Showing results by narrator "Gayle Hunnicutt" in All Categories

Novelist, poet and critic Kingsley Amis was one of Britain’s greatest postwar writers. A master of comic fiction, he came to fame in 1954, and won the 1986 Booker Prize for The Old Devils. Included in this collection are dramatisations of seven of his short stories and two novels, all imbued with his characteristic wit and social satire. These are complemented by readings of selected correspondence and an interview with Amis himself.

When Pollyanna's father dies, she is sent to live with her only surviving relative, the rich but stern Aunt Polly. Pollyanna's joy soon turns to disappointment when her spinster aunt gives her a cold greeting and tells her she is to stay in the attic. It's not the welcome Pollyanna expected, but she soon regains her spirits, playing the "glad game" her father taught her.

After the death of her husband, Dolly Bantry sold Gossington Hall to the former film star Marina Gregg and her husband. When the glamorous couple decide to throw a benefit party for the local hospital, the grounds are thronged with curious visitors, and for one of them, the day ends in tragedy. As Marina is serving cocktails in the house, she is cornered by the excitable Heather Babcock, who chatters away about their former meeting about eleven years ago before spilling her daiquiri all over herself and Marina.

Henry James's novel, dramatised by Rachel Joyce. Young and beautiful, Isabel Archer thinks that she is in control of her fate. Little does she know, however, that others behind the scenes are pulling the strings. The beautiful and free-spirited Isabel Archer is now a very rich woman. Two men have declared their love for her but she does not want to be married. Resolved to enjoy her fortune, she begins her travels. Starring Anna Maxwell Martin, Haydn Gwynne, Robert Bathurst, Gayle Hunnicutt and full cast. Pianist Duncan Walsh Atkins. Directed by Tracey Neale.

Wharton's novel The Age of Innocence is set against an exclusive society background in which she reveals how Newland Archer is often the victim of, rather than the key player in, the events. The plot is constructed on a pattern of ironic misunderstandings: for example, Newland is unaware that Ellen's decision not to sue for divorce was for his and May's sake rather than to conceal her past. Furthermore, Newland remains largely blind to the manipulations of a wife he persists in seeing as innocent and naive.

In this story of Crown House, the grand home of the Ministers, the bond is built between the Minister family and the House of Windsor in this tale of changing times and unvarying traditions. This is a tale of two families and a fresh era for the Minsters of Crown House, and the Royal Family of Windsor.