Résultats lu par "David Shih" dans Toutes les catégories

Zero, Nyx, and the other Pathfinder colonists have adjusted to life on Kaguya. But Earth has built much faster starships-the Dreamcatcher arrives 10 years early, and the Stargazer arrives so early it actually got there before the Pathfinder did! Now the Stargazer is a lost shipwreck, and the race is on to find it, and who should show up looking for it but Nyx's dangerous family: Big Mama, Jim, and Kratt. Nyx and Zero will face kidnappers, pirates, shipwrecks, warlords, dragons, and maybe a new ally or two on their way to save the day once again.

Zero is just one of 20,000 people aboard a spaceship bound for a new planet set to be colonized. The journey is over a century long but luckily, everyone is in stasis, so they’ll be safe and sound asleep during the trip. Everyone that is, except for Zero, whose pod has malfunctioned, waking him up a hundred years early. His initial excitement in roaming the ship alone quickly turns to a heart-stopping interstellar adventure when a family of space pirates show up, trying to hijack the ship and take the colonizers hostage.

Soseki Natsume's comic masterpiece, I Am a Cat, satirizes the foolishness of upper-middle class Japanese society during the Meiji era. With acerbic wit and sardonic perspective, it follows the whimsical adventures of a world-weary stray kitten who comments on the follies and foibles of the people around him. A classic of Japanese literature, I Am a Cat is one of Soseki's best-known novels. Considered by many as the greatest writer in modern Japanese history, Soseki's I Am a Cat is a classic novel sure to be enjoyed for years to come.

Conceived over 30 years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making". What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise.

When a monstrosity above her rank shows up, Siasha is seated with some undesired downtime. Making the best of a boring situation, she and Zig head to the morning market, only to bear witness to a scuffle between humans and demi-humans. But to the inhuman witch Siasha and mercenary Zig, these interspecies tensions are none of their concern—or so they think. They soon learn that these conflicts are far more deep-rooted than they could've ever imagined.

When Siasha gets called away to help someone on a job, Zig finds himself with time to kill. He's quickly recruited by Katia, the daughter of a mafia boss, to help investigate the spread of a dangerous drug across the city. Tempted by the lure of a big payout, Zig accepts the request, and together they dig into the underbelly of society...only to discover the problem runs much deeper than they expected.

Call it "Zen and the Art of Farming" or a "Little Green Book", Masanobu Fukuoka's manifesto about farming, eating, and the limits of human knowledge presents a radical challenge to the global systems we rely on for our food. At the same time, it is a spiritual memoir of a man whose innovative system of cultivating the earth reflects a deep faith in the wholeness and balance of the natural world. As Wendell Berry writes in his preface, the book "is valuable to us because it is at once practical and philosophical."

For those looking for the real story behind the fictionalized movie account of the 47 Ronin story, this is the definitive, fascinating account of this unforgettable tale of a band of samurai who defied the Emperor to avenge the disgrace and death of their master, and faced certain death as a result. It led to one of the bloodiest episodes in Japanese history, and in the process, created a new set of heroes in Japan.

The Art of Expressing the Human Body, a title coined by Bruce Lee himself to describe his approach to martial arts, documents the techniques he used so effectively to perfect his body for superior health and muscularity.

Nothing in this world is more dangerous than a witch. The epitome of fear and terror, they can summon floods on a whim, conjure balls of fire out of the air, or even destroy entire countries overnight. Incur their wrath, and no one is safe. At least, that's what everyone thinks, and it's the very reason they all want Siasha dead. After yet another violent battle for her life, she teams up with Zig, a mercenary, and they depart for unknown lands to find somewhere she can live in peace. But is the pair any match for the lost magic and vicious monstrosities that lie ahead?

Portraying himself as a failure, the protagonist of Osamu Dazai’s NO LONGER HUMAN narrates a seemingly normal life even while he feels himself incapable of understanding human beings. His attempts to reconcile himself to the world around him begin in early childhood, continue through high school, where he becomes a “clown” to mask his alienation, and eventually lead to a failed suicide attempt as an adult. Without sentimentality, he records the casual cruelties of life and its fleeting moments of human connection and tenderness.

It was no walk in the park, but Zig and Siasha have finally gotten accustomed to their new surroundings and are enjoying their tranquil lives funded by their bloody battles with monstrosities. One day, Siasha decides to join a short-term adventuring party, and Zig, temporarily relieved of his bodyguard duties, finds himself with a bit of free time. But he's not idle for long. Isana—a second-class adventurer and acquaintance of Zig's—asks for his help investigating the recent kidnappings of children from her tribe.

Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai.

Powerful and provocative, These Memories Do Not Belong to Us masterfully explores how governments and media manipulate history to control the collective imagination. It forces us to see beyond the sheen of convenient truths and to unearth real stories of sacrifice and love that, despite all odds, refuse to be eradicated.

Every Falling Star, the first book to portray contemporary North Korea to a young audience, is the intense memoir of a North Korean boy named Sungju who is forced at age 12 to live on the streets and fend for himself. To survive, Sungju creates a gang and lives by thieving, fighting, begging, and stealing rides on cargo trains. Sungju richly recreates his scabrous story, depicting what it was like for a boy alone to create a new family with his gang, his "brothers".

This searing novel, originally banned in China but later named one of that nation's most influential books, portrays one man's transformation from the spoiled son of a landlord to a kindhearted peasant. After squandering his family's fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution.

Li Du was an imperial librarian. Now he is an exile. Arriving in Dayan, the last Chinese town before the Tibetan border, he is surprised to find it teeming with travelers, soldiers, and merchants. All have come for a spectacle unprecedented in this remote province: an eclipse of the sun commanded by the emperor himself. When a Jesuit astronomer is found murdered in the home of the local magistrate, blame is hastily placed on Tibetan bandits. But Li Du suspects this was no random killing.

At a secret Manhattan boarding school, the Descendants of the Chinese zodiac have hidden away since the source of their magic—the twelve zodiac statues—was vandalized and lost to time. Thus, a curse befell the Descendants, and they’ve lived as creatures of darkness . . . until now. When the lost statues suddenly resurface and a powerful classmate is found dead, all signs point to foul play from the fae. The Descendants finally have the chance to take back what's rightfully theirs and break the curse. To pull this deadly heist off, though, they must assemble an elite crew:

American food is the story of mash-ups. Immigrants arrive, cultures collide, and out of the push-pull come exciting new dishes and flavors. But for Edward Lee, who, like Anthony Bourdain or Gabrielle Hamilton, is as much a writer as he is a chef, that first surprising bite is just the beginning. What about the people behind the food? What about the traditions, the innovations, the memories? A natural-born storyteller, Lee decided to hit the road and spent two years uncovering fascinating narratives from every corner of the country.

Bruce Lee remains the gold standard that all martial artists are compared to. But could he actually fight? World Champions in karate competition have gone on record to point out that he never once competed in tournaments. Were his martial abilities merely a trick of the camera? For the first time ever, Bruce Lee authority and bestselling author John Little takes a hard look at Bruce Lee's real-life fights to definitively answer these questions with over thirty years of research that took him thousands of miles.