On the surface, Denny Voss’s life in rural Minnesota is a quiet one. At thirty years old, he lives at home with his elderly mother and his beloved blind and deaf Saint Bernard, George. He cleans up roadkill to help pay the bills. Though his prospects are limited by a developmental delay—the result of an accident at birth—Denny has always felt that he has “a good life.” So how did he wind up being charged with the murder of a mayoral candidate—after crashing a sled full of guns into a tree?

When empty nester Paula Whyman climbs to a peak in the foothills of the Blue Ridge Mountains, her plans for a backyard ecology project quickly morph into a massive endeavor. In Bad Naturalist, Whyman struggles with conflicting advice from experts, an influx of invasive species, delayed plans, and the occasional rattlesnake—but none of it dampens her irrepressible passion for protecting the land.

After being fired from his last two jobs, Ryan Clark lands an associate position with a law firm run by his distant cousin, Tom, in a small North Carolina town. Over twenty-five years earlier, Tom represented local man Joe Moore when he was convicted of murder in the deaths of a prominent young couple. Even though the evidence was circumstantial, Joe was high on drugs and doesn't remember the details of the crime. He never seriously questioned his own guilt, but Joe's family remains unconvinced of his guilt, and they hire Ryan and Tom to file a motion to obtain Joe's release.

It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories. Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations.

Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and her rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show—putting her teaching job at risk—and her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.

A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

Tig Costello has arrived in Darren, Kentucky, commissioned to paint a portrait honoring her grandfather Benjamin. His contributions to the rural Appalachian town and his unimpeachable war service have made him a local hero. But to Tig, he’s a relative stranger. To find out more about him, Tig wants to talk to the person who knew her grandfather best: Eloise Price, the woman who murdered him fifty years ago.

Al Ward lives on an isolated mining claim in the high desert of central Nevada fifty miles from the nearest town. A grizzled man in his sixties, he survives on canned soup, instant coffee, and memories of his ex-wife, friends and family he’s lost, and his life as a touring musician. Hampered by insomnia, bouts of anxiety, and a chronic lethargy that keeps him from moving back to town, Al finds himself teetering on the edge of madness and running out of reasons to go on—until a horse arrives on his doorstep: nameless, blind, and utterly helpless.

After a tragedy separates her from her mother, Juana García leaves in search of her father, who left them two years earlier. Out of money and in need of someone to help her across the border, Juana meets Adelina Vasquez, a young woman who left her family in California to follow her lover to Mexico. Finding themselves - in a Tijuana jail - in desperate circumstances, they offer each other much needed material and spiritual support and ultimately become linked forever in the most unexpected of ways.

Jill Ellington's twin sister hasn't spoken a word since she allegedly murdered her husband, and her three-year-old son is missing. No one in the small, idyllic town of Paradise saw or heard a single thing. The chief of police already has Jill's twin convicted and her nephew dead and buried. Jill is going to need a miracle to uncover the truth.

For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.

What does it take to escape the plotlines mapped onto us? Searching for clues in the work of her literary foremothers, Lipson untangles what it means to be a girl, a woman, a lover, a partner, a daughter, and a mother in a world all too ready to reduce us to stock characters.

Former Blackhawk pilot Luke Angel wants nothing more than to enjoy the easy life he’s found in coastal Florida. He’s got a seaplane business, a well-trained dog, and a loyal and lovable crew to throw back margaritas with. But when a plane belonging to a friend goes missing from Luke’s airport, local detectives are understandably baffled. Clues are scattered from the Keys to the far side of the Gulf of Mexico, and Luke may be the only one with the connections to piece the puzzle back together.

Michael is coming undone. Adrift after his wife's departure, he has begun taking himself on long, solitary walks across the English countryside. Becoming ever more reclusive, he’ll do anything to avoid his empty house. Marnie, on the other hand, is stuck. Hiding alone in her London flat, she avoids old friends and any reminders of her rotten, selfish ex-husband. Curled up with a good book, she’s battling the long afternoons of a life that feels like it’s passing her by.

A haunting and beautiful memoir from a Cambodian refugee who lost her country and her family during Pol Pot's genocide in the 1970s but who finds hope by reclaiming the recipes she tasted in her mother's kitchen.