Titres dans Anthologies et nouvelles

“You like it darker? Fine, so do I,” writes Stephen King in the afterword to this magnificent new collection of twelve stories that delve into the darker part of life—both metaphorical and literal. King has, for half a century, been a master of the form, and these stories, about fate, mortality, luck, and the folds in reality where anything can happen, are as rich and riveting as his novels, both weighty in theme and a huge pleasure to digest.

22 histoires pour explorer des territoires connus seulement de Stephen King et rencontrer ses créatures les plus inquiétantes, les plus bizarres ou les plus monstrueuses. 22 histoires qui vous prendront à la gorge, vous glaceront le sang ou vous procureront la désagréable impression que quelqu'un vous attend, dans l'ombre. 22 histoires pour empoisonner vos rêves et blanchir vos nuits, signées par le grand maître de vos cauchemars... J'ai réuni ici mes meilleures histoires. Vous êtes prêts à me suivre ? On y va. Je connais le chemin... Stephen King.

The master at his scarifying best! From heart-pounding terror to the eeriest of whimsy - tales from the outer limits of one of the greatest imaginations of our time! Trucks that punish and beautiful teen demons who seduce a young man to massacre; curses whose malevolence grows through the years; obscene presences and angels of grace - here, indeed, is a night-blooming bouquet of chills and thrills.

The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories, read by four Audie-winning narrators. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James.

A master storyteller at his best - the O. Henry Prize winner Stephen King delivers a generous collection of stories, several of them brand-new, featuring revelatory autobiographical comments on when, why, and how he came to write (or rewrite) each story. Magnificent, eerie, utterly compelling, these stories comprise one of King's finest gifts to his constant fan. "I made them especially for you," says King. "Feel free to examine them, but please be careful. The best of them have teeth."

The first collection of stories Stephen King has published since Nightmares & Dreamscapes nine years ago, Everything's Eventual includes one O. Henry Prize winner, two other award winners, four stories published by The New Yorker, and "Riding the Bullet", King's original e-book, which attracted over half a million online readers and became the most famous short story of the decade. Intense, eerie, and instantly compelling, they announce the stunningly fertile imagination of perhaps the greatest storyteller of our time.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

"I believe there is another man inside every man, a stranger...." writes Wilfred Leland James in the early pages of the riveting confession that makes up "1922", the first in this pitch-black quartet of mesmerizing tales from Stephen King. For James, that stranger is awakened when his wife, Arlette, proposes selling off the family homestead and moving to Omaha, setting in motion a gruesome train of murder and madness.

Much of Richard Matheson's work has found its way into pop culture: The title story became a memorable episode of television's The Twilight Zone, and more recently, Will Smith starred in the blockbuster movie I Am Legend. Stephen King has declared Matheson to be one of his favorite writers. Find out why as you listen to the classic horror story of a man who peers out of his airplane window to see a gremlin destroying the wing.

Originally written for the pulp magazines of the 1920s and '30s, H. P. Lovecraft's astonishing tales blend elements of horror, science fiction, and cosmic terror that are as powerful today as they were when first published. This tome brings together all of Lovecraft's harrowing stories, including the complete Cthulhu Mythos cycle, just the way they were when first released.

In the midst of a raging blizzard, lightning struck on the night Laura Shane was born. And a mysterious blond-haired stranger showed up just in time to save her from dying. Years later, in the wake of another storm, Laura will be saved again. For someone is watching over her. Is he the guardian angel he seems? The devil in disguise? Or the master of a haunting destiny beyond all time and space?

In this masterful collection of short fiction, Joe Hill dissects timeless human struggles in 13 relentless tales of supernatural suspense, including “In The Tall Grass”, one of two stories cowritten with Stephen King, basis for the terrifying feature film from Netflix.

It's been one year since a virus triggered junk DNA and people all over the world started changing, becoming something else, craving blood. It's been 10 months since the word vampire stopped being something from old monster stories and Hollywood movies. It's been six months since our world and theirs erupted into war, two since an uneasy peace was signed, and one hour since that peace was shattered. The war is here again - the vampire war.

A collection of four chilling novels, ingeniously wrought gems of terror from the brilliantly imaginative number one New York Times best-selling author of The Fireman, Joe Hill.

Just After Sunset - call it dusk, call it twilight, it's a time when human intercourse takes on an unnatural cast, when nothing is quite as it appears, when the imagination begins to reach for shadows as they dissipate to darkness and living daylight can be scared right out of you. It's the perfect time for Stephen King.

Une découverte souterraine provoque des violences à Gagnon, une ville minière du Québec. En Écosse, trois gardiens de phare disparaissent sans laisser de traces. Au XVIe siècle, dans un village allemand, des animaux puis des enfants sont retrouvés mutilés. Une jeune femme s'aventure sans autorisation dans un hôtel de Chicago à ses risques et périls. Dix membres d'une expédition meurent sur les pentes de l'Oural sans qu'on sache pourquoi.

A group of mountain climbers, caught in the dark, fight to survive their descent; in the British countryside, hundreds of magpies ascend into the sky, higher and higher, until they seem to vanish into the heavens; a professor and his student track a zombie horde in order to research zombie behavior; an all-girl riding school has sinister secrets; a town rails in vain against a curse inflicted upon it by its founders; and much more.

Ça vous dirait de vivre votre propre autopsie ? De rencontrer le Diable ? De vous tuer par désespoir dans les plaines enneigées du Minnesota ? De fuir la police en compagnie de Dillinger ? De devenir assassin via l’internet ou de trouver la petite pièce porte-bonheur qui vous fera décrocher le jackpot ? Alors, laissez-vous guider par Stephen King pour écouter ces quatorze nouvelles : Salle d’autopsie quatre. L’homme au costume noir. Tout ce que vous aimez sera emporté. La mort de Jack Hamilton. Salle d’exécution.

Wounds is a confounding, strange, and utterly entrancing collection of six stories, including one new novella from Shirley Jackson Award-winning author Nathan Ballingrud. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in The Visible Filth to the search for the map of hell in “The Butcher’s Table”, Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.