
Death Comes to Marlow
Marlow Murder Club, Book 2
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Narrateur(s):
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Nicolette McKenzie
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Auteur(s):
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Robert Thorogood
À propos de cet audio
Judith, Suzie and Becks return in the brilliant second crime novel in the Marlow Murder Club series, from the creator of the hit TV series, Death in Paradise.
It’s been an enjoyable and murder-free time for Judith, Suzie and Becks—AKA the Marlow Murder Club—since the events of last year. The most exciting thing on the horizon is the upcoming wedding of Marlow grandee, Sir Peter Bailey, to his nurse, Jenny Page. Sir Peter is having a party at his grand mansion on the river Thames the day before the wedding, and Judith and Co. are looking forward to a bit of free champagne.
But during the soiree, there’s a crash from inside the house, and when the Marlow Murder Club rush to investigate, they are shocked to find the groom-to-be crushed to death in his study.
The study was locked from the inside, so the police don’t consider the death suspicious. But Judith disagrees. As far as she's concerned, Peter was murdered! And it’s up to the Marlow Murder Club to find the killer before he or she strikes again...
©2021 Robert Thorogood (P)2021 HarperCollins Publishers LimitedVous pourriez aussi aimer...
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A Great Mystery
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Did not equal the first book in story
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As good as the first!
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Can’t wait for the next one!
Highly recommend!
So good!
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Looking forward to the next one!
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Love these characters
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While discussing [the case] amongst themselves, each and every one of them managed to forget a SUBSTANTIAL NUMBER of important clues. It’s like Robert Thorogood abandoned his talent and experience, by deciding to write the rest of the book as if he were a very sub-par writer taking the easy way out of sustaining a believable plot!!! Sadly, I’m not surprised that the editors of Death Comes To Marlow missed this massive error. A very experienced editor who’s an instructor in my local university’s Editing Certification program has said that she hadn’t read fiction in years; the lack of editing was just far too frustrating for her. I’ve noticed this lack of editing in many contemporarily-written mystery books, usually at the Copy Editing level, and only occasionally at the higher, Stylistic Editing level. Because I’ve tended to enjoy those books overall, I’ve been content with audibly correcting the book ;-D , and/or griping to my partner ;-) . Robert Thorogood’s Death Comes to Marlow takes the prize of being the first contemporarily-written mystery I’ve read that demonstrated a failure in the Substantive/Structural Editing Level :-( :-( :-( Sigh.
Sleuths much stupider this time around :-(
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Narrator excellent but wasted in this imitation of The Thursday Murder Club
Story absurd,, laboured and tedious
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