Showing results by narrator "Marlin May" in All Categories

This is me in all my glorious and pathetic splendor, I'm the result of treacherous fate. This life is something that I could have never guessed. A choice that I would never have made, a shotgun-suicide that I would have never committed. Who would ever choose to become a brainless zombie begging for brains? No one in their right mind would do such a despicable thing. Boring sheep! All of them, I say. Quite unfortunately for me I'm not just anyone.

October 6, 1951. Richard Bassett remembers the day vividly. That was the day his platoon ran into an ambush near Kumwha. During the firefight, many were wounded, four were killed, and Bassett, along with three others, was captured. During a month-long march to the POW camp, the Americans frequently came under friendly fire. Surviving the march paled in comparison to what the captured soldiers had to endure at Camp 5 Pyokdong.

Reed joined the New York Times in 1965 and was quickly thrust into the chaos of the Selma, Alabama protest movement and the historical interracial march to Montgomery. His story then moves from days of racial violence to the political combat of Washington. Reed covered the Johnson White House and the early days of the Nixon administration as it wrestled with the competing demands of Black voters and southern resistance to a new world.

For nine long days, the mayor and district attorney of Reno, Nevada, have been missing. Vanished without a trace. Their vehicles were found parked side-by-side at Reno-Tahoe International Airport. Did they fly somewhere together? They aren't on any flight manifest. Did the two of them take off with a big pile of the city's money? If so, the city accountants can't find it. Were they murdered? There's no sign of foul play.

To untangle the knot of interlocking meanings of these painted words, logophile and mythologist Phil Cousineau begins each fascinating word entry with his own brief definition. He then fills it in with a tint of etymology and a smattering of quotes that show how the word is used, ending with a list of companion words.

Jenny Smith, a young journalist, secures a career-making interview with a famous but reclusive author, AJ Kenton. Jenny's time with Mr. Kenton, however, is not spent with her asking questions but with his telling one last story. During three afternoons, Kenton describes a pivotal point in his life. As a 12-year-old, he went door to door in his neighborhood and sold packets of flower seeds. His goal was to earn a prize from the seed company's catalog. His memories reveal the hidden struggles of middle-class life in the early 1960s, a time that many people living today picture as ideal.

Konrad Michel, a leading psychiatrist and acclaimed expert, draws on decades of experience to offer necessary new ways of understanding—and preventing—suicide. Michel shows that suicide is not just a consequence of mental illness, but an action related to a person’s life story. Drawing on hundreds of interviews with suicidal patients, he argues that suicide and suicide attempts occur when someone experiences extreme emotional pain that severely impairs the ability to think and act rationally.

August Simms—explorer, soldier, world traveler—returns to Rhome, Texas to chase one last adventure. Hundreds of UFO sightings have been reported, seven years before the Wright brothers' initial flight, and August intends to solve the airship mystery. Instead, the past comes calling. A murder, a lynching, and the death of his wife 15 years earlier are inextricably tied to the present, and the adventure August finds will not be the one he expects.

At the time of the Millennium, three people struggle for survival in a small New Hampshire town as the world spins into chaos, not realizing that each harbors secrets that will eventually pit them against one another.

The movie director Paul Williams is a real-life Forrest Gump. Williams' experiences form a unique and wild constellation of encounters with star power, political power, and spiritual power, crafting a life cycle that led to fame, fortune, integrity, and anonymity.

It's December in Tennant Park, Colorado, and that can only mean one thing: The annual production of "A Christmas Carol" is just around the corner. The cast is abuzz, full of community-theatre veterans and fresh-faced newcomers. All in this small mountain town is merry and bright. That is, until Teena, one of the actors, makes a chilling discovery on opening night: Someone is going to murder Scrooge—or rather, the actor playing Scrooge—right on stage, in front of the entire audience.

Three generations of men gather at their family homestead in New Jersey as Franklin Bowman faces impending death. With a plan in mind, Franklin summons his son George, who faces the uncertainties of retirement, and his grandson Jack, who faces the prospect of discovering himself after being fired from his job.

The American theater was not ignorant of the developments brought on by World War II, and actively addressed and debated timely, controversial topics for the duration of the war, including neutrality and isolationism, racism and genocide, and heroism and battle fatigue. McLaughlin and Parry's work fills a significant gap in the history of theater and popular culture, showing that American society was more divided and less idealistic than the received histories of the WWII home front and the entertainment industry recognize.

In 1875, an Irish-born Baltimore policeman, Patrick McDonald, entered the home of Daniel Brown, an African American laborer, and clubbed and shot Brown, who died within an hour. In similar cases at the time, authorities routinely exonerated Maryland law enforcement officers who killed African Americans, usually without serious inquiry. But in this case, Baltimore’s White community chose a different path. A coroner’s jury declined to attribute the killing to accident or self-defense, the state’s attorney indicted McDonald and brought him to trial, and a jury convicted McDonald.

When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint". The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type.

The American World War II film depicted a united America, a mythic America in which the average guy, the girl next door, the 4-F patriot, and the grieving mother were suddenly transformed into heroes and heroines, warriors and goddesses. The Star-Spangled Screen examines the historical accuracy—or lack thereof—of films about the Third Reich, the Resistance, and major military campaigns.

Appalled at the carnage being wreaked on allied ships by Nazi war vessels, the movie actress Hedy Lamarr invents a device that will prevent German ships and U-boats from jamming the allied warships' radio-guided torpedoes.

No one who listen to this book will ever again think of his or her own death in the same way. The first part of the book consists of a thought-provoking essay, in which Fingarette examines the metaphors that mislead us: death as parting, death as sleep, immortality as the denial of death, and selflessness as a kind of consolation. He also thinks through some of the more illuminating metaphors: death as the end of the world for me, death as the conclusion of a story, life as ceremony, and life as a tourist visit to earth.

You might feel that the 9-to-5 dream job you’ve landed is turning out to be a nightmare. You wouldn’t be alone in thinking that. The rat race of the corporate workplace is nothing short of drudgery for some, and for others it’s a total drain.

In What Wars Leave Behind, J. Malcolm Garcia reveals the people and pain behind the statistics. He writes about impoverished families scraping by in Cairo’s city of the dead, ordinary Syrians pretending all is well as shells explode around them, and others caught in conflicts that rage long after the cameramen have packed up and gone away.