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The first collection of stories Stephen King has published since Nightmares & Dreamscapes nine years ago, Everything's Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and "Riding the Bullet", King's original e-book, which attracted over half a million online readers and became the most famous short story of the decade. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

In Munich, writer Benjamin Stern enters his flat to find a man leafing through his research. When Stern confronts him, the man shoots him, murmurs a few words in Latin, gathers the papers and leaves. In Venice, art restorer and Israeli agent Gabriel Allon reads a message saying that Stern is dead; can he leave immediately? At the Vatican, a priest named Pietro paces in the garden, pondering the discoveries he has made, the enemies he will make, and the journey he must undertake. Silva weaves these three threads into a multilayered mystery.

The odd thing about Walter Schoen, German born but now running a butcher shop in Detroit, he's a dead ringer for Heinrich Himmler, head of the SS and the Gestapo. Honey Deal, Walter's American wife, doesn't know that Walter is a member of a spy ring and gives shelter to escaped German POWs. But she's tired of telling him jokes he doesn't understand; it's time for a divorce.

Carl Webster, the hot kid of the marshals service, is polite, respects his elders, and can shoot a man driving away in an Essex at 400 yards. Carl works out of the Tulsa, Oklahoma, federal courthouse during the 1930s, the period of America's most notorious bank robbers: Dillinger, Baby Face Nelson...those guys.

Strikingly original and intimate, That Old Ace in the Hole tracks the vast waves of change that have shaped the American landscape and character in the past century. In Bob Dollar, Proulx (The Shipping News) has created one of the most irresistible characters in contemporary fiction. "It's like seeing a painting up close and magnified," says Publishers Weekly, "with each tiny brush stroke lovingly emphasized."