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Martin John's mam says that she is glad he is done with it. But is Martin John done with it? He says he wants it to stop, his mother wants it to stop, we all want it to stop. But is it really what Martin John wants? He had it in his mind to do it, and he did it. Harm was done when he did it. Harm would continue to be done. Who will stop Martin John? Will you stop him? Should she stop him?

At sixty-six, Paula Spencer—mother, grandmother, widow, addict, survivor—is finally living her life. A job at the dry cleaners she enjoys, a man—Joe—with whom she shares what she wants, friends who see her for who she is, and four grown children, now with families and petty dramas the likes of which Paula could only have hoped for. Despite its ghosts, Paula has started to push her past aside. That is until Paula’s eldest, Nicola, turns up on her doorstep. Independent, affluent, a loving wife and mother, “a success”—Nicola is suddenly determined to leave it all behind.

Akemi’s desire for independence and aversion to marriage are unusual in her small village. A gift for drawing allows her to move to a rooming house in Tokyo where she studies medical illustration, finding satisfaction in the precision and purpose of her work. Sayako is the first roommate to pay Akemi attention, and they quickly become inseparable—Sayako drawn to Akemi’s humble origins, so distinct from her own insufferable, wealthy family; Akemi attracted to Sayako’s rebelliousness and her aspiration to be a painter.

Jen and Hugh Maddox have just survived every parent's worst nightmare. Relieved, but still terrified, they sit by the hospital bedside of their 15-year-old daughter, Lana, who was found bloodied, bruised, and disoriented after going missing for four days during a mother-daughter vacation in the country. As Lana lies mute in bed, unwilling or unable to articulate what happened to her during that period, the national media speculates wildly and Jen and Hugh try to answer many questions.

« Au revoir mes enfants ! Quand vous partez, ne vous retournez pas… » Avec ces derniers mots de leur mère, deux petites filles, Marguerite et sa sœur aînée, vont commencer une longue errance qui durera deux ans. Munies d’une nouvelle identité, elles doivent se couper de tout ce qui constitue leur univers familier. Menées de fermes en couvents, elles apprennent à se taire, à faire semblant, à mentir, à s’adapter et surtout à garder espoir, envers et contre tout.

With these last words from their mother, two little girls, Marguerite and her older sister, will begin a long wandering that will last two years. Equipped with a new identity, they must cut themselves off from everything that constitutes their familiar universe. Led from farms to convents, they learn to keep quiet, to pretend, to lie, to adapt and above all to keep hope, against all odds. The story that Marguerite Élias Quddus gives us takes one to the centre of it and lets us glimpse history through the eyes of a very young child.