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On a summer’s day we have perhaps all wished to take flight and view life and the world from the vantage point of a clear blue sky. Our feathered friends do it as a matter of course, and in this volume some of our finest wordsmiths speak with imagination, longing and desire on their behalf.

Sleep. That most mysterious of times. The unconscious hours. Everyone needs it. Sleep offers a respite from the rigors and challenges of the day - a chance for the brain to process what has happened and bring rest and recuperation before the cycle of daytime activity begins again. Our poets, from Kipling and Swinburne through Hafiz, James Joyce, Edgar Allan Poe and a pillowful of others, explore the wish to rest, to close the eyes and reside in the land of nod.

The office of Poet Laureate goes back many centuries - informally to the time of Geoffrey Chaucer in 1389 and followed thereafter by a number of ‘volunteer laureates’. It was formally assigned to Ben Jonson in 1617 and, as a Royal office by letters patent in 1670, to John Dryden. It is a rich, rewarding history that bursts with the words, themes and visions of many great poets that has bound poetry and poets to a nation's soul.

With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning’s status as one of the great Victorian poets will always be secure in popular culture, while for the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed, it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim. 

Many people dream of being a fly on the wall or, even better, a companion and friend to the great artists of the day. We cannot offer you quite that, but we can take you on a walk through parts of London that will give you a real sense and feel of the world of Dickens and its impact upon himself, his characters and his stories. Your tour guide is Emma Parker, and the book extracts are read by Richard Mitchley.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

Poetry has over the centuries grouped poets or poems into many different themes and movements. Amongst its most unusual movements are the English wordsmiths, The Silver Poets. This select band lived during the sixteenth century reign of Queen Elizabeth 1st. Amongst their storied ranks were Sir Thomas Wyatt, Sir Philip Sidney, Henry Howard, the Earl of Surrey, Sir Walter Raleigh, John Davies, Michael Drayton and Mary Sidney (Herbert), the Countess of Pembroke.

Montague Rhodes James is cited as perhaps the greatest English writer of ghost stories, an opinion few would disagree with. Many of his elegant yet terrifying tales were created by discarding the prevailing gothic clichés and placing his characters and narrative in a realistic setting. Thereby the stories gained atmosphere and menace on a grand scale and he was famed as the originator of the antiquarian ghost story. Although story-telling and writing these 30 or so tales was a hobby, when published their effect transformed the genre and still chill the bones in our more modern times.

Henri René Albert Guy de Maupassant was born on August 5th, 1850, near Dieppe in France. In 1880 he published what is considered his first great work, ‘Boule de Suif’, (translated as as ‘Dumpling’, ‘Butterball’, ‘Ball of Fat’, or ‘Ball of Lard’), which met with a success that was both instant and overwhelming. Flaubert at once acknowledged that it was ‘a masterpiece that will endure.’ Maupassant had used his talents and experiences in the war to create something unique.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 44. These authors are not run-of-the-mill or ten a penny; they are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge, on 28th September 1864. He was one of 4 children. It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant. It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works. A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.

Aleksander Głowacki, who wrote under the nom de plume Boleslaw Prus, was born on 20th August 1847 at Hrubieszów in the Kingdom of Poland, at that time, controlled by the Russian Empire. It seems he had doubts as to the scale of his talents and early on adopted the name ‘Boleslaw Prus’, for both his journalistic and literary offerings. His work as a short-story writer met with much acclaim. He wrote several dozen of them, originally published in newspapers and ranging in length from micro-story to novella. His keen observation of everyday life and sense of humor are evident in them.

Algernon Blackwood was born on 14th March 1869 in Shooter’s Hill, South East London, to a religious middle-class family. His mother was a widowed Duchess and his father was a Post Office administrator. Blackwood was interested in the paranormal and the supernatural at an early age, and had a thirst for anything on Buddhism, other Oriental philosophies, mysticism and occultism. In his writings the weaving of the supernatural into his various works, from ghost stories and children’s stories to plays and long novels is clearly seen.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.

During the Victorian era the publishing of magazines and periodicals accelerated at a phenomenal rate. This really was mass market publishing to a hungry audience eager for literary sustenance. Many of our greatest authors contributed and expanded their reach whilst many fledging authors also found a ready source for their nascent works and careers. Amongst the very many was ‘The Yellow Book’.