Laura has returned to work at Morris and Wood after her maternity leave, only to discover that the woman she brought in to cover for her isn’t going anywhere. Despite her close relationship with the agency’s powerful CEO, she feels sidelined - and outmaneuvered - as she struggles to balance the demands of work and motherhood.

One day, a woman turns up in a remote coastal village. She's bought a crumbling, long-vacant cottage and calls herself Charlie Miller. Charlie keeps to herself, reluctant to integrate with the locals. If they ever find out who she really is, and what she's done, she'll lose what little she has left. Charlie served two years in prison for providing a false alibi for a murderer. It was the mistake of a woman in love, a woman who couldn't believe her boyfriend was guilty - or lying to her. All she desperately wants now is a fresh start.

Shortly after marrying her soulmate and the birth of their son, the lies begin. First, it's the phone calls, always held in secret, always deleted from his phone. Then it's his odd disappearances and the little nagging voice in her head screaming: Something is not right. When Palmer follows her gut - and her husband - she catches him with an unfamiliar woman in the park and in his biggest lie thus far. Learning from her past, she hatches a plan to protect herself and their child.

Fifteen years ago, Lilith Wade was arrested for the brutal murder of six women. After a death row conviction, media frenzy, and the release of an unauthorized biography, her 30-year-old daughter Edie Beckett is just trying to survive. She’s a recovering alcoholic with a dead-end city job and an unhealthy codependent relationship with her brother. Edie also has a disturbing secret: a growing obsession with the families of Lilith’s victims. She’s desperate to see how they’ve managed - or failed - to move on. But she’s careful to keep her distance. That is, until she crosses a line and a man is found murdered.

A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls - anxious, desperate, and willing to do whatever it takes to make it.

Connie can't deny she's nervous about meeting her boyfriend's family. Spending the weekend at their ritzy woodland summer home, Evan's already given her fair warning that his parents are cold, snobbish, and especially unpleasant toward those outside their usual social circles. So when Evan's mother warmly greets them with open arms, Connie is as confused as he is. They're so friendly, in fact, Evan himself can hardly believe they're real. Then, while helping Evan's mother with dinner, Connie overhears strange noises coming from the basement—what almost sounds like voices calling out for help.

After a tragic chain of events led to the deaths of their spouses two years ago, D.C. philanthropist Sloane Chase and Senator Whit Montgomery are finally starting to move on. The horrifying ordeal drew them together, and now they’re ready to settle down again—with each other. As Sloane returns to the world of White House dinners and political small talk, this time with her new husband, she’s also preparing for an upcoming hip replacement—the latest reminder of the lupus she’s managed since her twenties.

In the vein of Big Little Lies and Reconstructing Amelia comes an emotionally charged domestic suspense novel about a mother unraveling the truth behind how her daughter became brain-dead. And pregnant.

Ethan Dove’s family has moved to a new home in a safe community, and it’s exactly the fresh start they need. Not only is his marriage to Emma hanging by a thread, but his son, Dylan, and twelve-year-old daughter, Rose, deserve to have a happy childhood. After Rose is bullied by the boys across the road, Ethan is relieved when the woman who lives next door steps in. Fiona Smith has come into their lives at just the right moment, and when she offers to look after Rose during the school holidays, Ethan and Emma can’t believe their luck.

Medical student Amy Brenner is spending the night on a locked psychiatric ward. Amy has been dreading her evening working on Ward D, the hospital’s inpatient mental health unit. There are very specific reasons why she never wanted to do this required overnight rotation. Reasons nobody can ever find out. And as the hours tick by, Amy grows increasingly convinced something terrible is happening within these tightly secured walls.

Carrie wants a normal life. Carrie Lawrence doesn’t need a happily ever after. She’ll just settle for “after.” After a decade of helping her sister hide her victims. After a lifetime of lies. She just wants to be safe, boring, and not trekking through the woods at night with a dead body wrapped in a carpet. Becca wants to get away with murder. Becca Lawrence doesn’t believe in happily ever after because she’s already happy. She’s gotten away with murder for a decade and has blackmailed her sister into helping her hide the evidence - what more could a girl want?

Whitney had some misgivings when she dropped her increasingly moody teenage daughter, Amelia, off at Lauren’s house. She’d never met the parents, and usually she’d go in, but Amelia clearly wasn’t going to let something so humiliating happen, so instead Whitney waved to her daughter before pulling away from the little house with the roses in front. But when she goes back the next day, an elderly couple answers the door - Amelia and Lauren aren’t there, and this couple swears they never were, that she’s at the wrong house.

It's a case that has gripped a nation: A woman with a shocking secret is missing, presumed dead. And her two husbands are suspects in her murder. DCI Clements knows the dark side of human nature and that love can make people do treacherous things. You can’t presume anything when it comes to crimes of the heart. Until a body is found, this scandalous and sad case remains wide open.

A woman falls to her death from a London bank’s twenty-fifth-floor roof terrace. You're arrested for her murder. You tell the police that you had only met the victim the previous night at your office party. She was threatening to jump down from the roof, but you had talked her down. You've got nothing to do with this tragedy. You're clearly being framed.

Confronted by a restraining order and the threat of a lawsuit, failed journalist Leah Stevens needs to get out of Boston when she runs into an old friend, Emmy Grey, who has just left a troubled relationship. Emmy proposes they move to rural Pennsylvania, where Leah can get a teaching position and both women can start again. But their new start is threatened when a woman with an eerie resemblance to Leah is assaulted by the lake, and Emmy disappears days later.