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In her most ambitious novel to date, New York Times best-selling author Joyce Maynard returns to the themes that are the hallmarks of her most acclaimed work in a mesmerizing story of a family - from the hopeful early days of young marriage to parenthood, divorce, and the costly aftermath that ripples through all their lives

After a childhood filled with heartbreak, Irene, a talented artist, finds herself in a small Central American village where she checks into a beautiful but decaying lakefront hotel called La Llorona at the base of a volcano.

Following the death of her former husband, Cam, fifty-four-year-old Eleanor has moved back to the New Hampshire farm where they raised three children to care for their brain-injured son, Toby, now an adult. Toby’s older brother, Al, is married and living in Seattle with his wife; their sister, Ursula, lives in Vermont with her husband and two children. Although all appears stable, old resentments, anger, and bitterness simmer just beneath the surface. How the Light Gets In follows Eleanor and her family through fifteen years (2010 to 2024).

In the spring of 1972, Joyce Maynard, a freshman at Yale, published a cover story in The New York Times Magazine about life in the sixties. Among the many letters of praise, offers for writing assignments, and request for interviews was a one-page letter from the famously reclusive author, J.D. Salinger. At Home in the World is the story of a girl who loved and lived with J.D. Salinger, and the woman she became. A crucial turning point in Joyce Maynard's life occurred when her own daughter turned eighteen--the age Maynard was when Salinger first approached her.

Summer, 1979: A dry, hot Northern California school vacation stretches before Rachel and her younger sister, Patty - the daughters of a larger-than-life, irresistibly handsome (and chronically unfaithful) detective father and the mother whose heart he broke. When we first meet her, Patty is 11 - a gangly kid who loves basketball and dogs and would do anything for her older sister, Rachel.

Local weather reporter Suzanne Maretto craves nothing more than to transcend life at her suburban cable television news station and follow in the footsteps of her idol: Barbara Walters. When she concludes that her unglamorous husband is getting in the way of her dream of stardom, the solution seems obvious: Get rid of him. She seduces a 15-year-old admirer, Jimmy, and persuades him to do her dirty work. Mission accomplished, Suzanne takes to the airwaves in her new role as grieving widow, in search of a TV deal. If that means selling Jimmy down the river, she’s ready.

They were born on the same day, in the same small New Hampshire hospital, into families that could hardly have been less alike. Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world.

In 2011, when she was in her late 50s, beloved author and journalist Joyce Maynard met the first true partner she had ever known. Jim wore a rakish hat over a good head of hair; he asked real questions and gave real answers; he loved to see Joyce shine, both in and out of the spotlight; and he didn't mind the mess she made in the kitchen. He was not the husband Joyce imagined, but he quickly became the partner she had always dreamed of. Then, just after their one-year wedding anniversary, her new husband was diagnosed with pancreatic cancer.

Joyce Maynard was 18 years old when her 1972 New York Times Magazine cover story catapulted her to national prominence. Published one year later, Looking Back is her remarkable follow-up—part memoir, part cultural history, and part social critique. She wrote about diving under her desk for air-raid practice during the Cuban Missile Crisis, the Beatles’ first appearance on The Ed Sullivan Show, and catching the first glimpse (on the cover of Life magazine) of a human fetus in utero.

Drinking cost Helen her marriage and custody of her seven-year-old son, Ollie. Once an aspiring art photographer, she now makes ends meet by taking portraits of schoolchildren and working for a caterer. Recovering from her addiction, she spends lonely evenings checking out profiles on an online dating site. Weekend visits with her son are awkward. He's drifting away from her fast.