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Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This second volume of the series brings together 20 of his fantasy stories.

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work.

The Last Hieroglyph is the fifth of the five-volume Collected Fantasies series. Editors Scott Connors and Ron Hilger have compared original manuscripts, various typescripts, published editions, and Smith's notes and letters, in order to prepare a definitive set of texts. The Last Hieroglyph includes, in chronological order, all of Clark Ashton Smith's stories from "The Dark Age" to "The Dart of Rasasfa".

Published in chronological order, with extensive story and bibliographic notes, this series not only provides access to stories that have been out of print for years, but gives them a historical and social context. Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This third volume of the series brings together 21 of his fantasy stories.

How much can we know about the world? In this audiobook physicist Marcelo Gleiser traces our search for answers to the most fundamental questions of existence, the origin of the universe, the nature of reality, and the limits of knowledge. In so doing he reaches a provocative conclusion: Science, like religion, is fundamentally limited as a tool for understanding the world. As science and its philosophical interpretations advance, we face the unsettling recognition of how much we don't know.

Bernard Lewis is recognized around the globe as one of the leading authorities on Islam. Hailed as "the world's foremost Islamic scholar" (Wall Street Journal), as "a towering figure among experts on the culture and religion of the Muslim world" (Baltimore Sun), and as "the doyen of Middle Eastern studies" (New York Times), Lewis is nothing less than a national treasure, a trusted voice that politicians, journalists, historians, and the general public have all turned to for insight into the Middle East.

A collection of Smith's apace adventure stories featuring Captain Volmar, including the never before published novella, "Red World of Polaris."

When facing a moral dilemma, Isabel Dalhousie--Edinburgh philosopher, amateur detective, and title character of a series of novels by best-selling author Alexander McCall Smith - often refers to the great twentieth-century poet W. H. Auden. This is no accident: McCall Smith has long been fascinated by Auden. Indeed, the novelist, best known for his No. 1 Ladies Detective Agency series, calls the poet not only the greatest literary discovery of his life but also the best of guides on how to live.

In How We Do It, primatologist Robert Martin draws on 40 years of research to locate the roots of everything from our sex cells to the way we care for newborns. He examines the procreative history of humans as well as that of our primate kin to reveal what's really natural when it comes to making and raising babies, and distinguish which behaviors we ought to continue - and which we should not. Although it's not realistic to raise our children like our ancestors did, Martin’s investigation reveals surprising consequences of - and suggests ways to improve upon - the way we do things now.

What do we think about when we think about play? A pastime? Games? Childish activities? The opposite of work? Think again: If we are happy and well rested, we may approach even our daily tasks in a playful way, taking the attitude of play without the activity of play. So what, then, is play? In Play Matters, Miguel Sicart argues that to play is to be in the world; playing is a form of understanding what surrounds us and a way of engaging with others. Play goes beyond games; it is a mode of being human.

As the title suggests, Fromm's is a wholeheartedly balanced view, inspired by great admiration for Freud's achievements but with a clear understanding of the preconceptions which blinkered his vision - notably those stemming from the bourgeois materialism of his society, his certainty of the inferiority of women and his inability to conceive of psychical phenomena for which physiological roots could not be demonstrated.

We inherit mechanisms for survival from our primeval past - none so obviously as those involved in reproduction. The hormone testosterone underlies the organization of activation of masculinity: It changes the body and brain to make a male. It is involved not only in sexuality but in driving aggression, competitiveness, risk-taking - all elements that were needed for successful survival and reproduction in the past. But these ancient systems are carried forward into a modern world.

It is possibly the most repugnant piece of fiction in all of England. So why is Plumtree Press, one of the country's most respectable publishing houses, about to add the hotly controversial new novel to its list? Publisher Alex Plumtree isn't talking. Hardly anyone knows he has taken on the project as a favor to the Prime Minister. Forget the bad press and hateful reviews. Alex swiftly finds himself on the wrong side of a lawsuit, bugged, betrayed, roughed up, and implicated in murder. Suddenly Alex doesn't know who to trust.

Retired inspector Charlie Hunter's belief that the two events are related leads him to accept a job working a charter between England and France. The only way to find out the truth is to be the man on the inside. But Charlie's life is at risk on the rough Channel. All is not as it seems on the shifting seas, and some players are holding secrets that will change the game...and the sunken life raft is the key.

History's most intriguing detective story may have been solved - recently unearthed evidence points towards the real location of the ancient, lost city of Atlantis. More than 2,000 years ago Plato laid down around a hundred cryptic clues about the location of the lost world of Atlantis. Since then countless experts have tried to crack Plato's code. Some claim Atlantis lies under the volcanic rocks of Santorini. Others place it in the Bermuda Triangle, off the coast of Africa or say it is lost forever beneath the waves of the Atlantic Ocean. But what if Atlantis is far closer than we think?

From best seller to death-dealer, London's Plumtree Press has a world-class best seller of a novel. And the sequel is earmarked to get this old family firm out of the red. But its anonymous author, known to Plumtree only as "Arthur", has apparently vanished, leaving the crucial last five chapters undelivered. Alex already knows they reveal the identity of the characters who smuggled British children to America during World War II. But, of course, this is fiction. So when a lead critic previews the book as a nonfiction exposé, Alex is shocked.

England's prestigious Plumtree Press is about to release a shocking book that exposes coded messages in a famous novel - codes alleged to be printer's errors. The messages are so treacherous, that if discovered at the original time of publication, the author would have been hung for treason. Now, with someone ruthlessly trying to keep this revealing exposé out of stores, Alex Plumtree must protect his star author and family's legacy before the phrase "publish or perish" becomes all too real!

The Real Story of the Exodus Colin Humphreys, a world-renowned Cambridge University scientist, reveals for the first time the concrete, scientific truth behind the Exodus miracles. The Burning Bush: Caused by a volcanic vent that opened up under the bush. Crossing the Red Sea: The water was pushed back by a very strong wind blowing all night. This is a known physical phenomenon called wind set down. The details given in the Bible mean we can pinpoint where the Red Sea crossing occurred.