Titres dans Essais

「悲劇的なもの」への憧憬と渇仰。それは三島由紀夫にとって存在の深部から湧出する抑えがたい欲動であった。自己を衝き動かす「前意味論的欲動」は、彼の文学を研ぎ澄ませ昇華させると同時に

Wer Karl Kraus im Literaturbetrieb des frühen 20. Jahrhunderts kannte, verehrte oder verabscheute ihn - Gleichgültigkeit löste er jedenfalls nicht aus. Mit nur 25 Jahren gründete Kraus in Wien die Zeitschrift Die Fackel, mit der 1899 seine steile Karriere als Journalist und Kritiker, Dramatiker und Satiriker begann. Bis zu seinem Tod im Jahr 1936 galt er als scharfzüngigster Beobachter des kulturellen und politischen Zeitgeschehens. Seine Worte richteten sich gegen die Verlotterung der Sprache, gegen Phrasendrescher und Kriegstreiber, gegen Korruption und Heuchelei.

Jonathan Franzen’s best seller Freedom was the most-discussed novel of 2010, an ambitious and searching engagement with life in America in the 21st century. The New York Times Book Review proclaimed it “a masterpiece of American fiction.” Now a new collection of Franzen’s non-fiction brings fresh evidence of that moral intelligence, confirming his status not only as a great American novelist but also as a keen observer, social critic and self-investigator.

A Modest Proposal for Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country, and for Making Them Beneficial to the Public, commonly referred to as A Modest Proposal, is a Juvenalian satirical essay written and published anonymously by Jonathan Swift in 1729. Swift suggests in his essay that the impoverished Irish might ease their economic troubles by selling children as food. By doing this he mocks the authority of the British officials.

Nick Lansing and Susy Branch are young, attractive but impoverished New Yorkers. They are in love and decide to marry, but realise their chances of happiness are slim without the wealth and society that their more privileged friends take for granted. Nick and Susy agree to separate when either encounters a more eligible proposition.

This was Alan Clark’s first volume of diaries and the only one that he recorded. As such it is a unique and historical record and reminder of the man and his work. To hear Alan Clark reading the book in his marvelously rich voice adds immeasurably to the pleasure of these informative and entertaining diaries. The recording covers two Parliaments and constitutes the most outspoken and revealing account of British politics ever written.

Spanning more than thirty five years of Lawrence Wright’s reporting for The New Yorker, Texas Monthly, Rolling Stone and other magazines, these pieces remind us what a brilliant observer Wright has been of institutions, of political maneuverings, and of people—dangerous, eccentric, or beloved.

With their powerful blend of political and aesthetic concerns, Edward W. Said's writings have transformed the field of literary studies. This long-awaited collection of literary and cultural essays, the first since Harvard University Press published The World, the Text, and the Critic in 1983, reconfirms what no one can doubt—that Said is the most impressive, consequential, and elegant critic of our time—and offers further evidence of how much the fully engaged critical mind can contribute to the reservoir of value, thought, and action essential to our lives and our culture.

Chanakya's Arthashastra is an unrivalled political treatise that has been used by scholars, academics and leaders across the world. In Chanakya and the Art of Getting Rich, Radhakrishnan Pillai brings out the inherent lessons from Arthashastra to present a strategic and practical way of wealth creation. This is a holistic study, written for anyone and everyone.

Dans son Journal d'une apprentie chamane, Corine Sombrun racontait l'incroyable aventure qui l'avait conduite, sur les traces d'un chamane péruvien, au fin fond de la forêt amazonienne. Elle a poursuivi sa quête spirituelle en Mongolie auprès des chamanes Tsaatanes, qui vont lui révéler qu'elle est elle-même chamane et doit suivre leur enseignement. Commence alors pour elle une initiation qui comporte outre l'apprentissage des différents rituels, la vie commune sous le tipi, la garde des rennes, le dressage des chevaux, la transhumance et la maîtrise du froid.

Remember that moment when you first encountered a character who seemed to be written just for you? That feeling of belonging remains with readers the rest of their lives - but not everyone regularly sees themselves on the pages of a book. In this timely anthology, Glory Edim brings together original essays by some of our best black women writers to shine a light on how important it is that we all - regardless of gender, race, religion, or ability - have the opportunity to find ourselves in literature.

In her debut book, Everybody Come Alive, Marcie Alvis Walker invites listeners into a deeply intimate and illuminating memoir comprising lyrical essays and remembrances of being a curious child of the seventies and eighties, raised under the critical and watchful eye of Jim Crow matriarchs who struggled to integrate their lives and remain whole. This is a coming-of-age journey touching on the bittersweet pain and joy of what it takes to become a person who embraces being Black, a woman, and holy in America.

Sir Francis Bacon, sometimes known as the father of empiricism, was one of the major political figures of his day, his career culminating as Lord Chancellor under King James I in 1617. Bacon wrote widely, but it is the Essays (published in its third edition in 1625, the year before his death) for which he is best known. Deftly written and often displaying a cutting wit, they cover a wide range of subjects including death, love, marriage, ambition and atheism.

This anthology edited by the American writer, philosopher, and patron of the arts Alain Locke brings together some of the most influential pieces of African American works from the late 19th and early 20th centuries. Featuring the voices of Zora Neale Thurston, W. E. B. Du Bois, and Langston Hughes, Locke included commentary on the emergence of the New Negro Movement, also known as the Harlem Renaissance. The New Negro is considered to be the definitive text on the movement.

Marco Balzano ispirandosi nel titolo al film di Nanni Moretti Palombella Rossa, si interroga sul perché l'etimologia sia una scienza che non riceve la considerazione che merita nonostante eserciti, in chi ci si avvicina, un forte fascino. Attraverso quelli che a tutti gli effetti potremmo definire dieci scavi etimologici, ci dice che ogni parola ha un corpo da rispettare che non può essere stravolto a nostro piacimento. Perché ogni parola ha una sua identità e una sua vita autonoma.

Quasi una vita, momento per momento, quelli più intensi che nel tempo acquistano ancora più vigore e ritornano in tutta la loro vividezza. Tanti incontri qui offerti nella forma del racconto, ognuno dei quali ha una luce, un'atmosfera e dei personaggi indimenticabili che hanno segnato soprattutto la giovinezza e l'adolescenza di Camilleri. Alcuni conosciuti negli anni più maturi, durante la sua carriera di regista teatrale e televisivo, molti altri sconosciuti, che ci riportano ai tempi del fascismo, della guerra.

Locked in his desk for 25 years, What Is Man? was Twain's most serious, philosophical, and private work. The narrative appears in the form of a Socratic dialogue between a romantic young idealist and an elderly cynic. The pair debate issues of mankind, such as whether man is free to act or is more of a machine, whether personal merit is meaningless given how the environment shapes us, and if man truly has impulses other than to pursue pleasure and avoid pain.

我慢して生きるほど人生は長くない!● 我慢して仕事、家事● やりたいことができない● 心が休まらない● 我慢しすぎて後悔● 気遣いばかりで疲れる● 体調を崩しがち● わかってもらえない

I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life can not matter. The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric and the essay in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America.

This combination of serious artistic engagement with warmth and clarity of prose revels in the experiences and pleasures of art and the body, identity, and community.