On the day of Alec Salter’s fiftieth birthday party, his wife, Charlotte, vanishes. Most of the small English village of Glensted is at the party for hours before anyone realizes she is missing. While Alec brushes off her disappearance, their four children—especially fifteen-year-old Etty—grow increasingly anxious as the cold winter hours become days and she doesn’t return. Then Etty and her friend Morgan find the body of Morgan’s father—and the Salters’ neighbor— Duncan Ackerley, floating in the river.

Happy Doll is a charming, if occasionally inexpert, private detective living just one sheer cliff drop beneath the Hollywood sign with his beloved half-Chihuahua half-Terrier, George. A veteran of both the Navy and LAPD, Doll supplements his meager income as a P.I. by working through the night at a local Thai spa that offers its clients a number of special services. Armed with his 16-inch steel telescopic baton, biting dry humor, and just a bit of a hero complex, the ex-cop sets out to protect the women who work there from clients who have trouble understanding the word "no".

Months after her mother passes away, artist Tillie Morrisey sees a painting in a gallery that leaves her inexplicably lightheaded and unsteady. When a handsome stranger comes to her aid, their connection is so immediate it seems fated, though Liam is only visiting for a few days. Working on her own art has always been a refuge, but after discovering a document among her mother’s belongings that suggests Tillie’s life has been a lie, she begins to suffer from a series of fugue states, with memories surfacing that she isn’t even sure are her own.

It's 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another, she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war's end brings with it an act of deep betrayal.

It happens more than you might think. One second someone’s life is totally typical, the next it’s terribly tragic. Everything they had, everything they planned, everything they were, all of it vanishes in a flash. Shock and sorrow leave the victim staring into tomorrow’s void, wondering: How did it happen? Who did it? And why?

Martha Ratliff conceded long ago that she’d likely spend her life alone. She was fine with it, happy with her solo existence, stimulated by her work as a librarian in Maine. But then she met Alan, a charming and sweet-natured salesman whose job took him on the road for half the year. When he asked her to marry him, she said yes, even though he still felt a little bit like a stranger.

Jordan Sable, a prosperous undertaker turned political boss, has controlled the Black vote in St. Louis for decades. Sara, his equally formidable wife, runs the renowned funeral establishment that put the Sable name on the map. Together they have pushed through obstacles in order to create a legacy for their children. When tragedy bursts their carefully constructed empire of dignity and safety, the family rallies around an unconventional solution. But at what cost?

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

When Anna Hartley’s husband, Henry, calls her with a terrible, guilty confession, she can’t believe what she hears. It has to be a bad joke—the mild, predictable artist she married would never hurt a fly, let alone commit murder. But her confusion turns to horror when police find his body washed up on the banks of the Rio Grande.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

London: 1968. Liz Houghton is languishing as an obituary writer at a London newspaper when a young girl’s disappearance captivates the city. If Liz can break the story, it’s her way into the newsroom. She already has a scoop: Her best friend Marisa is a police officer who is assigned to the case. Liz follows Marisa to Dorset, where they make another disturbing discovery. Over two decades earlier, three girls disappeared while evacuating from London. One was found murdered in the woods near a train line. The other two were never seen again.

What you see isn’t always what you get. Take Ainsley. The gorgeous mother of two lives a picture-perfect life with her husband, Ben—aspiring politician and heir to a candy fortune—in suburban Washington, DC. But in reality, Ainsley has no idea what she’s doing and is terrified someone will figure out who she really is and where she came from.

As late summer 1951 descends on Elmira, New York, Myra Larkin, thirteen, the oldest child of a large Catholic family, meets a young man she believes to be Mickey Mantle. He chats her up at a local diner and gives her a ride home. The matter consumes her until later that night, when a triple homicide occurs just down the street, opening a specter of violence that will haunt the Larkins for half a century.

Frankie Elkin is an average middle-aged woman, a recovering alcoholic with more regrets than belongings. But she spends her life doing what no one else will - searching for missing people the world has stopped looking for. When the police have given up, when the public no longer remembers, when the media has never paid attention, Frankie starts looking. A new case brings her to Mattapan, a Boston neighborhood with a rough reputation. She is searching for Angelique Badeau, a Haitian teenager who vanished from her high school months earlier.