St. Clair, current holder of the estate. True, he is a silly fop, hardly what she desires in a husband, but she vows to make the man love her – even at the expense of her own happiness.

With little to live on but her romantic daydreams - which frequently starred the dashing Marquess of Fleetwater - Jean Lindsay lived a rather dismal life with her nasty, drunken uncle. Jean was always the object of ridicule, that is, until news of her unexpected inheritance spread. Suddenly her worn dresses became "quaint" and her forthright manner turned magically to "charming", but to Jean's horror, someone wanted her dead!

He stated quite bluntly--and much to Isabella's relief--that theirs would be a marriage in name only. But neither Harry nor Isabella was aware of the other's disguise, contrived in vain to thwart the impending nuptials. Isabella was not the selfish ice princess she seemed, nor was Harry a mincing dandy but rather a merry profligate.

The Misses Penelope Yarwood, Euphemia Perkins, and Letitia Helmsdale all smugly informed her that the Marquess of Cleveden was at once the most eligible and the most elusive catch in the London marriage mart. Society's most dazzling beauties had failed to win him over yet, and a newcomer like Fiona didn't stand a ghost of a chance of having him look at her twice.

The Beast - that was what they called her. With her plump body and rough tomboy ways, she felt more like a clown. It was hopeless. Poor penniless Tilly could only sit among the chaperons as a paid companion to the spiteful Lady Aileen. The best she could do was sit…and dream. But suddenly Philip, Marquess of Heppleford, the most eligible bachelor of all, decided he wanted her for himself, to be his wife, and they were married. His intent was to keep his freedom, fulfill the conditions of his father's will, and shock his aunts.

Will the last Beverley daughter marry for Mannerling?

Lizzie is the sixth and youngest daughter of the late Sir Beverley, the patriarch who gambled away their beloved estate, Mannerling. Each of Lizzie's sisters had been entrusted by their ambitious mother to cast lures for the various owners of their former home. Instead, each one married for love. Now it's Lizzie's turn to save Mannerling. But the new owner, the Duke of Severnshire, is far too arrogant for Lizzie's heart. And while the duke has no intentions toward the saucy chit, her curt dismissal of him is perplexing - no woman has ever refused him.

At her friend Ivy's behest, Lady Emily Ashton reluctantly agrees to attend a party at the sprawling English country estate of a man she finds odious. But the despised Lord Fortescue is not to be her greatest problem.

She was a lady's maid who longed to be a lady. How else could Lucy Balfour hope to win the favor of Andrew, Viscount Harvey, the toast of the town, who seemed ready to take a bride at last? There was only one way to do it, and that was to command his attention. It seemed an impossible dream; first she had to become the peer of her own mistress, the coldly beautiful Lady Angela, who was determined to claim Andrew as her own.

It's a maiden's miracle! Annabelle Quennell, daughter of a poor country parson, gets a chance at a London season to snare a wealthy husband. But before she sets off, Mad Meg the gypsy predicts trouble ahead, and it is nothing but woe that Annabelle finds. Godmother Lady Emmeline sponsors Annabelle's spree - and demands she wed the oafish Captain MacDonald. But things get worse when Annabelle fears she is losing her heart to Lord Varleigh - elegant, well-pursed, but who is taken by another mistress.

It seems as if there will be no need to find a husband for Diana, the fifth daughter of Charles Armitage, the hard-drinking huntsman and country vicar. For Diana shares her father's passion for the hunt, secretly posing as a man in order to participate in a sport that is considered too vulgar for a lady in Regency England. Her four elder sisters have married well, but Diana fears she will never be as desirous to wed a man as she is to be one. She was born to have a man's freedom to do and say what she wishes, to move about without restraint - or so she thinks until, disguised as David Armitage, she gets a bitter taste of tawdry town life.

From the prolific M. C. Beaton, comes a Regency romance where love flourishes in the most unexpected places. From the top of his flawlessly groomed head to the waxed tips of his fashionable shoes, Lord Andrew Childe was every inch the perfect gentleman. But Andrew's arrogant composure was almost always shattered by the impertinent Penelope Mortimer, an achingly lovely country beauty who had a clear knack for ruffling his lordship's feathers.

Alice Lovesey is a poor, mistreated scullery maid whose desperate plea for help miraculously summons Wadham Hall's rakish eighth duke - summons him from the dead! Though caught up in the delights of being newly materialized, the duke promises to return the favor by helping Alice become a lady of quality. But does Alice's heart stand a ghost of a chance now that she has lost it to a restless spirit?